Shoot / Get Treasure / Repeat

With its combination of emotionally involving scenarios, barely suppressed anger, and cool political critique, Ravenhill's Shoot / Get Treasure / Repeat bears striking resemblance in structure and theme to Brecht's Fear and Misery in the Third Reich (abridged and translated in 1941 as Priv...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Theatre journal (Washington, D.C.) D.C.), 2008, Vol.60 (2), p.285-288
1. Verfasser: Spencer, Jenny
Format: Review
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 288
container_issue 2
container_start_page 285
container_title Theatre journal (Washington, D.C.)
container_volume 60
creator Spencer, Jenny
description With its combination of emotionally involving scenarios, barely suppressed anger, and cool political critique, Ravenhill's Shoot / Get Treasure / Repeat bears striking resemblance in structure and theme to Brecht's Fear and Misery in the Third Reich (abridged and translated in 1941 as Private Lives of the Master Class), with everyday encounters between family, friends, and soldiers updated to address the current war on terror. The Odyssey, with its sympathetic depiction of exhausted soldiers, could have been interpreted by some as supporting the war effort, just as the final play of the cycle invites wholesale dismissal of the arts community's activist projects.
doi_str_mv 10.1353/tj.0.0000
format Review
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_216064717</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>25070205</jstor_id><sourcerecordid>25070205</sourcerecordid><originalsourceid>FETCH-LOGICAL-c1687-62abfb15deaa2bc3ec3d83bbce4a1e9aa207c39115c81ef0848815d6ceadd9483</originalsourceid><addsrcrecordid>eNpNkEFLxDAQhYMoWFcP_oCF4s1Dd2eSpk2PsugqLAjuCt5Cmk7R4tqapAf_vSkri3MZZvjee8wwdo2wQCHFMnQLWECsE5YgqCITgr-dsgSw4hlXip-zC--7iVC5Sth8-973IV2mawrpzpHxo6M4vtBAJlyys9Z8err66zP2-nC_Wz1mm-f10-puk1ksVJkV3NRtjbIhY3htBVnRKFHXlnKDVMUllFZUiNIqpHZKVpEuLJmmqXIlZuzm4Du4_nskH3TXj-4rRmqOBRR5iWWEbg-Qdb33jlo9uI-9cT8aQU_H69Bp0NNpkc2Phh3ZsB89_fPMQUqpt9ODpv-A4gAIPMrmB1nnQ--O_lxCCRyk-AVG72O3</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>review</recordtype><pqid>216064717</pqid></control><display><type>review</type><title>Shoot / Get Treasure / Repeat</title><source>Jstor Complete Legacy</source><creator>Spencer, Jenny</creator><creatorcontrib>Spencer, Jenny</creatorcontrib><description>With its combination of emotionally involving scenarios, barely suppressed anger, and cool political critique, Ravenhill's Shoot / Get Treasure / Repeat bears striking resemblance in structure and theme to Brecht's Fear and Misery in the Third Reich (abridged and translated in 1941 as Private Lives of the Master Class), with everyday encounters between family, friends, and soldiers updated to address the current war on terror. The Odyssey, with its sympathetic depiction of exhausted soldiers, could have been interpreted by some as supporting the war effort, just as the final play of the cycle invites wholesale dismissal of the arts community's activist projects.</description><identifier>ISSN: 0192-2882</identifier><identifier>ISSN: 1086-332X</identifier><identifier>EISSN: 1086-332X</identifier><identifier>DOI: 10.1353/tj.0.0000</identifier><language>eng</language><publisher>Baltimore: Johns Hopkins University Press</publisher><subject>Armed forces ; Performance Review ; Politics ; Ravenhill, Mark ; Theater ; Theme ; Translation ; War</subject><ispartof>Theatre journal (Washington, D.C.), 2008, Vol.60 (2), p.285-288</ispartof><rights>Copyright 2008 The Johns Hopkins University Press</rights><rights>Copyright © 2008 The Johns Hopkins University Press.</rights><rights>Copyright Johns Hopkins University Press May 2008</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c1687-62abfb15deaa2bc3ec3d83bbce4a1e9aa207c39115c81ef0848815d6ceadd9483</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/25070205$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/25070205$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>313,314,777,781,789,800,27903,27905,27906,57998,58231</link.rule.ids></links><search><creatorcontrib>Spencer, Jenny</creatorcontrib><title>Shoot / Get Treasure / Repeat</title><title>Theatre journal (Washington, D.C.)</title><description>With its combination of emotionally involving scenarios, barely suppressed anger, and cool political critique, Ravenhill's Shoot / Get Treasure / Repeat bears striking resemblance in structure and theme to Brecht's Fear and Misery in the Third Reich (abridged and translated in 1941 as Private Lives of the Master Class), with everyday encounters between family, friends, and soldiers updated to address the current war on terror. The Odyssey, with its sympathetic depiction of exhausted soldiers, could have been interpreted by some as supporting the war effort, just as the final play of the cycle invites wholesale dismissal of the arts community's activist projects.