Pendleton’s Rainer
Adam Pendleton's decision to shoot his 2016 portrait of Yvonne Rainer in black and white opens up the possibility of a formally seamless appropriation and reframing of the 1978 black-and-white film of Trio A, Rainer's most famous choreographic work, first presented in 1966. Pendleton'...
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| Veröffentlicht in: | Thresholds (Cambridge, Mass.) Mass.), 2019-01, Vol.47 (47), p.217-219 |
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| container_title | Thresholds (Cambridge, Mass.) |
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| creator | JONES, CAROLINE A. |
| description | Adam Pendleton's decision to shoot his 2016 portrait of Yvonne Rainer in black and white opens up the possibility of a formally seamless appropriation and reframing of the 1978 black-and-white film of Trio A, Rainer's most famous choreographic work, first presented in 1966. Pendleton's appropriation, nesting, and recoding of Rainer's film footage - using most of Trio A - functions through a systematic signification of seaming that is communicated by the heavy sampling of this recorded dance. Just Back from Los Angeles: A Portrait of Yvonne tiainer premiered at Anthology Film Archives on Jan 9,2017 as part of the commissioning biennial Performa, and it now exists in a gallery-distributed edition. Featuring the legendary theorist-performer of Minimalism's heyday, Pendleton's film both honors Rainer's brainy, unabashed feminism and stands for a new generation confronting Minimalism's seventies episteme. |
| doi_str_mv | 10.1162/thld_a_00691 |
| format | Article |
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| ispartof | Thresholds (Cambridge, Mass.), 2019-01, Vol.47 (47), p.217-219 |
| issn | 1091-711X 2572-7338 |
| language | eng |
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| source | ARTbibliographies Modern; JSTOR Archive Collection A-Z Listing |
| subjects | Choreography Dance Dancers & choreographers Feminism Pendleton, Adam Rainer, Yvonne Short films V. Revisiting Visual artists |
| title | Pendleton’s Rainer |
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