The Use of Habanera Rhythm in Rockabilly Music
Historical and biographical studies have perhaps reached the limit of their descriptive capabilities, and more musical descriptions and definitions are needed if society is to understand rockabilly music as a genre. Brewer discusses the use of Habanera rhythm in rockabilly music.
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Veröffentlicht in: | American music (Champaign, Ill.) Ill.), 1999-09, Vol.17 (3), p.300-317 |
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container_title | American music (Champaign, Ill.) |
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creator | Brewer, Roy |
description | Historical and biographical studies have perhaps reached the limit of their descriptive capabilities, and more musical descriptions and definitions are needed if society is to understand rockabilly music as a genre. Brewer discusses the use of Habanera rhythm in rockabilly music. |
doi_str_mv | 10.2307/3052665 |
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identifier | ISSN: 0734-4392 |
ispartof | American music (Champaign, Ill.), 1999-09, Vol.17 (3), p.300-317 |
issn | 0734-4392 1945-2349 |
language | eng |
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source | Jstor Complete Legacy; Periodicals Index Online |
subjects | African music Cochran, Eddie Domino, Fats Electric guitars Guitars Historiography History Holly, Buddy (Charles Hardin) (1936-59) King, B B Latin music Music Music instrumentation Music, Cuban Musical criticism Musical meter Musical performance Musical rhythm Musicians Perkins, Carl Popular music Presley, Elvis (1935-77) Rhythm Rock music Rockabilly music United States Vincent, Gene |
title | The Use of Habanera Rhythm in Rockabilly Music |
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