</description><subject>Armed forces</subject><subject>Performance Review</subject><subject>Politics</subject><subject>Ravenhill, Mark</subject><subject>Theater</subject><subject>Theme</subject><subject>Translation</subject><subject>War</subject><issn>0192-2882</issn><issn>1086-332X</issn><issn>1086-332X</issn><fulltext>true</fulltext><rsrctype>review</rsrctype><creationdate>2008</creationdate><recordtype>review</recordtype><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AVQMV</sourceid><sourceid>AZQEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DJMCT</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNpNkEFLxDAQhYMoWFcP_oCF4s1Dd2eSpk2PsugqLAjuCt5Cmk7R4tqapAf_vSkri3MZZvjee8wwdo2wQCHFMnQLWECsE5YgqCITgr-dsgSw4hlXip-zC--7iVC5Sth8-973IV2mawrpzpHxo6M4vtBAJlyys9Z8err66zP2-nC_Wz1mm-f10-puk1ksVJkV3NRtjbIhY3htBVnRKFHXlnKDVMUllFZUiNIqpHZKVpEuLJmmqXIlZuzm4Du4_nskH3TXj-4rRmqOBRR5iWWEbg-Qdb33jlo9uI-9cT8aQU_H69Bp0NNpkc2Phh3ZsB89_fPMQUqpt9ODpv-A4gAIPMrmB1nnQ--O_lxCCRyk-AVG72O3</recordid><startdate>20080501</startdate><enddate>20080501</enddate><creator>Spencer, Jenny</creator><general>Johns Hopkins University Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>7XB</scope><scope>A3F</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AVQMV</scope><scope>AZQEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DJMCT</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PROLI</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>20080501</creationdate><title>Shoot / Get Treasure / Repeat</title><author>Spencer, Jenny</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c1687-62abfb15deaa2bc3ec3d83bbce4a1e9aa207c39115c81ef0848815d6ceadd9483</frbrgroupid><rsrctype>reviews</rsrctype><prefilter>reviews</prefilter><language>eng</language><creationdate>2008</creationdate><topic>Armed forces</topic><topic>Performance Review</topic><topic>Politics</topic><topic>Ravenhill, Mark</topic><topic>Theater</topic><topic>Theme</topic><topic>Translation</topic><topic>War</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Spencer, Jenny</creatorcontrib><collection>CrossRef</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>Performing Arts Periodicals Database</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>Arts Premium Collection</collection><collection>ProQuest Central Essentials</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>Music &amp; Performing Arts Collection</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Literature Online (LION)</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Spencer, Jenny</au><format>journal</format><genre>article</genre><ristype>GEN</ristype><atitle>Shoot / Get Treasure / Repeat</atitle><jtitle>Theatre journal (Washington, D.C.)</jtitle><date>2008-05-01</date><risdate>2008</risdate><volume>60</volume><issue>2</issue><spage>285</spage><epage>288</epage><pages>285-288</pages><issn>0192-2882</issn><issn>1086-332X</issn><eissn>1086-332X</eissn><abstract>With its combination of emotionally involving scenarios, barely suppressed anger, and cool political critique, Ravenhill's Shoot / Get Treasure / Repeat bears striking resemblance in structure and theme to Brecht's Fear and Misery in the Third Reich (abridged and translated in 1941 as Private Lives of the Master Class), with everyday encounters between family, friends, and soldiers updated to address the current war on terror. The Odyssey, with its sympathetic depiction of exhausted soldiers, could have been interpreted by some as supporting the war effort, just as the final play of the cycle invites wholesale dismissal of the arts community's activist projects.</abstract><cop>Baltimore</cop><pub>Johns Hopkins University Press</pub><doi>10.1353/tj.0.0000</doi><tpages>4</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0192-2882
ispartof Theatre journal (Washington, D.C.), 2008, Vol.60 (2), p.285-288
issn 0192-2882
1086-332X
1086-332X
language eng
recordid cdi_proquest_journals_216064717
source Jstor Complete Legacy
subjects Armed forces
Performance Review
Politics
Ravenhill, Mark
Theater
Theme
Translation
War
title Shoot / Get Treasure / Repeat
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-20T18%3A13%3A43IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Shoot%20/%20Get%20Treasure%20/%20Repeat&rft.jtitle=Theatre%20journal%20(Washington,%20D.C.)&rft.au=Spencer,%20Jenny&rft.date=2008-05-01&rft.volume=60&rft.issue=2&rft.spage=285&rft.epage=288&rft.pages=285-288&rft.issn=0192-2882&rft.eissn=1086-332X&rft_id=info:doi/10.1353/tj.0.0000&rft_dat=%3Cjstor_proqu%3E25070205%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=216064717&rft_id=info:pmid/&rft_jstor_id=25070205&rfr_iscdi=true