Likenings: Rhetorical Husbandries and Portia's "True Conceit" of Friendship
Shannon offers a philology by which to chart the breaks between early modern relational terms ("marriage," "husbandry," and "friendship") and the narrower forms of their contemporary standardization. The early modern multivalence of these terms helps to specify the grou...
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| Veröffentlicht in: | Renaissance drama 2002-01, Vol.31, p.3-26 |
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| container_title | Renaissance drama |
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| creator | SHANNON, LAURIE |
| description | Shannon offers a philology by which to chart the breaks between early modern relational terms ("marriage," "husbandry," and "friendship") and the narrower forms of their contemporary standardization. The early modern multivalence of these terms helps to specify the grounds of Portia's much-debated invention of agency in William Shakespeare's "The Merchant of Venice." In the comedy, Portia deploys the discourses of friendship, affectively and effectively, to rewrite her marriage contract. |
| doi_str_mv | 10.1086/rd.31.41917364 |
| format | Article |
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| ispartof | Renaissance drama, 2002-01, Vol.31, p.3-26 |
| issn | 0486-3739 2164-3415 |
| language | eng |
| recordid | cdi_proquest_journals_2156841 |
| source | JSTOR Archive Collection A-Z Listing |
| subjects | Animal husbandry Bacon, Francis (1561-1626) Character Friendship Gender roles Husbands Marriage Merchants Poetry Rhetoric Shakespeare, William Shakespeare, William (1564-1616) Shakespearean Comedies Sonnets Textual Criticism Theater |
| title | Likenings: Rhetorical Husbandries and Portia's "True Conceit" of Friendship |
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