The Routledge Companion to Music Cognition
The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to expla...
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description | The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication.
A diverse range of global scholars-music theorists, musicologists, pedagogues, neuroscientists, and psychologists-address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include:
Music's impact on physical and emotional health
Music cognition in various genres
Music cognition in diverse populations, including people with amusia and hearing loss
The relationship of music to learning and accomplishment in academics, sport, and recreation
The broader sociological and anthropological uses of music
Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music's meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives. |
doi_str_mv | 10.4324/9781315194738 |
format | Book |
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A diverse range of global scholars-music theorists, musicologists, pedagogues, neuroscientists, and psychologists-address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include:
Music's impact on physical and emotional health
Music cognition in various genres
Music cognition in diverse populations, including people with amusia and hearing loss
The relationship of music to learning and accomplishment in academics, sport, and recreation
The broader sociological and anthropological uses of music
Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music's meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.</description><edition>1</edition><identifier>ISBN: 9781351761949</identifier><identifier>ISBN: 1351761943</identifier><identifier>ISBN: 1138721050</identifier><identifier>ISBN: 9781138721050</identifier><identifier>ISBN: 0367876558</identifier><identifier>ISBN: 9780367876555</identifier><identifier>EISSN: 1559-5749</identifier><identifier>EISBN: 1351761927</identifier><identifier>EISBN: 9781351761932</identifier><identifier>EISBN: 9781315194738</identifier><identifier>EISBN: 9781351761925</identifier><identifier>EISBN: 1351761935</identifier><identifier>EISBN: 9781351761949</identifier><identifier>EISBN: 1315194732</identifier><identifier>EISBN: 1351761943</identifier><identifier>DOI: 10.4324/9781315194738</identifier><identifier>OCLC: 993061593</identifier><language>eng</language><publisher>United Kingdom: Routledge</publisher><subject>Alexandra Lamont ; Andrew McPherson ; Annabel J. Cohen ; Anne Caclin ; Anne Danielsen ; Barbara Tillmann ; Brain research ; Bruno Gingras ; Catherine Hirel ; Clemens Wöllner ; cognition ; Cognition & reasoning ; cognition of music ; cognitive abilities ; Cognitive Neuroscience ; Cyrille L. Magne ; Daniel Shanahan ; David Temperley ; Dorottya Fabian ; Edward W. Large ; Elaine Chew ; Elizabeth Hellmuth Margulis ; Elizabeth West Marvin ; Emily Przysinda ; Eric F. Clarke ; Essays ; Eva Dittinger ; Fernando Benadon ; Fredrik Ullén ; Hypotheses ; Interdisciplinary aspects ; Jessica A. Grahn ; Jonna K. Vuoskoski ; Jörg Fachner ; Kyung Myun Lee ; Language ; Laura Bishop ; Music ; Music & Education ; Music - Performance - Psychological aspects ; Musical perception ; Musicology ; Nonfiction</subject><ispartof>Empirical musicology review, 2017, Vol.13 (1/2), p.107-108</ispartof><tpages>576</tpages><tpages>590</tpages><tpages>14</tpages><format>576</format><rights>2017 Taylor & Francis</rights><rights>2018. This work is published under https://creativecommons.org/licenses/by-nc/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.</rights><lds50>peer_reviewed</lds50><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed><relation>Routledge Music Companions</relation></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>306,313,776,780,788,860,27901,27904</link.rule.ids></links><search><contributor>Timmers, Renee</contributor><contributor>Ashley, Richard</contributor><contributor>Timmers, Renee</contributor><contributor>Ashley, Richard</contributor><creatorcontrib>Ashley, Richard</creatorcontrib><creatorcontrib>Timmers, Renee</creatorcontrib><title>The Routledge Companion to Music Cognition</title><title>Empirical musicology review</title><description>The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication.
