Authorial Intention and the Pure Musical Parameters
Strictly speaking this is not an essay whose sole subject is music. For what I have to say here can be extrapolated to any other art that possesses the kinds of aesthetic properties that I am referring to, in music, as the ‘pure musical parameters’. But I shall not attempt such an extrapolation here...
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| Veröffentlicht in: | Royal Institute of Philosophy supplement 2012-10, Vol.71, p.33-50 |
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| container_title | Royal Institute of Philosophy supplement |
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| creator | Kivy, Peter |
| description | Strictly speaking this is not an essay whose sole subject is music. For what I have to say here can be extrapolated to any other art that possesses the kinds of aesthetic properties that I am referring to, in music, as the ‘pure musical parameters’. But I shall not attempt such an extrapolation here, and leave it to the reader. So for all intents and purposes, this is an essay on music, more particularly, absolute music, music alone, without text, title, program, dramatic setting, or any other extra-musical baggage. |
| doi_str_mv | 10.1017/S1358246112000203 |
| format | Article |
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| identifier | ISSN: 1358-2461 |
| ispartof | Royal Institute of Philosophy supplement, 2012-10, Vol.71, p.33-50 |
| issn | 1358-2461 1755-3555 |
| language | eng |
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| source | Cambridge Journals |
| subjects | Aesthetics Music |
| title | Authorial Intention and the Pure Musical Parameters |
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