THE ECONOMY OF PERFORMANCE: GÓMEZ-PEÑA'S "NEW WORLD BORDER"
Guillermo Gomez-Pena is primarily known in the art community for his work on border cultural life. "The New World Border" calls attention to border identities; it also signals the necessity of expanding identity politics beyond visibility and toward more broadly transformative possibilitie...
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| Veröffentlicht in: | Modern fiction studies 1998-04, Vol.44 (1), p.24-35 |
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| container_title | Modern fiction studies |
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| creator | Kuhnheim, Jill S. |
| description | Guillermo Gomez-Pena is primarily known in the art community for his work on border cultural life. "The New World Border" calls attention to border identities; it also signals the necessity of expanding identity politics beyond visibility and toward more broadly transformative possibilities. |
| doi_str_mv | 10.1353/mfs.1998.0007 |
| format | Article |
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| identifier | ISSN: 0026-7724 |
| ispartof | Modern fiction studies, 1998-04, Vol.44 (1), p.24-35 |
| issn | 0026-7724 1080-658X 1080-658X |
| language | eng |
| recordid | cdi_proquest_journals_208047577 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing |
| subjects | Artists Boundaries Cultural identity Gender identity Gomez-Pena, Guillermo (1955- ) Hybridity Identity Internet Literary criticism Narrative poetry Performance art Political identity Politics Visual artists Visual arts Writers |
| title | THE ECONOMY OF PERFORMANCE: GÓMEZ-PEÑA'S "NEW WORLD BORDER" |
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