He being dead, yet speaketh: the preacher's voice in early seventeenth‐century posthumous sermon collections
Recent studies of the early modern sermon argue that we need to read them in their historical context, but these studies often define context to mean, primarily, the original performance of the sermon, emphasizing how the paratexts of printed sermons preserve information about the time, place, and o...
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Veröffentlicht in: | Renaissance studies 2018-11, Vol.32 (5), p.738-754 |
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description | Recent studies of the early modern sermon argue that we need to read them in their historical context, but these studies often define context to mean, primarily, the original performance of the sermon, emphasizing how the paratexts of printed sermons preserve information about the time, place, and occasion of original delivery. Although I agree that understanding the conditions of the preached sermon is important, I suggest that the authority of the sermon event is less important to justify the printed sermon than we tend to assume. In this article, I focus on the paratextual means by which early seventeenth‐century sermon collections were framed, especially by editors of posthumous works, as the living voices of dead preachers. As I show, such collections do not preserve information about the original sermon event so much as they focus on print's ability to preserve the words, ideas, and wisdom of the dead. |
doi_str_mv | 10.1111/rest.12362 |
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Although I agree that understanding the conditions of the preached sermon is important, I suggest that the authority of the sermon event is less important to justify the printed sermon than we tend to assume. In this article, I focus on the paratextual means by which early seventeenth‐century sermon collections were framed, especially by editors of posthumous works, as the living voices of dead preachers. 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Although I agree that understanding the conditions of the preached sermon is important, I suggest that the authority of the sermon event is less important to justify the printed sermon than we tend to assume. In this article, I focus on the paratextual means by which early seventeenth‐century sermon collections were framed, especially by editors of posthumous works, as the living voices of dead preachers. As I show, such collections do not preserve information about the original sermon event so much as they focus on print's ability to preserve the words, ideas, and wisdom of the dead.</description><subject>17th century</subject><subject>Anthologies</subject><subject>Early modern period</subject><subject>Early modern sermons</subject><subject>John Preston</subject><subject>Literary history</subject><subject>paratexts</subject><subject>posthumous sermon collections</subject><subject>print culture</subject><subject>Public speaking</subject><subject>Religious literature</subject><subject>Renaissance period</subject><subject>Richard Sibbes</subject><subject>Sermons</subject><issn>0269-1213</issn><issn>1477-4658</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2018</creationdate><recordtype>article</recordtype><recordid>eNp9kM9KxDAQh4MouK5efIKAB0Hsmj9N2nqTZXUFQdD1HNp0art2m5q0K735CD6jT2LWenZg-F2-mWE-hE4pmVFfVxZcN6OMS7aHJjSMoiCUIt5HE8JkElBG-SE6cm5NCBEhFRPULAFnUDWvOIc0v8QDdNi1kL5BV17jrgTcWkh1Cfbc4a2pNOCqwZDaesAOttB04Lv8_vzSPns74Na4ruw3pncesBvTYG3qGnRXmcYdo4MirR2c_OUUvdwuVvNl8PB4dz-_eQg0k4QFvNBZRArGk0yDZFyIkHGIoyQkmSBURpIBUCJDQpM4TyHOiOAFzzMhidaZ5lN0Nu5trXnvvRS1Nr1t_EnFKAtlvHvfUxcjpa1xzkKhWlttUjsoStTOp9r5VL8-PUxH-KOqYfiHVE-L59U48wMH0Xob</recordid><startdate>201811</startdate><enddate>201811</enddate><creator>Clement, Jennifer</creator><general>Blackwell Publishing Ltd</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8XN</scope><scope>C18</scope><orcidid>https://orcid.org/0000-0003-1588-3259</orcidid></search><sort><creationdate>201811</creationdate><title>He being dead, yet speaketh: the preacher's voice in early seventeenth‐century posthumous sermon collections</title><author>Clement, Jennifer</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2602-3fcb70f239bce62355423e87940b5016762ee10640198dae8b053f3db560ccbc3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2018</creationdate><topic>17th century</topic><topic>Anthologies</topic><topic>Early modern period</topic><topic>Early modern sermons</topic><topic>John Preston</topic><topic>Literary history</topic><topic>paratexts</topic><topic>posthumous sermon collections</topic><topic>print culture</topic><topic>Public speaking</topic><topic>Religious literature</topic><topic>Renaissance period</topic><topic>Richard Sibbes</topic><topic>Sermons</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Clement, Jennifer</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of Art (IBA)</collection><collection>Humanities Index</collection><jtitle>Renaissance studies</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Clement, Jennifer</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>He being dead, yet speaketh: the preacher's voice in early seventeenth‐century posthumous sermon collections</atitle><jtitle>Renaissance studies</jtitle><date>2018-11</date><risdate>2018</risdate><volume>32</volume><issue>5</issue><spage>738</spage><epage>754</epage><pages>738-754</pages><issn>0269-1213</issn><eissn>1477-4658</eissn><abstract>Recent studies of the early modern sermon argue that we need to read them in their historical context, but these studies often define context to mean, primarily, the original performance of the sermon, emphasizing how the paratexts of printed sermons preserve information about the time, place, and occasion of original delivery. 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subjects | 17th century Anthologies Early modern period Early modern sermons John Preston Literary history paratexts posthumous sermon collections print culture Public speaking Religious literature Renaissance period Richard Sibbes Sermons |
title | He being dead, yet speaketh: the preacher's voice in early seventeenth‐century posthumous sermon collections |
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