Warren Kimsey and Community Singing at Camp Gordon, 1917–1918

During the Great War, the Commission for Training Camp Activities (CTCA) pioneered a program in which civilian song leaders were assigned to camps throughout the United States. These men (and a few women) were instructed to organize regular community singing, train officers as song leaders, and cult...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of historical research in music education 2018-04, Vol.39 (2), p.171-194
1. Verfasser: Morgan-Ellis, Esther M.
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 194
container_issue 2
container_start_page 171
container_title Journal of historical research in music education
container_volume 39
creator Morgan-Ellis, Esther M.
description During the Great War, the Commission for Training Camp Activities (CTCA) pioneered a program in which civilian song leaders were assigned to camps throughout the United States. These men (and a few women) were instructed to organize regular community singing, train officers as song leaders, and cultivate musical talent among the soldiers. They also worked as song leaders in nearby towns and cities, an activity that was intended to improve military–civilian relations and promote patriotism. This article examines the career of Warren Kimsey, the first song leader assigned to Camp Gordon, an army training camp located near the city of Atlanta. Kimsey organized community singing both in the camp and in Atlanta, where he led enormous crowds in the newly constructed Auditorium–Armory. This study presents Kimsey’s work as a product of the nationwide community singing movement and its progressive political agenda, while at the same time contextualizing it in Atlanta’s identity as an emerging cultural center. It also identifies Kimsey’s contributions to music education in Georgia and discusses the broader influence of wartime song leaders on community music initiatives throughout the country.
doi_str_mv 10.1177/1536600616677995
format Article
fullrecord <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_2016167297</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ericid>EJ1194625</ericid><jstor_id>26406226</jstor_id><sage_id>10.1177_1536600616677995</sage_id><sourcerecordid>26406226</sourcerecordid><originalsourceid>FETCH-LOGICAL-c353t-8425c6f76bb054c135416f6c231df30620a343be03a634938791f248da5278f83</originalsourceid><addsrcrecordid>eNqFUMtKw0AUHUTBWt27EQbcGp1755VZiYRaHwUXKi7DNJmUFJPUmXTRnf_QP_RLTIhUcCNcOIvzuJxDyCmwSwCtr0BypRhToJTWxsg9MkKOcYQS5T4Z9XTU84fkKIQlY9JoFCNy_Wa9dzV9LKvgNtTWOU2aqlrXZbuhz2W96I7alia2WtFp4_OmvqBgQH99bjuIj8lBYd-DO_nBMXm9nbwkd9HsaXqf3MyijEveRrFAmalCq_mcSZEBlwJUoTLkkBecKWSWCz53jFvFheGxNlCgiHMrUcdFzMfkfMhd-eZj7UKbLpu1r7uXKTLoWms0ulOxQZX5JgTvinTly8r6TQos7WdK_87UWc4Gi_NltpNPHgCMUNjz0cAHu3C_T__PW4a28btAVKJriYp_A_7rdjQ</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>2016167297</pqid></control><display><type>article</type><title>Warren Kimsey and Community Singing at Camp Gordon, 1917–1918</title><source>Access via SAGE</source><source>JSTOR Archive Collection A-Z Listing</source><creator>Morgan-Ellis, Esther M.</creator><creatorcontrib>Morgan-Ellis, Esther M.</creatorcontrib><description>During the Great War, the Commission for Training Camp Activities (CTCA) pioneered a program in which civilian song leaders were assigned to camps throughout the United States. These men (and a few women) were instructed to organize regular community singing, train officers as song leaders, and cultivate musical talent among the soldiers. They also worked as song leaders in nearby towns and cities, an activity that was intended to improve military–civilian relations and promote patriotism. This article examines the career of Warren Kimsey, the first song leader assigned to Camp Gordon, an army training camp located near the city of Atlanta. Kimsey organized community singing both in the camp and in Atlanta, where he led enormous crowds in the newly constructed Auditorium–Armory. This study presents Kimsey’s work as a product of the nationwide community singing movement and its progressive political agenda, while at the same time contextualizing it in Atlanta’s identity as an emerging cultural center. It also identifies Kimsey’s contributions to music education in Georgia and discusses the broader influence of wartime song leaders on community music initiatives throughout the country.