Revolution Televised: Prime Time and the Struggle for Black Power
Acham employs critical, cultural, historical, and discursive analyses to "reread" classic and contemporary television texts, such as Black Journal, Soul Train, The Flip Wilson Show, Sanford and Son, Julia, Good Times, The Richard Pryor Show, and The Chris Rock Show.Acham's choice of t...
Gespeichert in:
Veröffentlicht in: | Rhetoric & Public Affairs 2006, Vol.9 (3), p.518-521 |
---|---|
1. Verfasser: | |
Format: | Review |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 521 |
---|---|
container_issue | 3 |
container_start_page | 518 |
container_title | Rhetoric & Public Affairs |
container_volume | 9 |
creator | Coleman, Robin R. Means |
description | Acham employs critical, cultural, historical, and discursive analyses to "reread" classic and contemporary television texts, such as Black Journal, Soul Train, The Flip Wilson Show, Sanford and Son, Julia, Good Times, The Richard Pryor Show, and The Chris Rock Show.Acham's choice of television programs may prompt some readers to question why these shows were chosen over other important airings such as The Nat King Cole Show, Showtime at the Apollo, Arsenio, or the oftstudied The Cosby Show. |
doi_str_mv | 10.1353/rap.2006.0066 |
format | Review |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_231197498</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>41940096</jstor_id><sourcerecordid>41940096</sourcerecordid><originalsourceid>FETCH-LOGICAL-c217t-ed38b0af5903ca182b5ee170e304fd0b531105e832942365a469086c77a138653</originalsourceid><addsrcrecordid>eNpNkFtLwzAUx4soOKePPgrF986TaxPfpniDgcPN55C1p3O1W2bSTvz2pkyGgeTk4X_h_JLkksCIMMFuvN2OKIAcxSuPkgERjGeCMnUc_6B5ppimp8lZCDXEo4QaJOM33Lmma1duk86xwd0qYHmbTv1qjem8f-ymTNsPTGet75bLBtPK-fSuscVnOnXf6M-Tk8o2AS_-5jB5f3yY3z9nk9enl_vxJCsoydsMS6YWYCuhgRWWKLoQiCQHZMCrEhaCEQICFaOaUyaF5VKDkkWeW8KUFGyYXO9zt959dRhaU7vOb2KlodGrc65VFGV7UeFdCB4rs42bWP9jCJgekomQTA_J9JCinh9CayzadRfwXy7IXFMz60H2HEEyEET1NVd7Wx1a5w8dnGgOoCX7BcLQcZE</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>review</recordtype><pqid>231197498</pqid></control><display><type>review</type><title>Revolution Televised: Prime Time and the Struggle for Black Power</title><source>Worldwide Political Science Abstracts</source><source>JSTOR Archive Collection A-Z Listing</source><source>Political Science Complete</source><creator>Coleman, Robin R. Means</creator><creatorcontrib>Coleman, Robin R. Means</creatorcontrib><description>Acham employs critical, cultural, historical, and discursive analyses to "reread" classic and contemporary television texts, such as Black Journal, Soul Train, The Flip Wilson Show, Sanford and Son, Julia, Good Times, The Richard Pryor Show, and The Chris Rock Show.Acham's choice of television programs may prompt some readers to question why these shows were chosen over other important airings such as The Nat King Cole Show, Showtime at the Apollo, Arsenio, or the oftstudied The Cosby Show.</description><identifier>ISSN: 1094-8392</identifier><identifier>ISSN: 1534-5238</identifier><identifier>EISSN: 1534-5238</identifier><identifier>DOI: 10.1353/rap.2006.0066</identifier><language>eng</language><publisher>East Lansing: Michigan State University Press</publisher><subject>African Americans ; Black culture ; Black power ; Carroll, Diahann ; Civil rights ; College students ; Discourse analysis ; Entrepreneurs ; Historical text analysis ; Nonfiction ; Popular culture ; Prime time ; Pryor, Richard (1940-2005) ; Rock, Chris ; Television ; Television programs ; Wilson, Flip</subject><ispartof>Rhetoric & Public Affairs, 2006, Vol.9 (3), p.518-521</ispartof><rights>Copyright © 2006 Michigan State University Press</rights><rights>Copyright © 2006 Michigan State University Press.</rights><rights>Copyright Michigan State University Press Fall 2006</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/41940096$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/41940096$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>313,314,780,784,792,803,12845,27922,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Coleman, Robin R. Means</creatorcontrib><title>Revolution Televised: Prime Time and the Struggle for Black Power</title><title>Rhetoric & Public Affairs</title><description>Acham employs critical, cultural, historical, and discursive analyses to "reread" classic and contemporary television texts, such as Black Journal, Soul Train, The Flip Wilson Show, Sanford and Son, Julia, Good Times, The Richard Pryor Show, and The Chris Rock Show.Acham's choice of television programs may prompt some readers to question why these shows were chosen over other important airings such as The Nat King Cole Show, Showtime at the Apollo, Arsenio, or the oftstudied The Cosby Show.