The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)

In 1934, Benito Mussolini's Fascist regime firmly intervened in the crisis of Italian cinema and the shaping of a national film culture. Among its major actions, the regime centralized all the cine-clubs, film associations, and amateur cinema organizations within the Fascist University Groups (...

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Veröffentlicht in:Film history (New York, N.Y.) N.Y.), 2018-01, Vol.30 (1), p.30-57
1. Verfasser: Mariani, Andrea
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description In 1934, Benito Mussolini's Fascist regime firmly intervened in the crisis of Italian cinema and the shaping of a national film culture. Among its major actions, the regime centralized all the cine-clubs, film associations, and amateur cinema organizations within the Fascist University Groups (Gufs). Their objective was to reform amateur film practice toward what we might call a committed, rationalized, and top-down-driven avant-garde. This article will examine how amateur filmmaking practices were transformed into an instrument that served the totalitarian state, as well as how a semantic shift from the notion of amateur to experimental cinema took place in relation to the actual mechanisms of cinematic distribution, exhibition, and production.
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source Jstor Complete Legacy
subjects Aesthetics
Amateurs
Avant garde
Cinematography
Clubs
Culture
Documentary films
Experimental films
Fascism
Fascist parties
Film theory
History
Institutionalization
Italian language
Modernism
Motion picture directors & producers
Motion picture industry
Motion pictures
Movies
Nazism
Realism
Semantics
title The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)
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