</description><identifier>ISSN: 1536-6006</identifier><identifier>EISSN: 2328-2525</identifier><identifier>DOI: 10.1177/1536600616677995</identifier><language>eng</language><publisher>Los Angeles, CA: SAGE</publisher><subject>20th century ; Armed Forces ; Camps ; Community Programs ; Facilities ; Leadership ; Military personnel ; Military Training ; Music Activities ; Music Education ; Music Teachers ; Musical performances ; Politics ; Progressivism ; Singing ; United States History ; War ; World History ; World War I</subject><ispartof>Journal of historical research in music education, 2018-04, Vol.39 (2), p.171-194</ispartof><rights>The Author(s) 2016</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><citedby>FETCH-LOGICAL-c353t-8425c6f76bb054c135416f6c231df30620a343be03a634938791f248da5278f83</citedby></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/26406226$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/26406226$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,21819,27924,27925,43621,43622,58017,58250</link.rule.ids><backlink>$$Uhttp://eric.ed.gov/ERICWebPortal/detail?accno=EJ1194625$$DView record in ERIC$$Hfree_for_read</backlink></links><search><creatorcontrib>Morgan-Ellis, Esther M.</creatorcontrib><title>Warren Kimsey and Community Singing at Camp Gordon, 1917–1918</title><title>Journal of historical research in music education</title><description>During the Great War, the Commission for Training Camp Activities (CTCA) pioneered a program in which civilian song leaders were assigned to camps throughout the United States. These men (and a few women) were instructed to organize regular community singing, train officers as song leaders, and cultivate musical talent among the soldiers. They also worked as song leaders in nearby towns and cities, an activity that was intended to improve military–civilian relations and promote patriotism. This article examines the career of Warren Kimsey, the first song leader assigned to Camp Gordon, an army training camp located near the city of Atlanta. Kimsey organized community singing both in the camp and in Atlanta, where he led enormous crowds in the newly constructed Auditorium–Armory. This study presents Kimsey’s work as a product of the nationwide community singing movement and its progressive political agenda, while at the same time contextualizing it in Atlanta’s identity as an emerging cultural center. It also identifies Kimsey’s contributions to music education in Georgia and discusses the broader influence of wartime song leaders on community music initiatives throughout the country.</description><subject>20th century</subject><subject>Armed Forces</subject><subject>Camps</subject><subject>Community Programs</subject><subject>Facilities</subject><subject>Leadership</subject><subject>Military personnel</subject><subject>Military Training</subject><subject>Music Activities</subject><subject>Music Education</subject><subject>Music Teachers</subject><subject>Musical performances</subject><subject>Politics</subject><subject>Progressivism</subject><subject>Singing</subject><subject>United States History</subject><subject>War</subject><subject>World History</subject><subject>World War I</subject><issn>1536-6006</issn><issn>2328-2525</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2018</creationdate><recordtype>article</recordtype><recordid>eNqFUMtKw0AUHUTBWt27EQbcGp1755VZiYRaHwUXKi7DNJmUFJPUmXTRnf_QP_RLTIhUcCNcOIvzuJxDyCmwSwCtr0BypRhToJTWxsg9MkKOcYQS5T4Z9XTU84fkKIQlY9JoFCNy_Wa9dzV9LKvgNtTWOU2aqlrXZbuhz2W96I7alia2WtFp4_OmvqBgQH99bjuIj8lBYd-DO_nBMXm9nbwkd9HsaXqf3MyijEveRrFAmalCq_mcSZEBlwJUoTLkkBecKWSWCz53jFvFheGxNlCgiHMrUcdFzMfkfMhd-eZj7UKbLpu1r7uXKTLoWms0ulOxQZX5JgTvinTly8r6TQos7WdK_87UWc4Gi_NltpNPHgCMUNjz0cAHu3C_T__PW4a28btAVKJriYp_A_7rdjQ</recordid><startdate>20180401</startdate><enddate>20180401</enddate><creator>Morgan-Ellis, Esther M.</creator><general>SAGE</general><general>SAGE Publications</general><general>SAGE PUBLICATIONS, INC</general><scope>7SW</scope><scope>BJH</scope><scope>BNH</scope><scope>BNI</scope><scope>BNJ</scope><scope>BNO</scope><scope>ERI</scope><scope>PET</scope><scope>REK</scope><scope>WWN</scope><scope>AAYXX</scope><scope>CITATION</scope></search><sort><creationdate>20180401</creationdate><title>Warren Kimsey and Community Singing at Camp Gordon, 1917–1918</title><author>Morgan-Ellis, Esther M.