History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film "Kedma"
In the course of this voyage, the refugees, as film characters, are expected to participate in the cinematic plot that epitomizes the Zionist narrative: they must forget their erstwhile traumas, overcome the memories of the Diaspora, jettison the Jewish characteristics of their identity, fight the A...
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| Veröffentlicht in: | Framework 2008-04, Vol.49 (1), p.134-143 |
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| container_title | Framework |
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| creator | Gertz, Nurith Hermoni, Gal |
| description | In the course of this voyage, the refugees, as film characters, are expected to participate in the cinematic plot that epitomizes the Zionist narrative: they must forget their erstwhile traumas, overcome the memories of the Diaspora, jettison the Jewish characteristics of their identity, fight the Arabs, and thus be transformed from passive Jews to warring Hebrews who fight for their lives and their fate. The way to deal with such a block, Freud claims, is to reinsert the occurrence in the chain of causal events from which it slipped away, i.e., to integrate it into a narrative, since post-traumatic stress disorder is actually the deconstruction of a mental narrative that is based on cause and effect. |
| doi_str_mv | 10.1353/frm.0.0006 |
| format | Article |
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The way to deal with such a block, Freud claims, is to reinsert the occurrence in the chain of causal events from which it slipped away, i.e., to integrate it into a narrative, since post-traumatic stress disorder is actually the deconstruction of a mental narrative that is based on cause and effect.</description><identifier>ISSN: 0306-7661</identifier><identifier>ISSN: 1559-7989</identifier><identifier>EISSN: 1559-7989</identifier><identifier>DOI: 10.1353/frm.0.0006</identifier><language>eng</language><publisher>Detroit: Wayne State University Press</publisher><subject>Arabs ; Criticism and interpretation ; Diaspora ; DOSSIER ON MORPHING REALITIES: The Current Status of the Real in Film and Television ; Filmmakers ; Gitai, Amos ; History ; Holocaust ; Jewish people ; Jews ; Motion pictures ; Movies ; Narrative history ; Narratives ; Nervous system disorders ; Paralysis ; Referents ; Refugees ; Semiotic signs ; Stress ; War ; Warfare ; Zionism</subject><ispartof>Framework, 2008-04, Vol.49 (1), p.134-143</ispartof><rights>2008 Wayne State University Press</rights><rights>Copyright © 2008 Wayne State University Press.</rights><rights>COPYRIGHT 2008 Wayne State University Press</rights><rights>Copyright Wayne State University Press Spring 2008</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c2836-84e812908b183ff7c42b9484f5dbb6adbd827e6f8c389f3bd9142fbdd6c480863</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/41552517$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/41552517$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Gertz, Nurith</creatorcontrib><creatorcontrib>Hermoni, Gal</creatorcontrib><title>History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film "Kedma"</title><title>Framework</title><description>In the course of this voyage, the refugees, as film characters, are expected to participate in the cinematic plot that epitomizes the Zionist narrative: they must forget their erstwhile traumas, overcome the memories of the Diaspora, jettison the Jewish characteristics of their identity, fight the Arabs, and thus be transformed from passive Jews to warring Hebrews who fight for their lives and their fate. 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| identifier | ISSN: 0306-7661 |
| ispartof | Framework, 2008-04, Vol.49 (1), p.134-143 |
| issn | 0306-7661 1559-7989 1559-7989 |
| language | eng |
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| source | JSTOR Archive Collection A-Z Listing |
| subjects | Arabs Criticism and interpretation Diaspora DOSSIER ON MORPHING REALITIES: The Current Status of the Real in Film and Television Filmmakers Gitai, Amos History Holocaust Jewish people Jews Motion pictures Movies Narrative history Narratives Nervous system disorders Paralysis Referents Refugees Semiotic signs Stress War Warfare Zionism |
| title | History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film "Kedma" |
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