A diverse range of global scholars-music theorists, musicologists, pedagogues, neuroscientists, and psychologists-address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include:
Music's impact on physical and emotional health
Music cognition in various genres
Music cognition in diverse populations, including people with amusia and hearing loss
The relationship of music to learning and accomplishment in academics, sport, and recreation
The broader sociological and anthropological uses of music
Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music's meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.</description><subject>Alexandra Lamont</subject><subject>Andrew McPherson</subject><subject>Annabel J. Cohen</subject><subject>Anne Caclin</subject><subject>Anne Danielsen</subject><subject>Barbara Tillmann</subject><subject>Brain research</subject><subject>Bruno Gingras</subject><subject>Catherine Hirel</subject><subject>Clemens Wöllner</subject><subject>cognition</subject><subject>Cognition & reasoning</subject><subject>cognition of music</subject><subject>cognitive abilities</subject><subject>Cognitive Neuroscience</subject><subject>Cyrille L. Magne</subject><subject>Daniel Shanahan</subject><subject>David Temperley</subject><subject>Dorottya Fabian</subject><subject>Edward W. Large</subject><subject>Elaine Chew</subject><subject>Elizabeth Hellmuth Margulis</subject><subject>Elizabeth West Marvin</subject><subject>Emily Przysinda</subject><subject>Eric F. 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Vuoskoski</subject><subject>Jörg Fachner</subject><subject>Kyung Myun Lee</subject><subject>Language</subject><subject>Laura Bishop</subject><subject>Music</subject><subject>Music & Education</subject><subject>Music - Performance - Psychological aspects</subject><subject>Musical perception</subject><subject>Musicology</subject><subject>Nonfiction</subject><issn>1559-5749</issn><isbn>9781351761949</isbn><isbn>1351761943</isbn><isbn>1138721050</isbn><isbn>9781138721050</isbn><isbn>0367876558</isbn><isbn>9780367876555</isbn><isbn>1351761927</isbn><isbn>9781351761932</isbn><isbn>9781315194738</isbn><isbn>9781351761925</isbn><isbn>1351761935</isbn><isbn>9781351761949</isbn><isbn>1315194732</isbn><isbn>1351761943</isbn><fulltext>true</fulltext><rsrctype>book</rsrctype><creationdate>2017</creationdate><recordtype>book</recordtype><sourceid>I4C</sourceid><sourceid>A3D</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><recordid>eNqNkktPAjEQx6tGIyJH70QPRhN0-94eleAjwZgY4rUpuy2sLC22uxC_vYXVA8YDp0lmfjPznwcAZzC5IRiRW8FTiCGFgnCc7oETiCnkDArE90ELUip6lBNxADobsIkRcQRaQuCEQSrwMeiEUIwTwhEjECctcD2a6u6bq6tS5xPd7bv5QtnC2W7lui91KLLomtiiiq5TcGhUGXTnx7bB-8Ng1H_qDV8fn_t3w55CGBPRI0jlOcSM68zAFBmhKWWZMHRsBM8F0wYzKkiWIpZxbjhRBlJFNMYIqzyqbIOLpvDCu89ah0p-uNrb2FMiyFGCaMrSSF01lAozvQpTV1ZBLks9dm4W5NYKdmejhB3Y3xtE9vKP0g2WaVt5VcrBfZ-kIkkhjyRpyMIa5-dq5XyZy0p9lc4br2xWhP8bDHZLg4lc_8h2ulxqH-Ll1kOdN3UyFVRZ2ELOnXUTrxbTIEmUmCCEvwF08rOB</recordid><startdate>2017</startdate><enddate>2017</enddate><creator>Ashley, Richard</creator><creator>Timmers, Renee</creator><general>Routledge</general><general>Taylor and Francis</general><general>Taylor & Francis Group</general><general>The Ohio State University Library</general><scope>I4C</scope><scope>4U-</scope><scope>A3D</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>PIMPY</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope></search><sort><creationdate>2017</creationdate><title>The Routledge Companion to Music Cognition</title><author>Ashley, Richard ; Timmers, Renee</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a23349-42add1367ecf182f9e556c9f5bf97d96ef36594c826c77f74af15a4e3323ad593</frbrgroupid><rsrctype>books</rsrctype><prefilter>books</prefilter><language>eng</language><creationdate>2017</creationdate><topic>Alexandra Lamont</topic><topic>Andrew McPherson</topic><topic>Annabel J. 