Singing His Praises: Darwin and His Theory in Song and Musical Production
This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder...
Gespeichert in:
Veröffentlicht in: | Isis 2009-09, Vol.100 (3), p.590-614 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 614 |
---|---|
container_issue | 3 |
container_start_page | 590 |
container_title | Isis |
container_volume | 100 |
creator | Smocovitis, Vassiliki Betty |
description | This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination. |
doi_str_mv | 10.1086/644632 |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_222965194</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>10.1086/644632</jstor_id><sourcerecordid>10.1086/644632</sourcerecordid><originalsourceid>FETCH-LOGICAL-c427t-334a50e7d1ae494010389b722144228e6be5288724a9a4da0703ba9d4386e1cf3</originalsourceid><addsrcrecordid>eNqN0VtLwzAUAOAgiptTf4IUFfWlmpxc2vgm87LBRGHzuaRttnV0zUxWZP_ezE4FQRQCgcOXk3NB6JDgS4JjcSUYExS2UJtwxkMhJdtGbYyBhCTitIX2nJthjDlwuYtagIkQwEkb9YdFNfEn6BUueLaqcNpdB7fKvhVVoKr8Iz6aamNXgY8Mjafr8GPtikyV_onJ62xZmGof7YxV6fTB5u6gl_u7UbcXDp4e-t2bQZgxiJYhpUxxrKOcKM0kwwTTWKYRAGEMINYi1RziOAKmpGK5whGmqZI5o7HQJBvTDjpv8i6sea21WybzwmW6LFWlTe2SyEtCYwp_S0oFYEYjL49_yJmpbeXbSABACk4k8-isQZk1zlk9Tha2mCu7SghO1ktImiV4eLTJVqdznX-xz6l7cNGAOpv6KU7Mwmrnvv9s8iSLfN3t6T-oZycNm7mlsb8V9g5Te6MS</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>222965194</pqid></control><display><type>article</type><title>Singing His Praises: Darwin and His Theory in Song and Musical Production</title><source>Jstor Complete Legacy</source><source>MEDLINE</source><creator>Smocovitis, Vassiliki Betty</creator><creatorcontrib>Smocovitis, Vassiliki Betty</creatorcontrib><description>This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination.</description><identifier>ISSN: 0021-1753</identifier><identifier>EISSN: 1545-6994</identifier><identifier>DOI: 10.1086/644632</identifier><identifier>PMID: 20166251</identifier><identifier>CODEN: ISISA4</identifier><language>eng</language><publisher>United States: The University of Chicago Press</publisher><subject>Academic libraries ; Art - history ; Biological Evolution ; Cultural history ; Darwin ; Darwin, Charles ; Darwin, Charles (1809-1882) ; Darwinism ; Evolution ; Evolutionary theories ; Focus: Darwin as a Cultural Icon ; History of medicine ; History, 19th Century ; History, 20th Century ; History, 21st Century ; Icons ; Imagination ; Internet ; Monkeys ; Music ; Music - history ; Musical motives ; Poetry as Topic - history ; Popular culture ; Science - history ; Scientists ; Social influence ; Song lyrics ; Songs ; Theory</subject><ispartof>Isis, 2009-09, Vol.100 (3), p.590-614</ispartof><rights>2009 by The History of Science Society. All rights reserved.</rights><rights>Copyright University of Chicago, acting through its Press Sep 2009</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c427t-334a50e7d1ae494010389b722144228e6be5288724a9a4da0703ba9d4386e1cf3</citedby><cites>FETCH-LOGICAL-c427t-334a50e7d1ae494010389b722144228e6be5288724a9a4da0703ba9d4386e1cf3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,776,780,799,27901,27902</link.rule.ids><backlink>$$Uhttps://www.ncbi.nlm.nih.gov/pubmed/20166251$$D View this record in MEDLINE/PubMed$$Hfree_for_read</backlink></links><search><creatorcontrib>Smocovitis, Vassiliki Betty</creatorcontrib><title>Singing His Praises: Darwin and His Theory in Song and Musical Production</title><title>Isis</title><addtitle>Isis</addtitle><description>This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination.</description><subject>Academic libraries</subject><subject>Art - history</subject><subject>Biological Evolution</subject><subject>Cultural history</subject><subject>Darwin</subject><subject>Darwin, Charles</subject><subject>Darwin, Charles (1809-1882)</subject><subject>Darwinism</subject><subject>Evolution</subject><subject>Evolutionary theories</subject><subject>Focus: Darwin as a Cultural Icon</subject><subject>History of medicine</subject><subject>History, 19th Century</subject><subject>History, 20th Century</subject><subject>History, 21st Century</subject><subject>Icons</subject><subject>Imagination</subject><subject>Internet</subject><subject>Monkeys</subject><subject>Music</subject><subject>Music - history</subject><subject>Musical motives</subject><subject>Poetry as Topic - history</subject><subject>Popular culture</subject><subject>Science - history</subject><subject>Scientists</subject><subject>Social influence</subject><subject>Song