Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America

Preston examines the unknown, and somewhat paradoxical, place of English-language of opera continued to function, as it had before the Civil War, as an important part of the American popular stage, and that its growing identification as opera for the people was a deliberate response to the increasin...

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Veröffentlicht in:American music (Champaign, Ill.) Ill.), 2003-09, Vol.21 (3), p.349-374
1. Verfasser: Preston, Katherine K.
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description Preston examines the unknown, and somewhat paradoxical, place of English-language of opera continued to function, as it had before the Civil War, as an important part of the American popular stage, and that its growing identification as opera for the people was a deliberate response to the increasing perception of foreign-laguage opera as aristocratic.
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identifier ISSN: 0734-4392
ispartof American music (Champaign, Ill.), 2003-09, Vol.21 (3), p.349-374
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subjects American English
Business structures
English language
History
Language history
Music
Musical performance
Musicology
Opera
Opera houses
Operas
Operettas
Performing artists
Singers
Theater
Theater companies
United States history
title Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
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