Corpses, Curses, and Cannibalism: Containment and Excess in Selma Lagerlöf's "Bannlyst" and its Reception
Nordlund examines how Selma Lagerlof's literary project was initially conceived and has subsequently evolved in Swedish literary criticism during the twentieth century. The history of Bannlyst's reception illustrates how each interpretation and evaluation selects and reshapes features of t...
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| Veröffentlicht in: | Scandinavian studies 2004-06, Vol.76 (2), p.181-204 |
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| creator | Nordlund, Anna |
| description | Nordlund examines how Selma Lagerlof's literary project was initially conceived and has subsequently evolved in Swedish literary criticism during the twentieth century. The history of Bannlyst's reception illustrates how each interpretation and evaluation selects and reshapes features of the text in accordance with the critic's personal and political agenda and the gendered biases and blind spots of received academic practice. |
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| fulltext | fulltext |
| identifier | ISSN: 0036-5637 |
| ispartof | Scandinavian studies, 2004-06, Vol.76 (2), p.181-204 |
| issn | 0036-5637 2163-8195 |
| language | eng |
| recordid | cdi_proquest_journals_215677667 |
| source | Jstor Complete Legacy |
| subjects | Criticism and interpretation Hades Lagerlof, Selma Lagerlof, Selma Ottiliana Lovisa (1858-1940) Literary criticism Love Narrative modes Narratives Neutrality Novels Poetry Politics Reception Storytelling Swedish language Swedish literature War Writers |
| title | Corpses, Curses, and Cannibalism: Containment and Excess in Selma Lagerlöf's "Bannlyst" and its Reception |
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