Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre
Additionally, for scholars, analysis of this "interracial" interaction found in much of youth culture provides opportunities to reassess and redefine such foundational concepts of Ethnic Studies as mestizaje and diaspora. In his article, "Diasporacentrism and Black Aural Texts,"...
Gespeichert in:
| Veröffentlicht in: | Callaloo 2006-07, Vol.29 (3), p.939-955 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 955 |
|---|---|
| container_issue | 3 |
| container_start_page | 939 |
| container_title | Callaloo |
| container_volume | 29 |
| creator | McFarland, Pancho |
| description | Additionally, for scholars, analysis of this "interracial" interaction found in much of youth culture provides opportunities to reassess and redefine such foundational concepts of Ethnic Studies as mestizaje and diaspora. In his article, "Diasporacentrism and Black Aural Texts," Robert Fox points out that etymologically "diaspora" suggests "a scattering which is also a sowing"; the dispersion of a people, their implantation in a new land, and the harvesting of a new culture (Fox 369). |
| doi_str_mv | 10.1353/cal.2006.0150 |
| format | Article |
| fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_233175309</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>4488380</jstor_id><sourcerecordid>4488380</sourcerecordid><originalsourceid>FETCH-LOGICAL-c330t-210f00eef28a1786fed13f336902b2737183b98e8226d751492e6ac5860720093</originalsourceid><addsrcrecordid>eNpNkM9PwjAUxxujiYgevXlovA9f-7au8yYEUYMxQT03pXTAGCu2W9T_3k0M8V3e5fvjvQ8hlwwGDBO8MboccAAxAJbAEekxkBCJhPFj0gMmWMTjjJ-SsxAKaEdw1iNPo9Xa6MrRmd7RmXN1uKXDUptNNPTus6Kjpqwbr0s6_jIrXS0t1dWC1itLn_VmXS2py6mmE1t5e05Ocl0Ge_G3--T9fvw2eoimL5PH0d00MohQR5xBDmBtzqVmqRS5XTDMEUUGfM5TTJnEeSat5Fws0oS1N1uhTSIFpO13GfbJ9T53591HY0OtCtf4qq1UHJGlCf6Kor3IeBeCt7na-fVW-2_FQHW0VEtLdbRUR6vVx4fQwpp62wT7LxcSkFK9dkQ7oCC6jky0tqu9rQi184eOOJYSJeAPQLdy_w</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>233175309</pqid></control><display><type>article</type><title>Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre</title><source>Jstor Complete Legacy</source><creator>McFarland, Pancho</creator><creatorcontrib>McFarland, Pancho</creatorcontrib><description>Additionally, for scholars, analysis of this "interracial" interaction found in much of youth culture provides opportunities to reassess and redefine such foundational concepts of Ethnic Studies as mestizaje and diaspora. In his article, "Diasporacentrism and Black Aural Texts," Robert Fox points out that etymologically "diaspora" suggests "a scattering which is also a sowing"; the dispersion of a people, their implantation in a new land, and the harvesting of a new culture (Fox 369).</description><identifier>ISSN: 0161-2492</identifier><identifier>ISSN: 1080-6512</identifier><identifier>EISSN: 1080-6512</identifier><identifier>DOI: 10.1353/cal.2006.0150</identifier><language>eng</language><publisher>Baltimore: Johns Hopkins University Press</publisher><subject>African American culture ; African history ; African music ; Children & youth ; Cultural identity ; Culture ; Diaspora ; Drug abuse ; Ethnic identity ; Etymology ; Hip hop culture ; Hip hop music ; Identity ; Latin American culture ; Musical rhythm ; Race relations ; Rap ; Rap music ; Soul music ; Violence ; Youth culture</subject><ispartof>Callaloo, 2006-07, Vol.29 (3), p.939-955</ispartof><rights>Copyright 2006 Charles H. Rowell</rights><rights>Copyright © 2006 Charles H. Rowell.</rights><rights>Copyright Johns Hopkins University Press Summer 2006</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c330t-210f00eef28a1786fed13f336902b2737183b98e8226d751492e6ac5860720093</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/4488380$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/4488380$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,776,780,799,27903,27904,57995,58228</link.rule.ids></links><search><creatorcontrib>McFarland, Pancho</creatorcontrib><title>Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre</title><title>Callaloo</title><description>Additionally, for scholars, analysis of this "interracial" interaction found in much of youth culture provides opportunities to reassess and redefine such foundational concepts of Ethnic Studies as mestizaje and diaspora. In his article, "Diasporacentrism and Black Aural Texts," Robert Fox points out that etymologically "diaspora" suggests "a scattering which is also a sowing"; the dispersion of a people, their implantation in a new land, and the harvesting of a new culture (Fox 369).</description><subject>African American culture</subject><subject>African history</subject><subject>African music</subject><subject>Children & youth</subject><subject>Cultural identity</subject><subject>Culture</subject><subject>Diaspora</subject><subject>Drug abuse</subject><subject>Ethnic identity</subject><subject>Etymology</subject><subject>Hip hop culture</subject><subject>Hip hop music</subject><subject>Identity</subject><subject>Latin American culture</subject><subject>Musical rhythm</subject><subject>Race relations</subject><subject>Rap</subject><subject>Rap music</subject><subject>Soul music</subject><subject>Violence</subject><subject>Youth culture</subject><issn>0161-2492</issn><issn>1080-6512</issn><issn>1080-6512</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2006</creationdate><recordtype>article</recordtype><sourceid>AVQMV</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>GUQSH</sourceid><sourceid>K50</sourceid><sourceid>LD-</sourceid><sourceid>LD.