Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp
Scullion charts Marie-Therese de Camp's dramaturgical engagement with the counterpoint dark plots of innocence compromised and honor abused, her exploration of themes of public and private, of passion and regulation, transgression and penitence, image and reputation in her two one-act plays and...
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| Veröffentlicht in: | Comparative drama 2004-07, Vol.38 (2/3), p.235-258 |
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| container_end_page | 258 |
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| container_issue | 2/3 |
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| container_title | Comparative drama |
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| creator | Scullion, Adrienne |
| description | Scullion charts Marie-Therese de Camp's dramaturgical engagement with the counterpoint dark plots of innocence compromised and honor abused, her exploration of themes of public and private, of passion and regulation, transgression and penitence, image and reputation in her two one-act plays and her two full-length plays. |
| doi_str_mv | 10.1353/cdr.2004.0027 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0010-4078 |
| ispartof | Comparative drama, 2004-07, Vol.38 (2/3), p.235-258 |
| issn | 0010-4078 1936-1637 1936-1637 |
| language | eng |
| recordid | cdi_proquest_journals_211716037 |
| source | Jstor Complete Legacy |
| subjects | British drama British theater Children Comic theater Criticism and interpretation Daughters de Camp, Marie-Therese De Camp, Marie-Therese (1774-1838) Drama Dramatists Fathers Kemble, Maria Theresa Literary characters Literary criticism Morality Narrative plot One act plays Playwriting Politeness Reputations Respect Seduction Social life & customs Textual criticism Theater Themes Works |
| title | Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp |
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