Modelling as a foundation for creativity

The overall setting around this investigation is the writing of a PhD thesis ‘To see the visually controlled’(Frisch, 2010),where my aim was to document, describe, analyse, compare and theoriseformal (teacher-initiated) and informal (children-initiated)visually controlled drawings, also called modelling drawing processes,among 9–12-year-olds.The modernist narrative in art education presented by Wilson (2004) claims that modelling in drawing among children is uncreative. My investigation showshow creative processes can be detected by using Vygotsky’s creativity theory and Kaufmann andBeghetto’s (2009) 4ccreativity model within a sociocultural theoretical tradition. The acts of creative processes done by moving modelled elements in adrawing around has not been thoroughly seen as a central strategy in children ́s drawing processes. This article is an attempt to shed light on these processes often found when looking at children’s informal drawing processes. The importance of these ‘shifting-around’processes are not always regarded as valuable and related to both modelling and creativity. The relation between modelling in drawing and creativity as part of children ́s drawing learning is explored in this article.