lyrics</subject><subject>Songs</subject><subject>Theory</subject><issn>0021-1753</issn><issn>1545-6994</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2009</creationdate><recordtype>article</recordtype><sourceid>EIF</sourceid><recordid>eNqN0VtLwzAUAOAgiptTf4IUFfWlmpxc2vgm87LBRGHzuaRttnV0zUxWZP_ezE4FQRQCgcOXk3NB6JDgS4JjcSUYExS2UJtwxkMhJdtGbYyBhCTitIX2nJthjDlwuYtagIkQwEkb9YdFNfEn6BUueLaqcNpdB7fKvhVVoKr8Iz6aamNXgY8Mjafr8GPtikyV_onJ62xZmGof7YxV6fTB5u6gl_u7UbcXDp4e-t2bQZgxiJYhpUxxrKOcKM0kwwTTWKYRAGEMINYi1RziOAKmpGK5whGmqZI5o7HQJBvTDjpv8i6sea21WybzwmW6LFWlTe2SyEtCYwp_S0oFYEYjL49_yJmpbeXbSABACk4k8-isQZk1zlk9Tha2mCu7SghO1ktImiV4eLTJVqdznX-xz6l7cNGAOpv6KU7Mwmrnvv9s8iSLfN3t6T-oZycNm7mlsb8V9g5Te6MS</recordid><startdate>200909</startdate><enddate>200909</enddate><creator>Smocovitis, Vassiliki Betty</creator><general>The University of Chicago Press</general><general>University of Chicago, acting through its Press</general><scope>CGR</scope><scope>CUY</scope><scope>CVF</scope><scope>ECM</scope><scope>EIF</scope><scope>NPM</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>8BJ</scope><scope>FQK</scope><scope>JBE</scope><scope>7X8</scope></search><sort><creationdate>200909</creationdate><title>Singing His Praises: Darwin and His Theory in Song and Musical Production</title><author>Smocovitis, Vassiliki Betty</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c427t-334a50e7d1ae494010389b722144228e6be5288724a9a4da0703ba9d4386e1cf3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2009</creationdate><topic>Academic libraries</topic><topic>Art - history</topic><topic>Biological Evolution</topic><topic>Cultural history</topic><topic>Darwin</topic><topic>Darwin, Charles</topic><topic>Darwin, Charles (1809-1882)</topic><topic>Darwinism</topic><topic>Evolution</topic><topic>Evolutionary theories</topic><topic>Focus: Darwin as a Cultural Icon</topic><topic>History of medicine</topic><topic>History, 19th Century</topic><topic>History, 20th Century</topic><topic>History, 21st Century</topic><topic>Icons</topic><topic>Imagination</topic><topic>Internet</topic><topic>Monkeys</topic><topic>Music</topic><topic>Music - history</topic><topic>Musical motives</topic><topic>Poetry as Topic - history</topic><topic>Popular culture</topic><topic>Science - history</topic><topic>Scientists</topic><topic>Social influence</topic><topic>Song lyrics</topic><topic>Songs</topic><topic>Theory</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Smocovitis, Vassiliki Betty</creatorcontrib><collection>Medline</collection><collection>MEDLINE</collection><collection>MEDLINE (Ovid)</collection><collection>MEDLINE</collection><collection>MEDLINE</collection><collection>PubMed</collection><collection>CrossRef</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><collection>MEDLINE - Academic</collection><jtitle>Isis</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Smocovitis, Vassiliki Betty</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Singing His Praises: Darwin and His Theory in Song and Musical Production</atitle><jtitle>Isis</jtitle><addtitle>Isis</addtitle><date>2009-09</date><risdate>2009</risdate><volume>100</volume><issue>3</issue><spage>590</spage><epage>614</epage><pages>590-614</pages><issn>0021-1753</issn><eissn>1545-6994</eissn><coden>ISISA4</coden><abstract>This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination.</abstract><cop>United States</cop><pub>The University of Chicago Press</pub><pmid>20166251</pmid><doi>10.1086/644632</doi><tpages>25</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0021-1753 |
ispartof | Isis, 2009-09, Vol.100 (3), p.590-614 |
issn | 0021-1753 1545-6994 |
language | eng |
recordid | cdi_proquest_journals_222965194 |
source | Jstor Complete Legacy; MEDLINE |
subjects | Academic libraries Art - history Biological Evolution Cultural history Darwin Darwin, Charles Darwin, Charles (1809-1882) Darwinism Evolution Evolutionary theories Focus: Darwin as a Cultural Icon History of medicine History, 19th Century History, 20th Century History, 21st Century Icons Imagination Internet Monkeys Music Music - history Musical motives Poetry as Topic - history Popular culture Science - history Scientists Social influence Song lyrics Songs Theory |
title | Singing His Praises: Darwin and His Theory in Song and Musical Production |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-02-13T12%3A11%3A49IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Singing%20His%20Praises:%20Darwin%20and%20His%20Theory%20in%20Song%20and%20Musical%20Production&rft.jtitle=Isis&rft.au=Smocovitis,%20Vassiliki%C2%A0Betty&rft.date=2009-09&rft.volume=100&rft.issue=3&rft.spage=590&rft.epage=614&rft.pages=590-614&rft.issn=0021-1753&rft.eissn=1545-6994&rft.coden=ISISA4&rft_id=info:doi/10.1086/644632&rft_dat=%3Cjstor_proqu%3E10.1086/644632%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=222965194&rft_id=info:pmid/20166251&rft_jstor_id=10.1086/644632&rfr_iscdi=true |