Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
Preston examines the unknown, and somewhat paradoxical, place of English-language of opera continued to function, as it had before the Civil War, as an important part of the American popular stage, and that its growing identification as opera for the people was a deliberate response to the increasin...
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Veröffentlicht in: | American music (Champaign, Ill.) Ill.), 2003-09, Vol.21 (3), p.349-374 |
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creator | Preston, Katherine K. |
description | Preston examines the unknown, and somewhat paradoxical, place of English-language of opera continued to function, as it had before the Civil War, as an important part of the American popular stage, and that its growing identification as opera for the people was a deliberate response to the increasing perception of foreign-laguage opera as aristocratic. |
doi_str_mv | 10.2307/3250548 |
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ispartof | American music (Champaign, Ill.), 2003-09, Vol.21 (3), p.349-374 |
issn | 0734-4392 1945-2349 |
language | eng |
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source | JSTOR Archive Collection A-Z Listing |
subjects | American English Business structures English language History Language history Music Musical performance Musicology Opera Opera houses Operas Operettas Performing artists Singers Theater Theater companies United States history |
title | Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America |
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