‘A Multicoloured Alphabet’: Rediscovering Albert Giraud’s Pierrot Lunaire

Albert Giraud’s cycle of fifty rondels bergamasques, Pierrot Lunaire (1884), famously became, in Otto Erich Hartleben’s German translation, the basis of Schoenberg’s Op. 21 (1912). But for many decades the work of the Belgian poet was either straightforwardly denigrated for its anachronism and ‘medi...

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Veröffentlicht in:	Twentieth-century music 2007-03, Vol.4 (1), p.97-121
1. Verfasser:	MARSH, ROGER
Format:	Artikel
Sprache:	eng
Schlagworte:	Clarinet music Modernism Musical performances Musicians & conductors Poets Singers Tonality Translations
Online-Zugang:	Volltext
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