Reconstructing the Audiences of the Middle English Versions of "Ipomedon"
Sanchez-Marti focuses on the complexity involved in defining the audience of Middle English romances, particularly the audience of the English versions of the romance Ipomedon. The imperfect picture of the medieval audiences of Ipomedon reflects that the various instantiations of the romance had a r...
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| Veröffentlicht in: | Studies in philology 2006-04, Vol.103 (2), p.153-177 |
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| container_title | Studies in philology |
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| creator | Jordi Sánchez-Martí |
| description | Sanchez-Marti focuses on the complexity involved in defining the audience of Middle English romances, particularly the audience of the English versions of the romance Ipomedon. The imperfect picture of the medieval audiences of Ipomedon reflects that the various instantiations of the romance had a reading public that include men and women of the aristocracy, the gentry, and the merchandrise. |
| doi_str_mv | 10.1353/sip.2006.0008 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0039-3738 |
| ispartof | Studies in philology, 2006-04, Vol.103 (2), p.153-177 |
| issn | 0039-3738 1543-0383 1543-0383 |
| language | eng |
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| source | Jstor Complete Legacy |
| subjects | Academic libraries Audiences Business structures Commonplace books English literature Language history Libraries Medieval literature Merchants Middle Ages Middle English Narratives Philology Romance languages Romantic literature |
| title | Reconstructing the Audiences of the Middle English Versions of "Ipomedon" |
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