"Silence, Sex, and Feminism: An Examination of "The Piano's" Unacknowledged Sources"
Jane Campion has failed to cite Jane Mander's novel "The Story of a New Zealand River" as her primary source in making the film "The Piano." Hoeveler points out the similarities of the two works.
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| Veröffentlicht in: | Literature film quarterly 1998-01, Vol.26 (2), p.109-116 |
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| container_issue | 2 |
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| container_title | Literature film quarterly |
| container_volume | 26 |
| creator | Hoeveler, Diane Long |
| description | Jane Campion has failed to cite Jane Mander's novel "The Story of a New Zealand River" as her primary source in making the film "The Piano." Hoeveler points out the similarities of the two works. |
| format | Article |
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| identifier | ISSN: 0090-4260 |
| ispartof | Literature film quarterly, 1998-01, Vol.26 (2), p.109-116 |
| issn | 0090-4260 2573-7597 |
| language | eng |
| recordid | cdi_proquest_journals_226991171 |
| source | Jstor Complete Legacy; Alma/SFX Local Collection; Periodicals Index Online |
| subjects | Boats Campion, Jane Castration Children Cixous, Helene (1937- ) Comparative analysis Daughters Feminism Feminist film theory French literature Jewish literature Literary criticism Literary influences Mander, Jane Mothers Motion picture directors & producers Motion pictures Movies Pianos Screenplays Sexuality Silence Source materials |
| title | "Silence, Sex, and Feminism: An Examination of "The Piano's" Unacknowledged Sources" |
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