Rap and the Recording Industry
ABSTRACT Nothing in the music industry has been more controversial than so‐called gangsta rap. This article examines the behavior of the major recording labels involved with rap music, and how they have responded to calls from the minority community and various politicians to clean up the offensive...
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Veröffentlicht in: | Business and society review (1974) 2010-03, Vol.115 (1), p.107-120 |
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description | ABSTRACT
Nothing in the music industry has been more controversial than so‐called gangsta rap. This article examines the behavior of the major recording labels involved with rap music, and how they have responded to calls from the minority community and various politicians to clean up the offensive lyrics associated with the genre. In large part, the companies have basically ignored their critics and continued to market gangsta rap because for years it had been so highly profitable. Their basic tactic has been to diffuse responsibility and distance themselves from rap by allowing subsidiaries to handle that part of the business. The industry's behavior is certainly troubling. I argue that, at the very least, the companies should have met the “moral minimum” to avoid harm and correct social injuries by censoring certain lyrics. Unfortunately this never occurred, and, in the end, only declining sales appear to have had any mitigating effects on gangsta rap. |
doi_str_mv | 10.1111/j.1467-8594.2009.00359.x |
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Nothing in the music industry has been more controversial than so‐called gangsta rap. This article examines the behavior of the major recording labels involved with rap music, and how they have responded to calls from the minority community and various politicians to clean up the offensive lyrics associated with the genre. In large part, the companies have basically ignored their critics and continued to market gangsta rap because for years it had been so highly profitable. Their basic tactic has been to diffuse responsibility and distance themselves from rap by allowing subsidiaries to handle that part of the business. The industry's behavior is certainly troubling. I argue that, at the very least, the companies should have met the “moral minimum” to avoid harm and correct social injuries by censoring certain lyrics. Unfortunately this never occurred, and, in the end, only declining sales appear to have had any mitigating effects on gangsta rap.</description><identifier>ISSN: 0045-3609</identifier><identifier>EISSN: 1467-8594</identifier><identifier>DOI: 10.1111/j.1467-8594.2009.00359.x</identifier><identifier>CODEN: BUSRAM</identifier><language>eng</language><publisher>Malden, USA: Blackwell Publishing Inc</publisher><subject>Alliances ; Censorship ; Rap music ; Recording industry ; Responsibilities ; Studies</subject><ispartof>Business and society review (1974), 2010-03, Vol.115 (1), p.107-120</ispartof><rights>2010 Center for Business Ethics at Bentley University</rights><rights>Copyright Blackwell Publishing Ltd. Spring 2010</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c4099-5ab08615e1bbae8d61f1a3b17bd2a65e65b6a4c9f28949d26a2a0530b980a2f03</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://onlinelibrary.wiley.com/doi/pdf/10.1111%2Fj.1467-8594.2009.00359.x$$EPDF$$P50$$Gwiley$$H</linktopdf><linktohtml>$$Uhttps://onlinelibrary.wiley.com/doi/full/10.1111%2Fj.1467-8594.2009.00359.x$$EHTML$$P50$$Gwiley$$H</linktohtml><link.rule.ids>314,776,780,1411,27901,27902,33751,45550,45551</link.rule.ids></links><search><creatorcontrib>BEAVER, WILLIAM</creatorcontrib><title>Rap and the Recording Industry</title><title>Business and society review (1974)</title><description>ABSTRACT
