Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler"
[...]we have the action of Cara, the dancer at the Follies. In effect, this resistance allows delay to outrun closure. Since the roles of the characters remain open, the reader must suspend the naming process while more information accumulates. [...]psychology itself exhibits only the most remote co...
Gespeichert in:
| Veröffentlicht in: | Film criticism 1979-10, Vol.4 (1), p.25-34 |
|---|---|
| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | 34 |
|---|---|
| container_issue | 1 |
| container_start_page | 25 |
| container_title | Film criticism |
| container_volume | 4 |
| creator | Jubak, James |
| description | [...]we have the action of Cara, the dancer at the Follies. In effect, this resistance allows delay to outrun closure. Since the roles of the characters remain open, the reader must suspend the naming process while more information accumulates. [...]psychology itself exhibits only the most remote connections to extra-personal forces. [...]the viewer uses this presumption of consistency to make sense of the film. |
| format | Article |
| fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_222731571</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>44018647</jstor_id><sourcerecordid>44018647</sourcerecordid><originalsourceid>FETCH-LOGICAL-j162t-ae0bb3d5f68619e36aacdc8bb2f0040803af25010e4c1abc7e7b92d58e0d72243</originalsourceid><addsrcrecordid>eNp1j0tLxDAUhYMoWEd_ghDq1sK9N2nSupPxMcL4AHVdbtpUW8d2TDuC_97quHV14PDxHc6OiEhbTLQyeldEgEYlKZh8XxwMQwsAiDlFYrHk7kVyV8kHDv3Kn8n5KwcuRx9-2zsOgcfm08umk_FF_zb2Qd6y2wz-VFYT9Lhu_MqH-FDs1bwa_NFfzsTz1eXTfJEs769v5ufLpEVDY8IenFNVWpvMYO6VYS6rMnOOagANGSiuKQUEr0tkV1pvXU5VmnmoLJFWMxFvvevQf2z8MBZtvwndNFkQkVWYWpygk_8gpJzQWK1_VMdbqh2mV8U6NO8cvgqtATOjrfoGrbpcsA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>222731571</pqid></control><display><type>article</type><title>Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler"</title><source>Periodicals Index Online</source><source>JSTOR Archive Collection A-Z Listing</source><creator>Jubak, James</creator><creatorcontrib>Jubak, James</creatorcontrib><description>[...]we have the action of Cara, the dancer at the Follies. In effect, this resistance allows delay to outrun closure. Since the roles of the characters remain open, the reader must suspend the naming process while more information accumulates. [...]psychology itself exhibits only the most remote connections to extra-personal forces. [...]the viewer uses this presumption of consistency to make sense of the film.</description><identifier>ISSN: 0163-5069</identifier><identifier>EISSN: 2471-4364</identifier><language>eng</language><publisher>Edinboro, Pa: Allegheny College</publisher><subject>Film criticism ; Ideology ; Lang, Fritz (1890-1976) ; Literary characters ; Motion picture criticism ; Motion picture directors & producers ; Motion pictures ; Movies ; Narrative plot ; Narratives ; Prisons ; Psychology ; The Classical Narrative Cinema ; Vertical integration ; Villains ; Violent crimes</subject><ispartof>Film criticism, 1979-10, Vol.4 (1), p.25-34</ispartof><rights>Copyright 1979 FILM CRITICISM</rights><rights>Copyright Allegheny College Fall 1979</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/44018647$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/44018647$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27868,58016,58249</link.rule.ids></links><search><creatorcontrib>Jubak, James</creatorcontrib><title>Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler"</title><title>Film criticism</title><description>[...]we have the action of Cara, the dancer at the Follies. In effect, this resistance allows delay to outrun closure. Since the roles of the characters remain open, the reader must suspend the naming process while more information accumulates. [...]psychology itself exhibits only the most remote connections to extra-personal forces. [...]the viewer uses this presumption of consistency to make sense of the film.