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c353t-8425c6f76bb054c135416f6c231df30620a343be03a634938791f248da5278f83</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2018</creationdate><topic>20th century</topic><topic>Armed Forces</topic><topic>Camps</topic><topic>Community Programs</topic><topic>Facilities</topic><topic>Leadership</topic><topic>Military personnel</topic><topic>Military Training</topic><topic>Music Activities</topic><topic>Music Education</topic><topic>Music Teachers</topic><topic>Musical performances</topic><topic>Politics</topic><topic>Progressivism</topic><topic>Singing</topic><topic>United States History</topic><topic>War</topic><topic>World History</topic><topic>World War I</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Morgan-Ellis, Esther M.</creatorcontrib><collection>ERIC</collection><collection>ERIC (Ovid)</collection><collection>ERIC</collection><collection>ERIC</collection><collection>ERIC (Legacy Platform)</collection><collection>ERIC( SilverPlatter )</collection><collection>ERIC</collection><collection>ERIC PlusText (Legacy Platform)</collection><collection>Education Resources Information Center (ERIC)</collection><collection>ERIC</collection><collection>CrossRef</collection><jtitle>Journal of historical research in music education</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Morgan-Ellis, Esther M.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><ericid>EJ1194625</ericid><atitle>Warren Kimsey and Community Singing at Camp Gordon, 1917–1918</atitle><jtitle>Journal of historical research in music education</jtitle><date>2018-04-01</date><risdate>2018</risdate><volume>39</volume><issue>2</issue><spage>171</spage><epage>194</epage><pages>171-194</pages><issn>1536-6006</issn><eissn>2328-2525</eissn><abstract>During the Great War, the Commission for Training Camp Activities (CTCA) pioneered a program in which civilian song leaders were assigned to camps throughout the United States. These men (and a few women) were instructed to organize regular community singing, train officers as song leaders, and cultivate musical talent among the soldiers. They also worked as song leaders in nearby towns and cities, an activity that was intended to improve military–civilian relations and promote patriotism. This article examines the career of Warren Kimsey, the first song leader assigned to Camp Gordon, an army training camp located near the city of Atlanta. Kimsey organized community singing both in the camp and in Atlanta, where he led enormous crowds in the newly constructed Auditorium–Armory. This study presents Kimsey’s work as a product of the nationwide community singing movement and its progressive political agenda, while at the same time contextualizing it in Atlanta’s identity as an emerging cultural center. It also identifies Kimsey’s contributions to music education in Georgia and discusses the broader influence of wartime song leaders on community music initiatives throughout the country.</abstract><cop>Los Angeles, CA</cop><pub>SAGE</pub><doi>10.1177/1536600616677995</doi><tpages>24</tpages></addata></record>
fulltext fulltext
identifier ISSN: 1536-6006
ispartof Journal of historical research in music education, 2018-04, Vol.39 (2), p.171-194
issn 1536-6006
2328-2525
language eng
recordid cdi_proquest_journals_2016167297
source Access via SAGE; JSTOR Archive Collection A-Z Listing
subjects 20th century
Armed Forces
Camps
Community Programs
Facilities
Leadership
Military personnel
Military Training
Music Activities
Music Education
Music Teachers
Musical performances
Politics
Progressivism
Singing
United States History
War
World History
World War I
title Warren Kimsey and Community Singing at Camp Gordon, 1917–1918
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-29T09%3A01%3A47IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Warren%20Kimsey%20and%20Community%20Singing%20at%20Camp%20Gordon,%201917%E2%80%931918&rft.jtitle=Journal%20of%20historical%20research%20in%20music%20education&rft.au=Morgan-Ellis,%20Esther%20M.&rft.date=2018-04-01&rft.volume=39&rft.issue=2&rft.spage=171&rft.epage=194&rft.pages=171-194&rft.issn=1536-6006&rft.eissn=2328-2525&rft_id=info:doi/10.1177/1536600616677995&rft_dat=%3Cjstor_proqu%3E26406226%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=2016167297&rft_id=info:pmid/&rft_ericid=EJ1194625&rft_jstor_id=26406226&rft_sage_id=10.1177_1536600616677995&rfr_iscdi=true