Clough, Arnold, Béranger, and the Legacy of 1848
Though almost completely forgotten now, the French songwriter and poet Pierre-Jean de Béranger enjoyed enormous popularity in both France and Britain for much of the nineteenth century. This study examines the divergent responses to Béranger in the work of Matthew Arnold and his friend and rival Art...
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| Veröffentlicht in: | Studies in English literature, 1500-1900 1500-1900, 2006-10, Vol.46 (4), p.833-848 |
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| container_title | Studies in English literature, 1500-1900 |
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| creator | Phelan, J. P. (Joseph P.) |
| description | Though almost completely forgotten now, the French songwriter and poet Pierre-Jean de Béranger enjoyed enormous popularity in both France and Britain for much of the nineteenth century. This study examines the divergent responses to Béranger in the work of Matthew Arnold and his friend and rival Arthur Hugh Clough. Arnold's initial enthusiasm for the French poet is followed by rejection of him and the ethos he represents in the wake of the revolution of 1848; Clough, in contrast, continues to see in Béranger's popular, radical, and "licentious" poetry a valuable alternative to the dominant values of Victorian Britain. |
| doi_str_mv | 10.1353/sel.2006.0041 |
| format | Article |
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| ispartof | Studies in English literature, 1500-1900, 2006-10, Vol.46 (4), p.833-848 |
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| source | Jstor Complete Legacy |
| subjects | Arnold, Matthew (1822-1888) Beranger, Pierre Jean de (1780-1857) Clough, Arthur Hugh (1819-1861) Epicureanism French language Literary criticism Love poetry Lyric poetry Narrative poetry Neoclassical poetry Poetry Poets Political revolutions Role models Song lyrics Tales |
| title | Clough, Arnold, Béranger, and the Legacy of 1848 |
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