Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation
Murnau may have, as a director of considerable merit, a personal vision that permeates his oeuvre,1 but the particular configuration of Nosferatu-especially the absent Van Helsing and the new endingcan be construed as owing much to the structure of social-psychological variables operative in Germany...
Gespeichert in:
Veröffentlicht in: | Literature film quarterly 1979-01, Vol.7 (4), p.309-313 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 313 |
---|---|
container_issue | 4 |
container_start_page | 309 |
container_title | Literature film quarterly |
container_volume | 7 |
creator | Roth, Lane |
description | Murnau may have, as a director of considerable merit, a personal vision that permeates his oeuvre,1 but the particular configuration of Nosferatu-especially the absent Van Helsing and the new endingcan be construed as owing much to the structure of social-psychological variables operative in Germany at the time that Murnau was making his film. "4 The artistic movement that flourished was, fittingly, expressionism, described by Manvell and Fraenkel as "essentially a movement designed to get away from actuality and to satisfy the desire to probe seemingly fundamental truths of human nature and society by presenting them through fantasy and dramatized mysticism. |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_226988576</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>43796118</jstor_id><sourcerecordid>43796118</sourcerecordid><originalsourceid>FETCH-LOGICAL-j134t-93735b753bfc16384f653d44b55da4f707644824c6a25350ff440d19af62ee023</originalsourceid><addsrcrecordid>eNotjbFOwzAURS0EEqHwCUhWJhgi2c_PdsxWtRSQCiywsEROYkOitgm2M_D3jVTOcpeje85IBlKLQkujz0nGmGEFgmKX5CrGns2AwYys18E2087SV-dSpOnH0fzLdenbdTHlDzR_G6J3waYpp3fcANxTG-mm2-3psrVjsqkbDtfkwttddDf_uyCfm8eP1XOxfX96WS23Rc8FpsIILWStpah9w5Uo0SspWsRaytai10wrxBKwURakkMx7RNZyY70C5xiIBclPv2MYficXU9UPUzjMyQpAmbKUWs3S7UnqYxpCNYZub8NfhUIbxXkpjtNoTU0</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>226988576</pqid></control><display><type>article</type><title>Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation</title><source>JSTOR Archive Collection A-Z Listing</source><source>Alma/SFX Local Collection</source><creator>Roth, Lane</creator><creatorcontrib>Roth, Lane</creatorcontrib><description>Murnau may have, as a director of considerable merit, a personal vision that permeates his oeuvre,1 but the particular configuration of Nosferatu-especially the absent Van Helsing and the new endingcan be construed as owing much to the structure of social-psychological variables operative in Germany at the time that Murnau was making his film. "4 The artistic movement that flourished was, fittingly, expressionism, described by Manvell and Fraenkel as "essentially a movement designed to get away from actuality and to satisfy the desire to probe seemingly fundamental truths of human nature and society by presenting them through fantasy and dramatized mysticism.</description><identifier>ISSN: 0090-4260</identifier><identifier>EISSN: 2573-7597</identifier><language>eng</language><publisher>Salisbury: Salisbury State College</publisher><subject>Authority figures ; Democracy ; Folklore ; Government subsidies ; Horror fiction ; Literature ; Militant democracy ; Motion picture directors & producers ; Motion picture industry ; Movies ; Politics ; Psychology ; Setting ; Stoker, Bram (1847-1912) ; Tyranny ; Vampires ; World War I</subject><ispartof>Literature film quarterly, 1979-01, Vol.7 (4), p.309-313</ispartof><rights>Copyright 1979 Salisbury State College</rights><rights>Copyright Salisbury University 1979</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/43796118$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/43796118$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,58017,58250</link.rule.ids></links><search><creatorcontrib>Roth, Lane</creatorcontrib><title>Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation</title><title>Literature film quarterly</title><description>Murnau may have, as a director of considerable merit, a personal vision that permeates his oeuvre,1 but the particular configuration of Nosferatu-especially the absent Van Helsing and the new endingcan be construed as owing much to the structure of social-psychological variables operative in Germany at the time that Murnau was making his film. "4 The artistic movement that flourished was, fittingly, expressionism, described by Manvell and Fraenkel as "essentially a movement designed to get away from actuality and to satisfy the desire to probe seemingly fundamental truths of human nature and society by presenting them through fantasy and dramatized mysticism.