Turnings and Returnings: The Art of Jake Berthot

Turnings and Returnings: The Art of Jake Berthot

Orr observes that when one stands in front of one of Jake Berthot's paintings, one immediately becomes aware of depths in the painting and one is drawn out into them, feels some part of oneself emptying into them. But then the mysterious mutuality of reverie takes hold--into one's newly cr...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Virginia quarterly review 2006-10, Vol.82 (4), p.93
1. Verfasser: Orr, Gregory
Format: Artikel
Sprache:eng
Schlagworte:
Art criticism
Berthot, Jake
Emotions
Nature
Reference (Semantic)
Visual artists
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page
container_issue 4
container_start_page 93
container_title The Virginia quarterly review
container_volume 82
creator Orr, Gregory
description Orr observes that when one stands in front of one of Jake Berthot's paintings, one immediately becomes aware of depths in the painting and one is drawn out into them, feels some part of oneself emptying into them. But then the mysterious mutuality of reverie takes hold--into one's newly created emptiness, something flows from the painting. And gradually, steadily, the experience of gazing at the canvas becomes a reciprocal emptying-out and filling, an ebb and flow. And when at last, after successive, calm, reciprocal emptyings and fillings, one breaks the spell of the encounter, one emerges changed in some quiet and definite way.
format Article
fullrecord <record><control><sourceid>proquest</sourceid><recordid>TN_cdi_proquest_journals_205366316</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>1138148471</sourcerecordid><originalsourceid>FETCH-proquest_journals_2053663163</originalsourceid><addsrcrecordid>eNpjYuA0MjQ10TWzNDZiYeA0MDAx0jUzN43gYOAqLs4yAAILc0tOBoOQ0qK8zLz0YoXEvBSFoNQSKNdKISQjVcGxqEQhP03BKzE7VcEptagkI7-Eh4E1LTGnOJUXSnMzKLm5hjh76BYU5ReWphaXxGflA80ASsUbGZgam5kZG5oZE6UIAKZmM0M</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>205366316</pqid></control><display><type>article</type><title>Turnings and Returnings: The Art of Jake Berthot</title><source>Jstor Complete Legacy</source><creator>Orr, Gregory</creator><creatorcontrib>Orr, Gregory</creatorcontrib><description>Orr observes that when one stands in front of one of Jake Berthot's paintings, one immediately becomes aware of depths in the painting and one is drawn out into them, feels some part of oneself emptying into them. But then the mysterious mutuality of reverie takes hold--into one's newly created emptiness, something flows from the painting. And gradually, steadily, the experience of gazing at the canvas becomes a reciprocal emptying-out and filling, an ebb and flow. And when at last, after successive, calm, reciprocal emptyings and fillings, one breaks the spell of the encounter, one emerges changed in some quiet and definite way.</description><identifier>ISSN: 0042-675X</identifier><identifier>EISSN: 2154-6932</identifier><identifier>CODEN: VIQRAC</identifier><language>eng</language><publisher>Charlottesville: Virginia Quarterly Review</publisher><subject>Art criticism ; Berthot, Jake ; Emotions ; Nature ; Reference (Semantic) ; Visual artists</subject><ispartof>The Virginia quarterly review, 2006-10, Vol.82 (4), p.93</ispartof><rights>Copyright University of Virginia Fall 2006</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>314,777,781</link.rule.ids></links><search><creatorcontrib>Orr, Gregory</creatorcontrib><title>Turnings and Returnings: The Art of Jake Berthot</title><title>The Virginia quarterly review</title><description>Orr observes that when one stands in front of one of Jake Berthot's paintings, one immediately becomes aware of depths in the painting and one is drawn out into them, feels some part of oneself emptying into them. But then the mysterious mutuality of reverie takes hold--into one's newly created emptiness, something flows from the painting. And gradually, steadily, the experience of gazing at the canvas becomes a reciprocal emptying-out and filling, an ebb and flow. And when at last, after successive, calm, reciprocal emptyings and fillings, one breaks the spell of the encounter, one emerges changed in some quiet and definite way.</description><subject>Art criticism</subject><subject>Berthot, Jake</subject><subject>Emotions</subject><subject>Nature</subject><subject>Reference (Semantic)</subject><subject>Visual artists</subject><issn>0042-675X</issn><issn>2154-6932</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2006</creationdate><recordtype>article</recordtype><sourceid>8G5</sourceid><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>AZQEC</sourceid><sourceid>BEC</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><sourceid>DWQXO</sourceid><sourceid>GNUQQ</sourceid><sourceid>GUQSH</sourceid><sourceid>M2O</sourceid><sourceid>PAF</sourceid><sourceid>PQHSC</sourceid><sourceid>PQLNA</sourceid><sourceid>PROLI</sourceid><recordid>eNpjYuA0MjQ10TWzNDZiYeA0MDAx0jUzN43gYOAqLs4yAAILc0tOBoOQ0qK8zLz0YoXEvBSFoNQSKNdKISQjVcGxqEQhP03BKzE7VcEptagkI7-Eh4E1LTGnOJUXSnMzKLm5hjh76BYU5ReWphaXxGflA80ASsUbGZgam5kZG5oZE6UIAKZmM0M</recordid><startdate>20061001</startdate><enddate>20061001</enddate><creator>Orr, Gregory</creator><general>Virginia Quarterly Review</general><scope>3V.