Nothing in the music industry has been more controversial than so‐called gangsta rap. This article examines the behavior of the major recording labels involved with rap music, and how they have responded to calls from the minority community and various politicians to clean up the offensive lyrics associated with the genre. In large part, the companies have basically ignored their critics and continued to market gangsta rap because for years it had been so highly profitable. Their basic tactic has been to diffuse responsibility and distance themselves from rap by allowing subsidiaries to handle that part of the business. The industry's behavior is certainly troubling. I argue that, at the very least, the companies should have met the “moral minimum” to avoid harm and correct social injuries by censoring certain lyrics. Unfortunately this never occurred, and, in the end, only declining sales appear to have had any mitigating effects on gangsta rap.</description><subject>Alliances</subject><subject>Censorship</subject><subject>Rap music</subject><subject>Recording industry</subject><subject>Responsibilities</subject><subject>Studies</subject><issn>0045-3609</issn><issn>1467-8594</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2010</creationdate><recordtype>article</recordtype><sourceid>BHHNA</sourceid><recordid>eNqNkEFPwzAMhSMEEmPwF1DFvcVJmrQ5cBgIxqQB2hgCcbHSNoWW0Y6kE9u_p6VoZ3yxJb_P1nuEeBQC2tZ5GdBQRn4sVBgwABUAcKGCzR4Z7Bb7ZAAQCp9LUIfkyLkS2ookDMjpXK88XWVe8268uUlrmxXVmzepsrVr7PaYHOR66czJXx-Sp5vrxdWtP30YT65GUz8NQSlf6ARiSYWhSaJNnEmaU80TGiUZ01IYKRKpw1TlLFahypjUTIPgkKgYNMuBD8lZf3dl66-1cQ2W9dpW7UtkVNFYSclaUdyLUls7Z02OK1t8artFCtiFgSV2nrHzjF0Y-BsGblr0oke_i6XZ_pvDy9HjvJ1a3u_5wjVms-O1_UAZ8Ujg8_0YX-gsXNzNXpHzH62zcmE</recordid><startdate>20100301</startdate><enddate>20100301</enddate><creator>BEAVER, WILLIAM</creator><general>Blackwell Publishing Inc</general><general>Blackwell Publishing Ltd</general><scope>BSCLL</scope><scope>AAYXX</scope><scope>CITATION</scope><scope>7U4</scope><scope>BHHNA</scope><scope>DWI</scope><scope>WZK</scope></search><sort><creationdate>20100301</creationdate><title>Rap and the Recording Industry</title><author>BEAVER, WILLIAM</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c4099-5ab08615e1bbae8d61f1a3b17bd2a65e65b6a4c9f28949d26a2a0530b980a2f03</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2010</creationdate><topic>Alliances</topic><topic>Censorship</topic><topic>Rap music</topic><topic>Recording industry</topic><topic>Responsibilities</topic><topic>Studies</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>BEAVER, WILLIAM</creatorcontrib><collection>Istex</collection><collection>CrossRef</collection><collection>Sociological Abstracts (pre-2017)</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts</collection><collection>Sociological Abstracts (Ovid)</collection><jtitle>Business and society review (1974)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>BEAVER, WILLIAM</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Rap and the Recording Industry</atitle><jtitle>Business and society review (1974)</jtitle><date>2010-03-01</date><risdate>2010</risdate><volume>115</volume><issue>1</issue><spage>107</spage><epage>120</epage><pages>107-120</pages><issn>0045-3609</issn><eissn>1467-8594</eissn><coden>BUSRAM</coden><abstract>ABSTRACT
Nothing in the music industry has been more controversial than so‐called gangsta rap. This article examines the behavior of the major recording labels involved with rap music, and how they have responded to calls from the minority community and various politicians to clean up the offensive lyrics associated with the genre. In large part, the companies have basically ignored their critics and continued to market gangsta rap because for years it had been so highly profitable. Their basic tactic has been to diffuse responsibility and distance themselves from rap by allowing subsidiaries to handle that part of the business. The industry's behavior is certainly troubling. I argue that, at the very least, the companies should have met the “moral minimum” to avoid harm and correct social injuries by censoring certain lyrics. Unfortunately this never occurred, and, in the end, only declining sales appear to have had any mitigating effects on gangsta rap.</abstract><cop>Malden, USA</cop><pub>Blackwell Publishing Inc</pub><doi>10.1111/j.1467-8594.2009.00359.x</doi><tpages>14</tpages></addata></record> |
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source | EBSCO Business Source Complete; Wiley Online Library Journals Frontfile Complete; Sociological Abstracts |
subjects | Alliances Censorship Rap music Recording industry Responsibilities Studies |
title | Rap and the Recording Industry |
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