</description><subject>African Americans</subject><subject>Black culture</subject><subject>Black power</subject><subject>Carroll, Diahann</subject><subject>Civil rights</subject><subject>College students</subject><subject>Discourse analysis</subject><subject>Entrepreneurs</subject><subject>Historical text analysis</subject><subject>Nonfiction</subject><subject>Popular culture</subject><subject>Prime time</subject><subject>Pryor, Richard (1940-2005)</subject><subject>Rock, Chris</subject><subject>Television</subject><subject>Television programs</subject><subject>Wilson, Flip</subject><issn>1094-8392</issn><issn>1534-5238</issn><issn>1534-5238</issn><fulltext>true</fulltext><rsrctype>review</rsrctype><creationdate>2006</creationdate><recordtype>review</recordtype><sourceid>7UB</sourceid><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><sourceid>M2O</sourceid><recordid>eNpNkFtLwzAUx4soOKePPgrF986TaxPfpniDgcPN55C1p3O1W2bSTvz2pkyGgeTk4X_h_JLkksCIMMFuvN2OKIAcxSuPkgERjGeCMnUc_6B5ppimp8lZCDXEo4QaJOM33Lmma1duk86xwd0qYHmbTv1qjem8f-ymTNsPTGet75bLBtPK-fSuscVnOnXf6M-Tk8o2AS_-5jB5f3yY3z9nk9enl_vxJCsoydsMS6YWYCuhgRWWKLoQiCQHZMCrEhaCEQICFaOaUyaF5VKDkkWeW8KUFGyYXO9zt959dRhaU7vOb2KlodGrc65VFGV7UeFdCB4rs42bWP9jCJgekomQTA_J9JCinh9CayzadRfwXy7IXFMz60H2HEEyEET1NVd7Wx1a5w8dnGgOoCX7BcLQcZE</recordid><startdate>20061001</startdate><enddate>20061001</enddate><creator>Coleman, Robin R. Means</creator><general>Michigan State University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>0-V</scope><scope>3V.</scope><scope>4T-</scope><scope>7UB</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>ALSLI</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DPSOV</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>KC-</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2L</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20061001</creationdate><title>Revolution Televised: Prime Time and the Struggle for Black Power</title><author>Coleman, Robin R. Means</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c217t-ed38b0af5903ca182b5ee170e304fd0b531105e832942365a469086c77a138653</frbrgroupid><rsrctype>reviews</rsrctype><prefilter>reviews</prefilter><language>eng</language><creationdate>2006</creationdate><topic>African Americans</topic><topic>Black culture</topic><topic>Black power</topic><topic>Carroll, Diahann</topic><topic>Civil rights</topic><topic>College students</topic><topic>Discourse analysis</topic><topic>Entrepreneurs</topic><topic>Historical text analysis</topic><topic>Nonfiction</topic><topic>Popular culture</topic><topic>Prime time</topic><topic>Pryor, Richard (1940-2005)</topic><topic>Rock, Chris</topic><topic>Television</topic><topic>Television programs</topic><topic>Wilson, Flip</topic><toplevel>online_resources</toplevel><creatorcontrib>Coleman, Robin R. Means</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Social Sciences Premium Collection</collection><collection>ProQuest Central (Corporate)</collection><collection>Docstoc</collection><collection>Worldwide Political Science Abstracts</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Social Science Premium Collection</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Politics Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Art, Design & Architecture Collection</collection><collection>ProQuest Politics Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Arts & Humanities Database</collection><collection>Political Science Database</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Coleman, Robin R. Means</au><format>journal</format><genre>article</genre><ristype>GEN</ristype><atitle>Revolution Televised: Prime Time and the Struggle for Black Power</atitle><jtitle>Rhetoric & Public Affairs</jtitle><date>2006-10-01</date><risdate>2006</risdate><volume>9</volume><issue>3</issue><spage>518</spage><epage>521</epage><pages>518-521</pages><issn>1094-8392</issn><issn>1534-5238</issn><eissn>1534-5238</eissn><abstract>Acham employs critical, cultural, historical, and discursive analyses to "reread" classic and contemporary television texts, such as Black Journal, Soul Train, The Flip Wilson Show, Sanford and Son, Julia, Good Times, The Richard Pryor Show, and The Chris Rock Show.Acham's choice of television programs may prompt some readers to question why these shows were chosen over other important airings such as The Nat King Cole Show, Showtime at the Apollo, Arsenio, or the oftstudied The Cosby Show.</abstract><cop>East Lansing</cop><pub>Michigan State University Press</pub><doi>10.1353/rap.2006.0066</doi><tpages>4</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1094-8392 |
ispartof | Rhetoric & Public Affairs, 2006, Vol.9 (3), p.518-521 |
issn | 1094-8392 1534-5238 1534-5238 |
language | eng |
recordid | cdi_proquest_journals_231197498 |
source | Worldwide Political Science Abstracts; JSTOR Archive Collection A-Z Listing; Political Science Complete |
subjects | African Americans Black culture Black power Carroll, Diahann Civil rights College students Discourse analysis Entrepreneurs Historical text analysis Nonfiction Popular culture Prime time Pryor, Richard (1940-2005) Rock, Chris Television Television programs Wilson, Flip |
title | Revolution Televised: Prime Time and the Struggle for Black Power |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-21T07%3A01%3A52IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Revolution%20Televised:%20Prime%20Time%20and%20the%20Struggle%20for%20Black%20Power&rft.jtitle=Rhetoric%20&%20Public%20Affairs&rft.au=Coleman,%20Robin%20R.%20Means&rft.date=2006-10-01&rft.volume=9&rft.issue=3&rft.spage=518&rft.epage=521&rft.pages=518-521&rft.issn=1094-8392&rft.eissn=1534-5238&rft_id=info:doi/10.1353/rap.2006.0066&rft_dat=%3Cjstor_proqu%3E41940096%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=231197498&rft_id=info:pmid/&rft_jstor_id=41940096&rfr_iscdi=true |