Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works

ABSTRACT This article defends Musical Stage Theory as a novel account of the ontology of musical works. Its main claim is that a musical work is a performance. The significance of this argument is twofold. First, it demonstrates the availability of an alternative, and ontologically tenable, view to...

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Veröffentlicht in:	The Journal of aesthetics and art criticism 2018-06, Vol.76 (3), p.341-351
1. Verfasser:	MORUZZI, CATERINA
Format:	Artikel
Sprache:	eng
Schlagworte:	Aesthetics Music theory Ontology Performance theory
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description	ABSTRACT This article defends Musical Stage Theory as a novel account of the ontology of musical works. Its main claim is that a musical work is a performance. The significance of this argument is twofold. First, it demonstrates the availability of an alternative, and ontologically tenable, view to well‐established positions in the current debate on musical metaphysics. Second, it shows how the revisionary approach of Musical Stage Theory actually provides a better account of the ontological status of musical works.
doi_str_mv	10.1111/jaac.12579
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source	Access via Wiley Online Library; JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current)
subjects	Aesthetics Music theory Ontology Performance theory
title	Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works
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