The Voice of American Opera

Midgette explores the definition of American opera as new works by American composers on American subjects; or as a general term for the business of producing and supporting opera in the US. She identifies one of the element of American opera: the American opera singer. Renowned for their good vocal...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Opera quarterly 2007-01, Vol.23 (1), p.81-95
1. Verfasser: Midgette, Anne
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 95
container_issue 1
container_start_page 81
container_title The Opera quarterly
container_volume 23
creator Midgette, Anne
description Midgette explores the definition of American opera as new works by American composers on American subjects; or as a general term for the business of producing and supporting opera in the US. She identifies one of the element of American opera: the American opera singer. Renowned for their good vocal training, flexibility, stage presence, and chameleon-like adaptability, American singers were already playing a prominent role on European stages. She points out that singers and composers have lost sight of their development of a voice, literal or figurative which American opera needs to find its voice again.
doi_str_mv 10.1093/oq/kbn005
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_214384671</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><oup_id>10.1093/oq/kbn005</oup_id><sourcerecordid>1563904541</sourcerecordid><originalsourceid>FETCH-LOGICAL-c368t-b4bd19129d51edbcef5d76458e4a9f1e162f0859a68689ed5e2de7de0b80005d3</originalsourceid><addsrcrecordid>eNp9kM1Lw0AQxRdRsFYPnr0E8eIhdjf7fSyttUqhglWKlyXJTjCt7aa7Ceh_b0qkePI0MPzem_cGoUuC7wjWdOB2g3W2xZgfoR5hUsSJkvgY9bCkIm7X9BSdhbDCGBPFaQ9dLT4genNlDpErouEGfJmn22hegU_P0UmRfga4-J199Dq5X4ym8Wz-8DgazuKcClXHGcss0STRlhOwWQ4Ft1IwroCluiBARFJgxXUqlFAaLIfEgrSAM9XG4Jb20XXnW3m3ayDUZuUav21PmoQwqpiQpIVuOyj3LgQPhal8uUn9tyHY7KsbtzNd9ZZlB8MV5PWmCfDHk2mGmXnZv2f_HaxIm0OxVnbTyVxT_esed1gZavg6gKlfGyGp5Ga6fDdiKZ4myfPYCPoDtMd1aA</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>214384671</pqid></control><display><type>article</type><title>The Voice of American Opera</title><source>Oxford University Press Journals All Titles (1996-Current)</source><creator>Midgette, Anne</creator><creatorcontrib>Midgette, Anne</creatorcontrib><description>Midgette explores the definition of American opera as new works by American composers on American subjects; or as a general term for the business of producing and supporting opera in the US. She identifies one of the element of American opera: the American opera singer. Renowned for their good vocal training, flexibility, stage presence, and chameleon-like adaptability, American singers were already playing a prominent role on European stages. She points out that singers and composers have lost sight of their development of a voice, literal or figurative which American opera needs to find its voice again.</description><identifier>ISSN: 0736-0053</identifier><identifier>EISSN: 1476-2870</identifier><identifier>DOI: 10.1093/oq/kbn005</identifier><language>eng</language><publisher>Oxford: Oxford University Press</publisher><subject>Composers ; Opera ; Singers ; Vocal music</subject><ispartof>The Opera quarterly, 2007-01, Vol.23 (1), p.81-95</ispartof><rights>The Author 2008. Published by Oxford University Press. All rights reserved. For permissions, please e-mail: journals.permissions@oxfordjournals.org. 2007</rights><rights>Copyright © 2007 Oxford University Press.