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Vuoskoski</topic><topic>Jörg Fachner</topic><topic>Kyung Myun Lee</topic><topic>Language</topic><topic>Laura Bishop</topic><topic>Music</topic><topic>Music & Education</topic><topic>Music - Performance - Psychological aspects</topic><topic>Musical perception</topic><topic>Musicology</topic><topic>Nonfiction</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Ashley, Richard</creatorcontrib><creatorcontrib>Timmers, Renee</creatorcontrib><collection>Casalini Torrossa eBook Single Purchase</collection><collection>University Readers</collection><collection>Music Periodicals Database</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Music & Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>Publicly Available Content Database</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Ashley, Richard</au><au>Timmers, Renee</au><au>Timmers, Renee</au><au>Ashley, Richard</au><au>Timmers, Renee</au><au>Ashley, Richard</au><format>book</format><genre>book</genre><ristype>BOOK</ristype><atitle>The Routledge Companion to Music Cognition</atitle><btitle>Empirical musicology review</btitle><seriestitle>Routledge Music Companions</seriestitle><date>2017</date><risdate>2017</risdate><volume>13</volume><issue>1/2</issue><spage>107</spage><epage>108</epage><pages>107-108</pages><eissn>1559-5749</eissn><isbn>9781351761949</isbn><isbn>1351761943</isbn><isbn>1138721050</isbn><isbn>9781138721050</isbn><isbn>0367876558</isbn><isbn>9780367876555</isbn><eisbn>1351761927</eisbn><eisbn>9781351761932</eisbn><eisbn>9781315194738</eisbn><eisbn>9781351761925</eisbn><eisbn>1351761935</eisbn><eisbn>9781351761949</eisbn><eisbn>1315194732</eisbn><eisbn>1351761943</eisbn><abstract>The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication.
A diverse range of global scholars-music theorists, musicologists, pedagogues, neuroscientists, and psychologists-address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include:
Music's impact on physical and emotional health
Music cognition in various genres
Music cognition in diverse populations, including people with amusia and hearing loss
The relationship of music to learning and accomplishment in academics, sport, and recreation
The broader sociological and anthropological uses of music
Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music's meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.</abstract><cop>United Kingdom</cop><pub>Routledge</pub><doi>10.4324/9781315194738</doi><oclcid>993061593</oclcid><tpages>576</tpages><tpages>590</tpages><tpages>14</tpages><edition>1</edition><oa>free_for_read</oa></addata></record> |
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identifier | ISBN: 9781351761949 |
ispartof | Empirical musicology review, 2017, Vol.13 (1/2), p.107-108 |
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subjects | Alexandra Lamont Andrew McPherson Annabel J. Cohen Anne Caclin Anne Danielsen Barbara Tillmann Brain research Bruno Gingras Catherine Hirel Clemens Wöllner cognition Cognition & reasoning cognition of music cognitive abilities Cognitive Neuroscience Cyrille L. Magne Daniel Shanahan David Temperley Dorottya Fabian Edward W. Large Elaine Chew Elizabeth Hellmuth Margulis Elizabeth West Marvin Emily Przysinda Eric F. Clarke Essays Eva Dittinger Fernando Benadon Fredrik Ullén Hypotheses Interdisciplinary aspects Jessica A. Grahn Jonna K. Vuoskoski Jörg Fachner Kyung Myun Lee Language Laura Bishop Music Music & Education Music - Performance - Psychological aspects Musical perception Musicology Nonfiction |
title | The Routledge Companion to Music Cognition |
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