The Beginnings of Romanian Composition: Between Nationalism and the Obsession with Synchronizing with the West
Romanian composition in the nineteenth century went through rapid changes, moving from a Greek-oriental sound world to a Western European one. It is interesting to examine, in this context, the musicians’ quest for a ‘national’ sound and identity. Analysis of piano miniatures or vaudeville, the favo...
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Veröffentlicht in: | Nineteenth-century music review 2017-12, Vol.14 (3), p.315-337 |
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Sprache: | eng |
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