</rights><rights>Copyright Oxford Publishing Limited(England) Winter 2007</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c368t-b4bd19129d51edbcef5d76458e4a9f1e162f0859a68689ed5e2de7de0b80005d3</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,780,784,1583,27922,27923</link.rule.ids></links><search><creatorcontrib>Midgette, Anne</creatorcontrib><title>The Voice of American Opera</title><title>The Opera quarterly</title><description>Midgette explores the definition of American opera as new works by American composers on American subjects; or as a general term for the business of producing and supporting opera in the US. She identifies one of the element of American opera: the American opera singer. Renowned for their good vocal training, flexibility, stage presence, and chameleon-like adaptability, American singers were already playing a prominent role on European stages. She points out that singers and composers have lost sight of their development of a voice, literal or figurative which American opera needs to find its voice again.</description><subject>Composers</subject><subject>Opera</subject><subject>Singers</subject><subject>Vocal music</subject><issn>0736-0053</issn><issn>1476-2870</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2007</creationdate><recordtype>article</recordtype><recordid>eNp9kM1Lw0AQxRdRsFYPnr0E8eIhdjf7fSyttUqhglWKlyXJTjCt7aa7Ceh_b0qkePI0MPzem_cGoUuC7wjWdOB2g3W2xZgfoR5hUsSJkvgY9bCkIm7X9BSdhbDCGBPFaQ9dLT4genNlDpErouEGfJmn22hegU_P0UmRfga4-J199Dq5X4ym8Wz-8DgazuKcClXHGcss0STRlhOwWQ4Ft1IwroCluiBARFJgxXUqlFAaLIfEgrSAM9XG4Jb20XXnW3m3ayDUZuUav21PmoQwqpiQpIVuOyj3LgQPhal8uUn9tyHY7KsbtzNd9ZZlB8MV5PWmCfDHk2mGmXnZv2f_HaxIm0OxVnbTyVxT_esed1gZavg6gKlfGyGp5Ga6fDdiKZ4myfPYCPoDtMd1aA</recordid><startdate>20070101</startdate><enddate>20070101</enddate><creator>Midgette, Anne</creator><general>Oxford University Press</general><general>Oxford Publishing Limited (England)</general><scope>BSCLL</scope><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20070101</creationdate><title>The Voice of American Opera</title><author>Midgette, Anne</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c368t-b4bd19129d51edbcef5d76458e4a9f1e162f0859a68689ed5e2de7de0b80005d3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2007</creationdate><topic>Composers</topic><topic>Opera</topic><topic>Singers</topic><topic>Vocal music</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Midgette, Anne</creatorcontrib><collection>Istex</collection><collection>CrossRef</collection><jtitle>The Opera quarterly</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Midgette, Anne</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>The Voice of American Opera</atitle><jtitle>The Opera quarterly</jtitle><date>2007-01-01</date><risdate>2007</risdate><volume>23</volume><issue>1</issue><spage>81</spage><epage>95</epage><pages>81-95</pages><issn>0736-0053</issn><eissn>1476-2870</eissn><abstract>Midgette explores the definition of American opera as new works by American composers on American subjects; or as a general term for the business of producing and supporting opera in the US. She identifies one of the element of American opera: the American opera singer. Renowned for their good vocal training, flexibility, stage presence, and chameleon-like adaptability, American singers were already playing a prominent role on European stages. She points out that singers and composers have lost sight of their development of a voice, literal or figurative which American opera needs to find its voice again.</abstract><cop>Oxford</cop><pub>Oxford University Press</pub><doi>10.1093/oq/kbn005</doi><tpages>15</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0736-0053
ispartof The Opera quarterly, 2007-01, Vol.23 (1), p.81-95
issn 0736-0053
1476-2870
language eng
recordid cdi_proquest_journals_214384671
source Oxford University Press Journals All Titles (1996-Current)
subjects Composers
Opera
Singers
Vocal music
title The Voice of American Opera
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-09T10%3A46%3A22IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=The%20Voice%20of%20American%20Opera&rft.jtitle=The%20Opera%20quarterly&rft.au=Midgette,%20Anne&rft.date=2007-01-01&rft.volume=23&rft.issue=1&rft.spage=81&rft.epage=95&rft.pages=81-95&rft.issn=0736-0053&rft.eissn=1476-2870&rft_id=info:doi/10.1093/oq/kbn005&rft_dat=%3Cproquest_cross%3E1563904541%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=214384671&rft_id=info:pmid/&rft_oup_id=10.1093/oq/kbn005&rfr_iscdi=true