Ain't no sunshine: The cinema in 2003

As 2003 came to a close, the usual plethora of critics' awards found themselves usurped by the decision of the Motion Picture Producers Association of America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the M...

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Veröffentlicht in:PAJ (Baltimore, Md.) Md.), 2004-05 (77), p.26
Hauptverfasser: Qualls, Larry, Chin, Daryl
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description As 2003 came to a close, the usual plethora of critics' awards found themselves usurped by the decision of the Motion Picture Producers Association of America to disallow the distribution of screeners to its members, and to any organization which adheres to MPAA guidelines (which includes the Motion Picture Academy of Arts and Sciences). This became the rallying cry of the Independent Feature Project, as those producers who had created some of the most notable "independent" films of the year tried to find a way to guarantee visibility during award season. This issue soon swamped all discussions of year-end appraisals, as everyone, from critics to filmmakers to studio executives, seemed to weigh in with an opinion on the matter of screeners.
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subjects Motion picture criticism
Motion picture industry
Year in review
title Ain't no sunshine: The cinema in 2003
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