California Polyphony: Ethnic Voices, Musical Crossroads

California Polyphony: Ethnic Voices, Musical Crossroads

For a long time, Ted Gioia's West Coast Jazz, 1945-1960 (1992) and Steven Loza's Barrio Rhythm (1993) were largely solitary pioneers, but in the last ten years we have seen important contributions on jazz, country, blues, rock 'n' roll, opera, and formal concert music from Clora...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Journal of American history (Bloomington, Ind.) Ind.), 2009, Vol.95 (4), p.1185-1186
1. Verfasser: La Chapelle, Peter
Format: Review
Sprache:eng
Schlagworte:
Authorial voice
Bryant, Gerald
Cage, John
Jazz
Music
Musical performances
Rhythm
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 1186
container_issue 4
container_start_page 1185
container_title The Journal of American history (Bloomington, Ind.)
container_volume 95
creator La Chapelle, Peter
description For a long time, Ted Gioia's West Coast Jazz, 1945-1960 (1992) and Steven Loza's Barrio Rhythm (1993) were largely solitary pioneers, but in the last ten years we have seen important contributions on jazz, country, blues, rock 'n' roll, opera, and formal concert music from Clora Bryant, Gerald Haslam, David Reyes and Tom Waldman, Catherine Parsons Smith, and others. Yang's strongest chapters - those that focus on modernist composers and on the Central Avenue scene - highlight her versatility by alternating deftly between profound musicological analysis and solid historical discovery.
doi_str_mv 10.2307/27694639
format Review
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_224896653</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>27694639</jstor_id><sourcerecordid>27694639</sourcerecordid><originalsourceid>FETCH-LOGICAL-j142t-ba36a55ed9bf0501525e078843f8280d4da9dbe9f965f9720eda6797ab67e2ff3</originalsourceid><addsrcrecordid>eNo1kEtLxDAYRYMoWEfBn1AEd1aTL83LnZTxASO6ULchbRKmpTY16Sz676cyejd3c7gXDkKXBN8CxeIOBFclp-oIZURRXmDFxTHKMAZSSAH0FJ2l1OElhEKGRGX61oc4tCZ_D_08bsMw3-fraTu0Tf4V2salm_x1l9rG9HkVQ0oxGJvO0Yk3fXIXf71Cn4_rj-q52Lw9vVQPm6IjJUxFbSg3jDmrao8ZJgyYw0LKknoJEtvSGmVrp7zizCsB2FnDhRKm5sKB93SFrg67Yww_O5cm3YVdHJZLDVBKxTmjC3R9gLo0hajH2H6bOGuC9a8S_a-E7gGmTVGD</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>review</recordtype><pqid>224896653</pqid></control><display><type>review</type><title>California Polyphony: Ethnic Voices, Musical Crossroads</title><source>JSTOR Archive Collection A-Z Listing</source><source>Oxford University Press Journals All Titles (1996-Current)</source><source>EBSCOhost Education Source</source><creator>La Chapelle, Peter</creator><creatorcontrib>La Chapelle, Peter</creatorcontrib><description>For a long time, Ted Gioia's West Coast Jazz, 1945-1960 (1992) and Steven Loza's Barrio Rhythm (1993) were largely solitary pioneers, but in the last ten years we have seen important contributions on jazz, country, blues, rock 'n' roll, opera, and formal concert music from Clora Bryant, Gerald Haslam, David Reyes and Tom Waldman, Catherine Parsons Smith, and others. Yang's strongest chapters - those that focus on modernist composers and on the Central Avenue scene - highlight her versatility by alternating deftly between profound musicological analysis and solid historical discovery.</description><identifier>ISSN: 0021-8723</identifier><identifier>EISSN: 1936-0967</identifier><identifier>EISSN: 1945-2314</identifier><identifier>DOI: 10.2307/27694639</identifier><identifier>CODEN: JAHIAO</identifier><language>eng</language><publisher>Oxford: Organization of American Historians</publisher><subject>Authorial voice ; Bryant, Gerald ; Cage, John ; Jazz ; Music ; Musical performances ; Rhythm</subject><ispartof>The Journal of American history (Bloomington, Ind.), 2009, Vol.95 (4), p.1185-1186</ispartof><rights>Copyright 2009 Organization of American Historians</rights><rights>Copyright Organization of American Historians Mar 2009</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/27694639$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/27694639$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>313,780,784,792,803,27922,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>La Chapelle, Peter</creatorcontrib><title>California Polyphony: Ethnic Voices, Musical Crossroads</title><title>The Journal of American history (Bloomington, Ind.)</title><description>For a long time, Ted Gioia's West Coast Jazz, 1945-1960 (1992) and Steven Loza's Barrio Rhythm (1993) were largely solitary pioneers, but in the last ten years we have seen important contributions on jazz, country, blues, rock 'n' roll, opera, and formal concert music from Clora Bryant, Gerald Haslam, David Reyes and Tom Waldman, Catherine Parsons Smith, and others. Yang's strongest chapters - those that focus on modernist composers and on the Central Avenue scene - highlight her versatility by alternating deftly between profound musicological analysis and solid historical discovery.