Blind Gestures: Chaplin, Diderot, Lessing
Charlie Chaplin's "tramp," whose trademark muteness persisted well into the ear of sound, embodied trademark muteness persisted well into the era of sound, embodies an irreducible humanity consistent with the utopian potential that silent cinema held for many practitioners. Chaplin�...
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| Veröffentlicht in: | MLN 2000-04, Vol.115 (3), p.381-402 |
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| creator | Calhoon, Kenneth S. |
| description | Charlie Chaplin's "tramp," whose trademark muteness persisted well into the ear of sound, embodied trademark muteness persisted well into the era of sound, embodies an irreducible humanity consistent with the utopian potential that silent cinema held for many practitioners. Chaplin's "City Lights," made after the advent of audio synchronization, used sound largely to ridicule sound. |
| doi_str_mv | 10.1353/mln.2000.0031 |
| format | Article |
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| ispartof | MLN, 2000-04, Vol.115 (3), p.381-402 |
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| language | eng |
| recordid | cdi_proquest_journals_223314000 |
| source | Jstor Complete Legacy; Periodicals Index Online |
| subjects | Auditory system Blindness Chaplin, Charlie City lights Comedians Diderot, Denis Eyes German literature Gesture and Gag. The Body as Medium Gestures Lessing, Gotthold Ephraim (1729-1781) Motion picture criticism Motion pictures Movies Pantomime Philosophy Soul Spectacle Theater Visual fixation |
| title | Blind Gestures: Chaplin, Diderot, Lessing |
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