The Shoah Goes On and On: Remembrance and Representation in Art Spiegelman's Maus
Staub approaches Art Spiegelman's two-volume comic book "Maus" as an oral narrative. He sees "Maus" as a counter-hegemonic history with the authority of experience at its center.
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| Veröffentlicht in: | Melus 1995-09, Vol.20 (3), p.33-46 |
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| container_title | Melus |
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| creator | Staub, Michael E. |
| description | Staub approaches Art Spiegelman's two-volume comic book "Maus" as an oral narrative. He sees "Maus" as a counter-hegemonic history with the authority of experience at its center. |
| doi_str_mv | 10.2307/467741 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0163-755X |
| ispartof | Melus, 1995-09, Vol.20 (3), p.33-46 |
| issn | 0163-755X 1946-3170 |
| language | eng |
| recordid | cdi_proquest_journals_203663287 |
| source | Oxford University Press Journals Digital Archive legacy; Periodicals Index Online; Jstor Complete Legacy |
| subjects | African American literature American literature Animals British & Irish literature Comic books Concentration camps Criticism and interpretation English literature Holocaust Hurston, Zora Neale (1891-1960) Jewish art Jewish authors Jewish literature Jewish peoples Literary criticism Literary history Literature Nazism Oral history Oral literature Orwell, George (Eric Blair) (1903-1950) Speigelman, Art Spiegelman, Art Swedish literature |
| title | The Shoah Goes On and On: Remembrance and Representation in Art Spiegelman's Maus |
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