</description><subject>Authorial voice</subject><subject>Bryant, Gerald</subject><subject>Cage, John</subject><subject>Jazz</subject><subject>Music</subject><subject>Musical performances</subject><subject>Rhythm</subject><issn>0021-8723</issn><issn>1936-0967</issn><issn>1945-2314</issn><fulltext>true</fulltext><rsrctype>review</rsrctype><creationdate>2009</creationdate><recordtype>review</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><sourceid>PQHSC</sourceid><recordid>eNo1kEtLxDAYRYMoWEfBn1AEd1aTL83LnZTxASO6ULchbRKmpTY16Sz676cyejd3c7gXDkKXBN8CxeIOBFclp-oIZURRXmDFxTHKMAZSSAH0FJ2l1OElhEKGRGX61oc4tCZ_D_08bsMw3-fraTu0Tf4V2salm_x1l9rG9HkVQ0oxGJvO0Yk3fXIXf71Cn4_rj-q52Lw9vVQPm6IjJUxFbSg3jDmrao8ZJgyYw0LKknoJEtvSGmVrp7zizCsB2FnDhRKm5sKB93SFrg67Yww_O5cm3YVdHJZLDVBKxTmjC3R9gLo0hajH2H6bOGuC9a8S_a-E7gGmTVGD</recordid><startdate>20090301</startdate><enddate>20090301</enddate><creator>La Chapelle, Peter</creator><general>Organization of American Historians</general><scope>3V.</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PQEST</scope><scope>PQHSC</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>Q9U</scope></search><sort><creationdate>20090301</creationdate><title>California Polyphony: Ethnic Voices, Musical Crossroads</title><author>La Chapelle, Peter</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j142t-ba36a55ed9bf0501525e078843f8280d4da9dbe9f965f9720eda6797ab67e2ff3</frbrgroupid><rsrctype>reviews</rsrctype><prefilter>reviews</prefilter><language>eng</language><creationdate>2009</creationdate><topic>Authorial voice</topic><topic>Bryant, Gerald</topic><topic>Cage, John</topic><topic>Jazz</topic><topic>Music</topic><topic>Musical performances</topic><topic>Rhythm</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>La Chapelle, Peter</creatorcontrib><collection>ProQuest Central (Corporate)</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>History Study Center</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>ProQuest Central Basic</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>La Chapelle, Peter</au><format>journal</format><genre>article</genre><ristype>GEN</ristype><atitle>California Polyphony: Ethnic Voices, Musical Crossroads</atitle><jtitle>The Journal of American history (Bloomington, Ind.)</jtitle><date>2009-03-01</date><risdate>2009</risdate><volume>95</volume><issue>4</issue><spage>1185</spage><epage>1186</epage><pages>1185-1186</pages><issn>0021-8723</issn><eissn>1936-0967</eissn><eissn>1945-2314</eissn><coden>JAHIAO</coden><abstract>For a long time, Ted Gioia's West Coast Jazz, 1945-1960 (1992) and Steven Loza's Barrio Rhythm (1993) were largely solitary pioneers, but in the last ten years we have seen important contributions on jazz, country, blues, rock 'n' roll, opera, and formal concert music from Clora Bryant, Gerald Haslam, David Reyes and Tom Waldman, Catherine Parsons Smith, and others. Yang's strongest chapters - those that focus on modernist composers and on the Central Avenue scene - highlight her versatility by alternating deftly between profound musicological analysis and solid historical discovery.</abstract><cop>Oxford</cop><pub>Organization of American Historians</pub><doi>10.2307/27694639</doi><tpages>2</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0021-8723
ispartof The Journal of American history (Bloomington, Ind.), 2009, Vol.95 (4), p.1185-1186
issn 0021-8723
1936-0967
1945-2314
language eng
recordid cdi_proquest_journals_224896653
source JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current); EBSCOhost Education Source
subjects Authorial voice
Bryant, Gerald
Cage, John
Jazz
Music
Musical performances
Rhythm
title California Polyphony: Ethnic Voices, Musical Crossroads
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-07T13%3A43%3A29IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=California%20Polyphony:%20Ethnic%20Voices,%20Musical%20Crossroads&rft.jtitle=The%20Journal%20of%20American%20history%20(Bloomington,%20Ind.)&rft.au=La%20Chapelle,%20Peter&rft.date=2009-03-01&rft.volume=95&rft.issue=4&rft.spage=1185&rft.epage=1186&rft.pages=1185-1186&rft.issn=0021-8723&rft.eissn=1936-0967&rft.coden=JAHIAO&rft_id=info:doi/10.2307/27694639&rft_dat=%3Cjstor_proqu%3E27694639%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=224896653&rft_id=info:pmid/&rft_jstor_id=27694639&rfr_iscdi=true