</description><subject>Authority figures</subject><subject>Democracy</subject><subject>Folklore</subject><subject>Government subsidies</subject><subject>Horror fiction</subject><subject>Literature</subject><subject>Militant democracy</subject><subject>Motion picture directors & producers</subject><subject>Motion picture industry</subject><subject>Movies</subject><subject>Politics</subject><subject>Psychology</subject><subject>Setting</subject><subject>Stoker, Bram (1847-1912)</subject><subject>Tyranny</subject><subject>Vampires</subject><subject>World War I</subject><issn>0090-4260</issn><issn>2573-7597</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1979</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>K50</sourceid><sourceid>M1D</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNotjbFOwzAURS0EEqHwCUhWJhgi2c_PdsxWtRSQCiywsEROYkOitgm2M_D3jVTOcpeje85IBlKLQkujz0nGmGEFgmKX5CrGns2AwYys18E2087SV-dSpOnH0fzLdenbdTHlDzR_G6J3waYpp3fcANxTG-mm2-3psrVjsqkbDtfkwttddDf_uyCfm8eP1XOxfX96WS23Rc8FpsIILWStpah9w5Uo0SspWsRaytai10wrxBKwURakkMx7RNZyY70C5xiIBclPv2MYficXU9UPUzjMyQpAmbKUWs3S7UnqYxpCNYZub8NfhUIbxXkpjtNoTU0</recordid><startdate>19790101</startdate><enddate>19790101</enddate><creator>Roth, Lane</creator><general>Salisbury State College</general><general>Salisbury University</general><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>A3F</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AIUKI</scope><scope>AKTFI</scope><scope>AQVBX</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GB0</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>K50</scope><scope>LIQON</scope><scope>M1D</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PROLI</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>19790101</creationdate><title>Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation</title><author>Roth, Lane</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j134t-93735b753bfc16384f653d44b55da4f707644824c6a25350ff440d19af62ee023</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1979</creationdate><topic>Authority figures</topic><topic>Democracy</topic><topic>Folklore</topic><topic>Government subsidies</topic><topic>Horror fiction</topic><topic>Literature</topic><topic>Militant democracy</topic><topic>Motion picture directors & producers</topic><topic>Motion picture industry</topic><topic>Movies</topic><topic>Politics</topic><topic>Psychology</topic><topic>Setting</topic><topic>Stoker, Bram (1847-1912)</topic><topic>Tyranny</topic><topic>Vampires</topic><topic>World War I</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Roth, Lane</creatorcontrib><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>Performing Arts Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>FIAF International Index to Film Periodicals Journals</collection><collection>Screen Studies Collection</collection><collection>FIAF International Index to Film Periodicals Database</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>DELNET Social Sciences & Humanities Collection</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>Access via Art, Design & Architecture Collection (ProQuest)</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Arts & Humanities Database</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>Literature film quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Roth, Lane</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation</atitle><jtitle>Literature film quarterly</jtitle><date>1979-01-01</date><risdate>1979</risdate><volume>7</volume><issue>4</issue><spage>309</spage><epage>313</epage><pages>309-313</pages><issn>0090-4260</issn><eissn>2573-7597</eissn><abstract>Murnau may have, as a director of considerable merit, a personal vision that permeates his oeuvre,1 but the particular configuration of Nosferatu-especially the absent Van Helsing and the new endingcan be construed as owing much to the structure of social-psychological variables operative in Germany at the time that Murnau was making his film. "4 The artistic movement that flourished was, fittingly, expressionism, described by Manvell and Fraenkel as "essentially a movement designed to get away from actuality and to satisfy the desire to probe seemingly fundamental truths of human nature and society by presenting them through fantasy and dramatized mysticism.</abstract><cop>Salisbury</cop><pub>Salisbury State College</pub><tpages>5</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0090-4260 |
ispartof | Literature film quarterly, 1979-01, Vol.7 (4), p.309-313 |
issn | 0090-4260 2573-7597 |
language | eng |
recordid | cdi_proquest_journals_226988576 |
source | JSTOR Archive Collection A-Z Listing; Alma/SFX Local Collection |
subjects | Authority figures Democracy Folklore Government subsidies Horror fiction Literature Militant democracy Motion picture directors & producers Motion picture industry Movies Politics Psychology Setting Stoker, Bram (1847-1912) Tyranny Vampires World War I |
title | Dracula Meets the "Zeitgeist": "Nosferatu" (1922) as Film Adaptation |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-02T20%3A02%3A50IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Dracula%20Meets%20the%20%22Zeitgeist%22:%20%22Nosferatu%22%20(1922)%20as%20Film%20Adaptation&rft.jtitle=Literature%20film%20quarterly&rft.au=Roth,%20Lane&rft.date=1979-01-01&rft.volume=7&rft.issue=4&rft.spage=309&rft.epage=313&rft.pages=309-313&rft.issn=0090-4260&rft.eissn=2573-7597&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E43796118%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=226988576&rft_id=info:pmid/&rft_jstor_id=43796118&rfr_iscdi=true |