The Theory and Practice of Chromatic Wedge Progressions in Romantic Music

While theorists in the past decade have increasingly directed their attention to various voice-leading practices in nineteenth-century harmony, with few notable exceptions they have generally neglected the topic of contrary chromatic progressions. This article investigates and categorizes divergent...

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Veröffentlicht in:	Music theory spectrum 2004-04, Vol.26 (1), p.1-22
1. Verfasser:	Gauldin, Robert
Format:	Artikel
Sprache:	eng
Schlagworte:	Chromaticism Contrary motion Major intervals Music analysis Music theory Musical chords Musicology Octaves Romantic music Romantic period Symphonies Tonal harmony
Online-Zugang:	Volltext
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