La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment
Algerian author Assia Djebar's film, 'La nouba des femmes du Mont Chenoua' portrays a society unknown to Algerian women. With neither plot nor unified theme, it depicts a world of space and time, of body and thought, and of social relationships from the Algerian women's point of...
Gespeichert in:
Veröffentlicht in: | World literature today 1996-09, Vol.70 (4), p.877-884 |
---|---|
Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 884 |
---|---|
container_issue | 4 |
container_start_page | 877 |
container_title | World literature today |
container_volume | 70 |
creator | Bensmaïa, Réda Gage, Jennifer Curtiss |
description | Algerian author Assia Djebar's film, 'La nouba des femmes du Mont Chenoua' portrays a society unknown to Algerian women. With neither plot nor unified theme, it depicts a world of space and time, of body and thought, and of social relationships from the Algerian women's point of view. The movie is distinct in many aspects from other Algerian film and cultural productions because of its disjointed construction and feminine perspective. |
doi_str_mv | 10.2307/40152316 |
format | Article |
fullrecord | <record><control><sourceid>gale_proqu</sourceid><recordid>TN_cdi_proquest_journals_209378362</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><galeid>A19139074</galeid><jstor_id>40152316</jstor_id><sourcerecordid>A19139074</sourcerecordid><originalsourceid>FETCH-LOGICAL-c502t-28777fad36f38d47178317063c6062540020221a48be3f36bd44c74e20aceb033</originalsourceid><addsrcrecordid>eNqN0l2L1DAUBuAiCo6r4C-QqAh7YfXko03r3VrccXB0L9TrkElPux3aZDZJQf-9WWYXRphdllwcSB7eHJKTZS8pfGAc5EcBtGCclo-yBa1FkVeUi8fZAmhd5ryQ8DR7FsIWADiXsMi-rTWxbt5o0mIgHU5TKu1MvjsbSXOJ6Ux_IisbvWtnEwdnSXQkXiJpBouTjoMh5173E9r4PHvS6THgi5t6kv0-__Kr-ZqvL5ar5mydmwJYzFklpex0y8uOV62QVFacSii5KaFkhQBgwBjVotog73i5aYUwUiADbXCT-j7J3uxzd95dzRii2rrZ23SlYlDzFFeyhN7ehSinIGQlakjq1V71ekQ1etPrOQR1RmvKa5AigfcHYLCdi16bHi16PTqL3ZC2D_nrI9zshit1YPIjJq0Wp8Ecyzz9zycS8U_cd7r6-ePB9PPyobRaru95gxtq3Dhijyr9bXNxLNl4F4LHTu38MGn_V1FQ1zOqbmc00Xd7ug3R-bvdP1Ya2U4</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1310478490</pqid></control><display><type>article</type><title>La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment</title><source>Periodicals Index Online</source><source>JSTOR Archive Collection A-Z Listing</source><creator>Bensmaïa, Réda ; Gage, Jennifer Curtiss</creator><creatorcontrib>Bensmaïa, Réda ; Gage, Jennifer Curtiss</creatorcontrib><description>Algerian author Assia Djebar's film, 'La nouba des femmes du Mont Chenoua' portrays a society unknown to Algerian women. With neither plot nor unified theme, it depicts a world of space and time, of body and thought, and of social relationships from the Algerian women's point of view. The movie is distinct in many aspects from other Algerian film and cultural productions because of its disjointed construction and feminine perspective.</description><identifier>ISSN: 0196-3570</identifier><identifier>EISSN: 1945-8134</identifier><identifier>DOI: 10.2307/40152316</identifier><identifier>CODEN: WLTODJ</identifier><language>eng</language><publisher>Norman, Okla: University of Oklahoma</publisher><subject>Djebar, Assia ; Evaluation ; Film music ; French literature ; Literary criticism ; Male gaze ; Memory ; Motion picture industry ; Motion pictures ; Movies ; Musical rhythm ; Muslim women ; Narratives ; Portrayals ; Women filmmakers ; Women movie producers ; Women, Muslim ; Works ; World literature</subject><ispartof>World literature today, 1996-09, Vol.70 (4), p.877-884</ispartof><rights>Copyright 1996 World Literature Today</rights><rights>COPYRIGHT 1996 University of Oklahoma</rights><rights>COPYRIGHT 1996 University of Oklahoma</rights><rights>Copyright University of Oklahoma Autumn 1996</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c502t-28777fad36f38d47178317063c6062540020221a48be3f36bd44c74e20aceb033</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/40152316$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/40152316$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,27869,27924,27925,58017,58250</link.rule.ids></links><search><creatorcontrib>Bensmaïa, Réda</creatorcontrib><creatorcontrib>Gage, Jennifer Curtiss</creatorcontrib><title>La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment</title><title>World literature today</title><addtitle>World Literature Today</addtitle><description>Algerian author Assia Djebar's film, 'La nouba des femmes du Mont Chenoua' portrays a society unknown to Algerian women. With neither plot nor unified theme, it depicts a world of space and time, of body and thought, and of social relationships from the Algerian women's point of view. The movie is distinct in many aspects from other Algerian film and cultural productions because of its disjointed construction and feminine perspective.