</description><subject>Film criticism</subject><subject>Ideology</subject><subject>Lang, Fritz (1890-1976)</subject><subject>Literary characters</subject><subject>Motion picture criticism</subject><subject>Motion picture directors & producers</subject><subject>Motion pictures</subject><subject>Movies</subject><subject>Narrative plot</subject><subject>Narratives</subject><subject>Prisons</subject><subject>Psychology</subject><subject>The Classical Narrative Cinema</subject><subject>Vertical integration</subject><subject>Villains</subject><subject>Violent crimes</subject><issn>0163-5069</issn><issn>2471-4364</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1979</creationdate><recordtype>article</recordtype><sourceid>K30</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><recordid>eNp1j0tLxDAUhYMoWEd_ghDq1sK9N2nSupPxMcL4AHVdbtpUW8d2TDuC_97quHV14PDxHc6OiEhbTLQyeldEgEYlKZh8XxwMQwsAiDlFYrHk7kVyV8kHDv3Kn8n5KwcuRx9-2zsOgcfm08umk_FF_zb2Qd6y2wz-VFYT9Lhu_MqH-FDs1bwa_NFfzsTz1eXTfJEs769v5ufLpEVDY8IenFNVWpvMYO6VYS6rMnOOagANGSiuKQUEr0tkV1pvXU5VmnmoLJFWMxFvvevQf2z8MBZtvwndNFkQkVWYWpygk_8gpJzQWK1_VMdbqh2mV8U6NO8cvgqtATOjrfoGrbpcsA</recordid><startdate>19791001</startdate><enddate>19791001</enddate><creator>Jubak, James</creator><general>Allegheny College</general><general>Film Criticism</general><general>Michigan Publishing (University of Michigan Library)</general><scope>JQCIK</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>SFNNT</scope><scope>AIMQZ</scope><scope>AIUKI</scope><scope>AKTFI</scope><scope>AQVBX</scope><scope>AVQMV</scope><scope>LIQON</scope></search><sort><creationdate>19791001</creationdate><title>Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler"</title><author>Jubak, James</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j162t-ae0bb3d5f68619e36aacdc8bb2f0040803af25010e4c1abc7e7b92d58e0d72243</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1979</creationdate><topic>Film criticism</topic><topic>Ideology</topic><topic>Lang, Fritz (1890-1976)</topic><topic>Literary characters</topic><topic>Motion picture criticism</topic><topic>Motion picture directors & producers</topic><topic>Motion pictures</topic><topic>Movies</topic><topic>Narrative plot</topic><topic>Narratives</topic><topic>Prisons</topic><topic>Psychology</topic><topic>The Classical Narrative Cinema</topic><topic>Vertical integration</topic><topic>Villains</topic><topic>Violent crimes</topic><toplevel>online_resources</toplevel><creatorcontrib>Jubak, James</creatorcontrib><collection>Periodicals Index Online Segment 33</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Index Online Segment 44</collection><collection>ProQuest One Literature</collection><collection>FIAF International Index to Film Periodicals Journals</collection><collection>Screen Studies Collection</collection><collection>FIAF International Index to Film Periodicals Database</collection><collection>Arts Premium Collection</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><jtitle>Film criticism</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Jubak, James</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler"</atitle><jtitle>Film criticism</jtitle><date>1979-10-01</date><risdate>1979</risdate><volume>4</volume><issue>1</issue><spage>25</spage><epage>34</epage><pages>25-34</pages><issn>0163-5069</issn><eissn>2471-4364</eissn><abstract>[...]we have the action of Cara, the dancer at the Follies. In effect, this resistance allows delay to outrun closure. Since the roles of the characters remain open, the reader must suspend the naming process while more information accumulates. [...]psychology itself exhibits only the most remote connections to extra-personal forces. [...]the viewer uses this presumption of consistency to make sense of the film.</abstract><cop>Edinboro, Pa</cop><pub>Allegheny College</pub><tpages>10</tpages></addata></record> |
| fulltext | fulltext |
| identifier | ISSN: 0163-5069 |
| ispartof | Film criticism, 1979-10, Vol.4 (1), p.25-34 |
| issn | 0163-5069 2471-4364 |
| language | eng |
| recordid | cdi_proquest_journals_222731571 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing |
| subjects | Film criticism Ideology Lang, Fritz (1890-1976) Literary characters Motion picture criticism Motion picture directors & producers Motion pictures Movies Narrative plot Narratives Prisons Psychology The Classical Narrative Cinema Vertical integration Villains Violent crimes |
| title | Lang and Parole: Character and Narrative in "Doktor Mabuse, der Spieler" |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-11T19%3A26%3A46IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Lang%20and%20Parole:%20Character%20and%20Narrative%20in%20%22Doktor%20Mabuse,%20der%20Spieler%22&rft.jtitle=Film%20criticism&rft.au=Jubak,%20James&rft.date=1979-10-01&rft.volume=4&rft.issue=1&rft.spage=25&rft.epage=34&rft.pages=25-34&rft.issn=0163-5069&rft.eissn=2471-4364&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E44018647%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=222731571&rft_id=info:pmid/&rft_jstor_id=44018647&rfr_iscdi=true |