The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)
In 1934, Benito Mussolini's Fascist regime firmly intervened in the crisis of Italian cinema and the shaping of a national film culture. Among its major actions, the regime centralized all the cine-clubs, film associations, and amateur cinema organizations within the Fascist University Groups (...
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Veröffentlicht in: | Film history (New York, N.Y.) N.Y.), 2018-01, Vol.30 (1), p.30-57 |
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description | In 1934, Benito Mussolini's Fascist regime firmly intervened in the crisis of Italian cinema and the shaping of a national film culture. Among its major actions, the regime centralized all the cine-clubs, film associations, and amateur cinema organizations within the Fascist University Groups (Gufs). Their objective was to reform amateur film practice toward what we might call a committed, rationalized, and top-down-driven avant-garde. This article will examine how amateur filmmaking practices were transformed into an instrument that served the totalitarian state, as well as how a semantic shift from the notion of amateur to experimental cinema took place in relation to the actual mechanisms of cinematic distribution, exhibition, and production. |
doi_str_mv | 10.2979/filmhistory.30.1.03 |
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source | Jstor Complete Legacy |
subjects | Aesthetics Amateurs Avant garde Cinematography Clubs Culture Documentary films Experimental films Fascism Fascist parties Film theory History Institutionalization Italian language Modernism Motion picture directors & producers Motion picture industry Motion pictures Movies Nazism Realism Semantics |
title | The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943) |
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