William S. Burroughs and the Maya Gods of Death: The Uses of Archaeology

William S. Burroughs thematized Maya priests as gods of death in texts from Junky to The Job. Ah Pook Is Here takes its title from a Maya god of the dead, Ah Puch. Burroughs had many valid reasons to cast Maya priests as emblems of control and death even though he contradicted the mid-century archae...

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description William S. Burroughs thematized Maya priests as gods of death in texts from Junky to The Job. Ah Pook Is Here takes its title from a Maya god of the dead, Ah Puch. Burroughs had many valid reasons to cast Maya priests as emblems of control and death even though he contradicted the mid-century archaeological view of the Maya as a benevolent theocracy. In recognizing the violence in Maya culture Burroughs was remarkably prescient. In the mid-1980s, however, came a radical change in archaeological interpretation which contradicts many of Burroughs's Maya appropriations: priests have all but disappeared from the archaeological record to be replaced (ironically) by scribes, the codices are not books of the dead, and hieroglyphic "picture" writing can not circumvent the Word virus. Burroughs's centipede symbol recalls the Senders of Interzone who, like his Maya priests, turn into giant centipedes.
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subjects American literature
Archaeology
Aztec culture
Burroughs, William S (1914-1997)
Clergy
Coe, Michael D
Corn
English language
Essays
Ginsberg, Allen (1926-1997)
God
Human sacrifices
Literary criticism
Males
Maya (People)
Mayan culture
Murders & murder attempts
Poetry
Power Structure
Priests
Resistance to control
Spanish
Studies
Viruses
Words
Writing systems
title William S. Burroughs and the Maya Gods of Death: The Uses of Archaeology
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