Troubled Resemblances: Portrait and Poetics in Breitinger’s Critische Dichtkunst, Wieland’s Don Sylvio, Burke’s Philosophical Enquiry and Radcliffe’s Castle of Udolpho

[...]the reproduction presented here has no model (the woman is unknown to the observer); instead, it is the "afterimage" itself that aspires—to use the words of Bodmer in his Betrachtungen über die poetischen Gemälden der Dichter (Observations on the Poetic Paintings of Writers, 1741)—to...

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