</scope><scope>4U-</scope><scope>7XB</scope><scope>8FK</scope><scope>8G5</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>AZQEC</scope><scope>BEC</scope><scope>BENPR</scope><scope>CCPQU</scope><scope>CLO</scope><scope>DWQXO</scope><scope>GNUQQ</scope><scope>GUQSH</scope><scope>LIQON</scope><scope>M2O</scope><scope>MBDVC</scope><scope>PAF</scope><scope>PPXUT</scope><scope>PQEST</scope><scope>PQHSC</scope><scope>PQLNA</scope><scope>PQQKQ</scope><scope>PQUKI</scope><scope>PRINS</scope><scope>PROLI</scope><scope>PSYQQ</scope><scope>Q9U</scope><scope>S0X</scope></search><sort><creationdate>20061001</creationdate><title>Turnings and Returnings: The Art of Jake Berthot</title><author>Orr, Gregory</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-proquest_journals_2053663163</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2006</creationdate><topic>Art criticism</topic><topic>Berthot, Jake</topic><topic>Emotions</topic><topic>Nature</topic><topic>Reference (Semantic)</topic><topic>Visual artists</topic><toplevel>online_resources</toplevel><creatorcontrib>Orr, Gregory</creatorcontrib><collection>ProQuest Central (Corporate)</collection><collection>University Readers</collection><collection>ProQuest Central (purchase pre-March 2016)</collection><collection>ProQuest Central (Alumni) (purchase pre-March 2016)</collection><collection>Research Library (Alumni Edition)</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central Essentials</collection><collection>eLibrary</collection><collection>ProQuest Central</collection><collection>ProQuest One Community College</collection><collection>Literature Online Core (LION Core) (legacy)</collection><collection>ProQuest Central Korea</collection><collection>ProQuest Central Student</collection><collection>Research Library Prep</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>Research Library</collection><collection>Research Library (Corporate)</collection><collection>ProQuest Learning: Literature</collection><collection>Literature Online Premium (LION Premium) (legacy)</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>History Study Center</collection><collection>Literature Online (LION) - US Customers Only</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><collection>ProQuest Central China</collection><collection>Literature Online (LION)</collection><collection>ProQuest One Psychology</collection><collection>ProQuest Central Basic</collection><collection>SIRS Editorial</collection><jtitle>The Virginia quarterly review</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Orr, Gregory</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Turnings and Returnings: The Art of Jake Berthot</atitle><jtitle>The Virginia quarterly review</jtitle><date>2006-10-01</date><risdate>2006</risdate><volume>82</volume><issue>4</issue><spage>93</spage><pages>93-</pages><issn>0042-675X</issn><eissn>2154-6932</eissn><coden>VIQRAC</coden><abstract>Orr observes that when one stands in front of one of Jake Berthot's paintings, one immediately becomes aware of depths in the painting and one is drawn out into them, feels some part of oneself emptying into them. But then the mysterious mutuality of reverie takes hold--into one's newly created emptiness, something flows from the painting. And gradually, steadily, the experience of gazing at the canvas becomes a reciprocal emptying-out and filling, an ebb and flow. And when at last, after successive, calm, reciprocal emptyings and fillings, one breaks the spell of the encounter, one emerges changed in some quiet and definite way.</abstract><cop>Charlottesville</cop><pub>Virginia Quarterly Review</pub></addata></record>
fulltext fulltext
identifier ISSN: 0042-675X
ispartof The Virginia quarterly review, 2006-10, Vol.82 (4), p.93
issn 0042-675X
2154-6932
language eng
recordid cdi_proquest_journals_205366316
source Jstor Complete Legacy
subjects Art criticism
Berthot, Jake
Emotions
Nature
Reference (Semantic)
Visual artists
title Turnings and Returnings: The Art of Jake Berthot
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-18T11%3A32%3A34IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Turnings%20and%20Returnings:%20The%20Art%20of%20Jake%20Berthot&rft.jtitle=The%20Virginia%20quarterly%20review&rft.au=Orr,%20Gregory&rft.date=2006-10-01&rft.volume=82&rft.issue=4&rft.spage=93&rft.pages=93-&rft.issn=0042-675X&rft.eissn=2154-6932&rft.coden=VIQRAC&rft_id=info:doi/&rft_dat=%3Cproquest%3E1138148471%3C/proquest%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=205366316&rft_id=info:pmid/&rfr_iscdi=true