</sourceid><sourceid>M1D</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><sourceid>QXPDG</sourceid><recordid>eNpNkM9PwjAUxxujiYgevXlovA9f-7au8yYEUYMxQT03pXTAGCu2W9T_3k0M8V3e5fvjvQ8hlwwGDBO8MboccAAxAJbAEekxkBCJhPFj0gMmWMTjjJ-SsxAKaEdw1iNPo9Xa6MrRmd7RmXN1uKXDUptNNPTus6Kjpqwbr0s6_jIrXS0t1dWC1itLn_VmXS2py6mmE1t5e05Ocl0Ge_G3--T9fvw2eoimL5PH0d00MohQR5xBDmBtzqVmqRS5XTDMEUUGfM5TTJnEeSat5Fws0oS1N1uhTSIFpO13GfbJ9T53591HY0OtCtf4qq1UHJGlCf6Kor3IeBeCt7na-fVW-2_FQHW0VEtLdbRUR6vVx4fQwpp62wT7LxcSkFK9dkQ7oCC6jky0tqu9rQi184eOOJYSJeAPQLdy_w</recordid><startdate>20060701</startdate><enddate>20060701</enddate><creator>McFarland, Pancho</creator><general>Johns Hopkins University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7XB</scope><scope>8XN</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>BSCPQ</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LD-</scope><scope>LD.</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PROLI</scope><scope>Q9U</scope><scope>QXPDG</scope><scope>S0X</scope><scope>UXAQP</scope></search><sort><creationdate>20060701</creationdate><title>Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre</title><author>McFarland, Pancho</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c330t-210f00eef28a1786fed13f336902b2737183b98e8226d751492e6ac5860720093</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2006</creationdate><topic>African American culture</topic><topic>African history</topic><topic>African music</topic><topic>Children & youth</topic><topic>Cultural identity</topic><topic>Culture</topic><topic>Diaspora</topic><topic>Drug abuse</topic><topic>Ethnic identity</topic><topic>Etymology</topic><topic>Hip hop culture</topic><topic>Hip hop music</topic><topic>Identity</topic><topic>Latin American culture</topic><topic>Musical rhythm</topic><topic>Race relations</topic><topic>Rap</topic><topic>Rap music</topic><topic>Soul music</topic><topic>Violence</topic><topic>Youth culture</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>McFarland, Pancho</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>International Bibliography of Art (IBA)</collection><collection>ProQuest Central (Alumni)</collection><collection>ProQuest Central</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>Black Studies Center</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>ProQuest Central</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design and Architecture Collection</collection><collection>Ethnic NewsWatch</collection><collection>Ethnic NewsWatch (Alumni)</collection><collection>One Literature (ProQuest)</collection><collection>Proquest Arts & Humanities Database</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) – US</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><collection>Diversity Collection</collection><collection>SIRS Editorial</collection><collection>ProQuest Black Studies</collection><jtitle>Callaloo</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>McFarland, Pancho</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre</atitle><jtitle>Callaloo</jtitle><date>2006-07-01</date><risdate>2006</risdate><volume>29</volume><issue>3</issue><spage>939</spage><epage>955</epage><pages>939-955</pages><issn>0161-2492</issn><issn>1080-6512</issn><eissn>1080-6512</eissn><abstract>Additionally, for scholars, analysis of this "interracial" interaction found in much of youth culture provides opportunities to reassess and redefine such foundational concepts of Ethnic Studies as mestizaje and diaspora. In his article, "Diasporacentrism and Black Aural Texts," Robert Fox points out that etymologically "diaspora" suggests "a scattering which is also a sowing"; the dispersion of a people, their implantation in a new land, and the harvesting of a new culture (Fox 369).</abstract><cop>Baltimore</cop><pub>Johns Hopkins University Press</pub><doi>10.1353/cal.2006.0150</doi><tpages>17</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0161-2492 |
| ispartof | Callaloo, 2006-07, Vol.29 (3), p.939-955 |
| issn | 0161-2492 1080-6512 1080-6512 |
| language | eng |
| recordid | cdi_proquest_journals_233175309 |
| source | Jstor Complete Legacy |
| subjects | African American culture African history African music Children & youth Cultural identity Culture Diaspora Drug abuse Ethnic identity Etymology Hip hop culture Hip hop music Identity Latin American culture Musical rhythm Race relations Rap Rap music Soul music Violence Youth culture |
| title | Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-27T20%3A43%3A29IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Chicano%20Rap%20Roots:%20Black-Brown%20Cultural%20Exchange%20and%20the%20Making%20of%20a%20Genre&rft.jtitle=Callaloo&rft.au=McFarland,%20Pancho&rft.date=2006-07-01&rft.volume=29&rft.issue=3&rft.spage=939&rft.epage=955&rft.pages=939-955&rft.issn=0161-2492&rft.eissn=1080-6512&rft_id=info:doi/10.1353/cal.2006.0150&rft_dat=%3Cjstor_proqu%3E4488380%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=233175309&rft_id=info:pmid/&rft_jstor_id=4488380&rfr_iscdi=true |