</description><subject>Djebar, Assia</subject><subject>Evaluation</subject><subject>Film music</subject><subject>French literature</subject><subject>Literary criticism</subject><subject>Male gaze</subject><subject>Memory</subject><subject>Motion picture industry</subject><subject>Motion pictures</subject><subject>Movies</subject><subject>Musical rhythm</subject><subject>Muslim women</subject><subject>Narratives</subject><subject>Portrayals</subject><subject>Women filmmakers</subject><subject>Women movie producers</subject><subject>Women, Muslim</subject><subject>Works</subject><subject>World literature</subject><issn>0196-3570</issn><issn>1945-8134</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>1996</creationdate><recordtype>article</recordtype><sourceid>HYQOX</sourceid><sourceid>K30</sourceid><sourceid>~OU</sourceid><sourceid>~OW</sourceid><sourceid>~PR</sourceid><recordid>eNqN0l2L1DAUBuAiCo6r4C-QqAh7YfXko03r3VrccXB0L9TrkElPux3aZDZJQf-9WWYXRphdllwcSB7eHJKTZS8pfGAc5EcBtGCclo-yBa1FkVeUi8fZAmhd5ryQ8DR7FsIWADiXsMi-rTWxbt5o0mIgHU5TKu1MvjsbSXOJ6Ux_IisbvWtnEwdnSXQkXiJpBouTjoMh5173E9r4PHvS6THgi5t6kv0-__Kr-ZqvL5ar5mydmwJYzFklpex0y8uOV62QVFacSii5KaFkhQBgwBjVotog73i5aYUwUiADbXCT-j7J3uxzd95dzRii2rrZ23SlYlDzFFeyhN7ehSinIGQlakjq1V71ekQ1etPrOQR1RmvKa5AigfcHYLCdi16bHi16PTqL3ZC2D_nrI9zshit1YPIjJq0Wp8Ecyzz9zycS8U_cd7r6-ePB9PPyobRaru95gxtq3Dhijyr9bXNxLNl4F4LHTu38MGn_V1FQ1zOqbmc00Xd7ug3R-bvdP1Ya2U4</recordid><startdate>19960922</startdate><enddate>19960922</enddate><creator>Bensmaïa, Réda</creator><creator>Gage, Jennifer Curtiss</creator><general>University of Oklahoma</general><general>University of Oklahoma Press</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8GL</scope><scope>IBG</scope><scope>ISN</scope><scope>ILR</scope><scope>ABKTN</scope><scope>ANHVI</scope><scope>HAWNG</scope><scope>HBMBR</scope><scope>HYQOX</scope><scope>HZAIM</scope><scope>JRZRW</scope><scope>K30</scope><scope>PAAUG</scope><scope>PAWHS</scope><scope>PAWZZ</scope><scope>PAXOH</scope><scope>PBHAV</scope><scope>PBQSW</scope><scope>PBYQZ</scope><scope>PCIWU</scope><scope>PCMID</scope><scope>PCZJX</scope><scope>PDGRG</scope><scope>PDWWI</scope><scope>PETMR</scope><scope>PFVGT</scope><scope>PGXDX</scope><scope>PIHIL</scope><scope>PISVA</scope><scope>PJCTQ</scope><scope>PJTMS</scope><scope>PLCHJ</scope><scope>PMHAD</scope><scope>PNQDJ</scope><scope>POUND</scope><scope>PPLAD</scope><scope>PQAPC</scope><scope>PQCAN</scope><scope>PQCMW</scope><scope>PQEME</scope><scope>PQHKH</scope><scope>PQMID</scope><scope>PQNCT</scope><scope>PQNET</scope><scope>PQSCT</scope><scope>PQSET</scope><scope>PSVJG</scope><scope>PVMQY</scope><scope>PZGFC</scope><scope>~OU</scope><scope>~OW</scope><scope>~PI</scope><scope>~PR</scope><scope>4U-</scope></search><sort><creationdate>19960922</creationdate><title>La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment</title><author>Bensmaïa, Réda ; Gage, Jennifer Curtiss</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c502t-28777fad36f38d47178317063c6062540020221a48be3f36bd44c74e20aceb033</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>1996</creationdate><topic>Djebar, Assia</topic><topic>Evaluation</topic><topic>Film music</topic><topic>French literature</topic><topic>Literary criticism</topic><topic>Male gaze</topic><topic>Memory</topic><topic>Motion picture industry</topic><topic>Motion pictures</topic><topic>Movies</topic><topic>Musical rhythm</topic><topic>Muslim women</topic><topic>Narratives</topic><topic>Portrayals</topic><topic>Women filmmakers</topic><topic>Women movie producers</topic><topic>Women, Muslim</topic><topic>Works</topic><topic>World literature</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Bensmaïa, Réda</creatorcontrib><creatorcontrib>Gage, Jennifer Curtiss</creatorcontrib><collection>CrossRef</collection><collection>Gale In Context: High School</collection><collection>Gale In Context: Biography</collection><collection>Gale In Context: Canada</collection><collection>Gale Literature Resource Center</collection><collection>Periodicals Archive Online JSTOR Titles</collection><collection>Periodicals Archive Online Liberal Arts Collection 1 (2022)</collection><collection>Periodicals Index Online Segment 13</collection><collection>Periodicals Index Online Segment 14</collection><collection>ProQuest Historical Periodicals</collection><collection>Periodicals Index Online Segment 26</collection><collection>Periodicals Index Online Segment 35</collection><collection>Periodicals Index Online</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - West</collection><collection>Primary Sources Access (Plan D) - International</collection><collection>Primary Sources Access & Build (Plan A) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Midwest</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Northeast</collection><collection>Primary Sources Access (Plan D) - Southeast</collection><collection>Primary Sources Access (Plan D) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Southeast</collection><collection>Primary Sources Access (Plan D) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - UK / I</collection><collection>Primary Sources Access (Plan D) - Canada</collection><collection>Primary Sources Access (Plan D) - EMEALA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - North Central</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - International</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - International</collection><collection>Primary Sources Access (Plan D) - West</collection><collection>Periodicals Index Online Segments 1-50</collection><collection>Primary Sources Access (Plan D) - APAC</collection><collection>Primary Sources Access (Plan D) - Midwest</collection><collection>Primary Sources Access (Plan D) - MEA</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - Canada</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - EMEALA</collection><collection>Primary Sources Access & Build (Plan A) - APAC</collection><collection>Primary Sources Access & Build (Plan A) - Canada</collection><collection>Primary Sources Access & Build (Plan A) - West</collection><collection>Primary Sources Access & Build (Plan A) - EMEALA</collection><collection>Primary Sources Access (Plan D) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - Midwest</collection><collection>Primary Sources Access & Build (Plan A) - North Central</collection><collection>Primary Sources Access & Build (Plan A) - Northeast</collection><collection>Primary Sources Access & Build (Plan A) - South Central</collection><collection>Primary Sources Access & Build (Plan A) - Southeast</collection><collection>Primary Sources Access (Plan D) - UK / I</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - APAC</collection><collection>Primary Sources Access—Foundation Edition (Plan E) - MEA</collection><collection>Periodicals Archive Online Collection 2</collection><collection>Periodicals Archive Online Collection 2.2</collection><collection>Periodicals Archive Online English Literature Collection</collection><collection>Periodicals Archive Online Literary Studies Collection</collection><collection>University Readers</collection><jtitle>World literature today</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Bensmaïa, Réda</au><au>Gage, Jennifer Curtiss</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment</atitle><jtitle>World literature today</jtitle><addtitle>World Literature Today</addtitle><date>1996-09-22</date><risdate>1996</risdate><volume>70</volume><issue>4</issue><spage>877</spage><epage>884</epage><pages>877-884</pages><issn>0196-3570</issn><eissn>1945-8134</eissn><coden>WLTODJ</coden><abstract>Algerian author Assia Djebar's film, 'La nouba des femmes du Mont Chenoua' portrays a society unknown to Algerian women. With neither plot nor unified theme, it depicts a world of space and time, of body and thought, and of social relationships from the Algerian women's point of view. The movie is distinct in many aspects from other Algerian film and cultural productions because of its disjointed construction and feminine perspective.</abstract><cop>Norman, Okla</cop><pub>University of Oklahoma</pub><doi>10.2307/40152316</doi><tpages>8</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 0196-3570 |
ispartof | World literature today, 1996-09, Vol.70 (4), p.877-884 |
issn | 0196-3570 1945-8134 |
language | eng |
recordid | cdi_proquest_journals_209378362 |
source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing |
subjects | Djebar, Assia Evaluation Film music French literature Literary criticism Male gaze Memory Motion picture industry Motion pictures Movies Musical rhythm Muslim women Narratives Portrayals Women filmmakers Women movie producers Women, Muslim Works World literature |
title | La nouba des femmes du Mont Chenoua: Introduction to the Cinematic Fragment |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-29T09%3A47%3A04IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-gale_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=La%20nouba%20des%20femmes%20du%20Mont%20Chenoua:%20Introduction%20to%20the%20Cinematic%20Fragment&rft.jtitle=World%20literature%20today&rft.au=Bensma%C3%AFa,%20R%C3%A9da&rft.date=1996-09-22&rft.volume=70&rft.issue=4&rft.spage=877&rft.epage=884&rft.pages=877-884&rft.issn=0196-3570&rft.eissn=1945-8134&rft.coden=WLTODJ&rft_id=info:doi/10.2307/40152316&rft_dat=%3Cgale_proqu%3EA19139074%3C/gale_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1310478490&rft_id=info:pmid/&rft_galeid=A19139074&rft_jstor_id=40152316&rfr_iscdi=true |