Cymbeline
Four trees were nestled atop a grassy mound, a circular sand pit took center stage and a moat of water surrounded most of the outer perimeter of the stage just in front of the audience. Cymbeline challenges director and cast to tell a convoluted story of "deceit, murder, abandonment, and cross...
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Veröffentlicht in: | Theatre journal (Washington, D.C.) D.C.), 1999, Vol.51 (1), p.78 |
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1. Verfasser: | |
Format: | Review |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
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Zusammenfassung: | Four trees were nestled atop a grassy mound, a circular sand pit took center stage and a moat of water surrounded most of the outer perimeter of the stage just in front of the audience. Cymbeline challenges director and cast to tell a convoluted story of "deceit, murder, abandonment, and cross dressing" (as the production's poster suggests) and employs two dozen revelations to tie up the loose ends of three different plots: a king (Cymbeline) banishes his daughter's husband (Posthumus) at the insistence of his wife; the husband's faith in his wife (Imogen) is tested as is her faith in him; and a war breaks out between Britain and Rome, the result of which is the king's discovery of two lost sons, kidnapped in infancy. |
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ISSN: | 0192-2882 1086-332X |