Machismo y autoritarismo en "Martín Fierro"
It is almost commonplace to say that José Hernández' epic poem Martín Fierro (1872-1879) is a masterpiece not only of gaucho literature, but of the Hispano-American culture. It is obvious that the marginal condition of the gaucho is evident throughout almost all of Fierro's adventures, and...
Gespeichert in:
Veröffentlicht in: | Guaraguao (Barcelona, Spain) Spain), 2018-01, Vol.21 (56), p.65-72 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | spa |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
container_end_page | 72 |
---|---|
container_issue | 56 |
container_start_page | 65 |
container_title | Guaraguao (Barcelona, Spain) |
container_volume | 21 |
creator | Melussa, Eduardo Llanos |
description | It is almost commonplace to say that José Hernández' epic poem Martín Fierro (1872-1879) is a masterpiece not only of gaucho literature, but of the Hispano-American culture. It is obvious that the marginal condition of the gaucho is evident throughout almost all of Fierro's adventures, and that the protagonist's stoicism and integrity demonstrate the counterpart: an unjust and shameful social system. Therefore, I do not intend to disagree with this interpretation, but add some nuances and highlight certain contradictions by scrutinizing the marks that the central character leaves on both the sociocultural system and the historical circumstances within which it operates. Focused in this way, our protagonist turns out to be himself a condensation of the complex context in which he moves. The central character is certainly a victim, but also a victimizer, although he does not always seem conscious of his contradictions. |
format | Article |
fullrecord | <record><control><sourceid>jstor_proqu</sourceid><recordid>TN_cdi_proquest_journals_1987344964</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><jstor_id>44872193</jstor_id><sourcerecordid>44872193</sourcerecordid><originalsourceid>FETCH-LOGICAL-j504-4ee9d3c02243fbf708d624fe7fa9505c400b46053640650e121de86ad43d2373</originalsourceid><addsrcrecordid>eNotjs9Kw0AYxPeg0FL7CEKoVwPf7vftv6MUq0KLB72HbbJLE2y27iaHPpRP4YsZbOcyDPyYmRs25xx1KVDSjC1z7mASGgtGzdnjztWHNh9jcS7cOMTUDi79Z98Xq51Lw-9PX2xan1Jc3bHb4L6yX159wT42z5_r13L7_vK2ftqWnQQqyXvbYA1CEIZ90GAaJSh4HZyVIGsC2JMCiYpASfBc8MYb5RrCRqDGBXu4tJ5S_B59HqoujqmfBitujUYiq2ii7i9Ul6fX1Sm1R5fOFZHRglvEPxp8RcI</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1987344964</pqid></control><display><type>article</type><title>Machismo y autoritarismo en "Martín Fierro"</title><source>JSTOR Archive Collection A-Z Listing</source><creator>Melussa, Eduardo Llanos</creator><creatorcontrib>Melussa, Eduardo Llanos</creatorcontrib><description>It is almost commonplace to say that José Hernández' epic poem Martín Fierro (1872-1879) is a masterpiece not only of gaucho literature, but of the Hispano-American culture. It is obvious that the marginal condition of the gaucho is evident throughout almost all of Fierro's adventures, and that the protagonist's stoicism and integrity demonstrate the counterpart: an unjust and shameful social system. Therefore, I do not intend to disagree with this interpretation, but add some nuances and highlight certain contradictions by scrutinizing the marks that the central character leaves on both the sociocultural system and the historical circumstances within which it operates. Focused in this way, our protagonist turns out to be himself a condensation of the complex context in which he moves. The central character is certainly a victim, but also a victimizer, although he does not always seem conscious of his contradictions.</description><identifier>ISSN: 1137-2354</identifier><language>spa</language><publisher>Barcelona: Centro de Estudios y Cooperación para América Latina</publisher><subject>Argentine culture ; Argentine literature ; Authoritarianism ; Borges, Jorge Luis (1899-1986) ; Characters (Roles) ; Cowboys ; Epic literature ; Hernandez, Jose ; Latin American literature ; Literary criticism ; Poetry ; Sociocultural factors ; Stoicism</subject><ispartof>Guaraguao (Barcelona, Spain), 2018-01, Vol.21 (56), p.65-72</ispartof><rights>Copyright Centro de Estudios y Cooperacion para America Latina 2018</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://www.jstor.org/stable/pdf/44872193$$EPDF$$P50$$Gjstor$$H</linktopdf><linktohtml>$$Uhttps://www.jstor.org/stable/44872193$$EHTML$$P50$$Gjstor$$H</linktohtml><link.rule.ids>314,780,784,803,58017,58250</link.rule.ids></links><search><creatorcontrib>Melussa, Eduardo Llanos</creatorcontrib><title>Machismo y autoritarismo en "Martín Fierro"</title><title>Guaraguao (Barcelona, Spain)</title><description>It is almost commonplace to say that José Hernández' epic poem Martín Fierro (1872-1879) is a masterpiece not only of gaucho literature, but of the Hispano-American culture. It is obvious that the marginal condition of the gaucho is evident throughout almost all of Fierro's adventures, and that the protagonist's stoicism and integrity demonstrate the counterpart: an unjust and shameful social system. Therefore, I do not intend to disagree with this interpretation, but add some nuances and highlight certain contradictions by scrutinizing the marks that the central character leaves on both the sociocultural system and the historical circumstances within which it operates. Focused in this way, our protagonist turns out to be himself a condensation of the complex context in which he moves. The central character is certainly a victim, but also a victimizer, although he does not always seem conscious of his contradictions.</description><subject>Argentine culture</subject><subject>Argentine literature</subject><subject>Authoritarianism</subject><subject>Borges, Jorge Luis (1899-1986)</subject><subject>Characters (Roles)</subject><subject>Cowboys</subject><subject>Epic literature</subject><subject>Hernandez, Jose</subject><subject>Latin American literature</subject><subject>Literary criticism</subject><subject>Poetry</subject><subject>Sociocultural factors</subject><subject>Stoicism</subject><issn>1137-2354</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2018</creationdate><recordtype>article</recordtype><sourceid>ABUWG</sourceid><sourceid>AFKRA</sourceid><sourceid>AIMQZ</sourceid><sourceid>BENPR</sourceid><sourceid>CCPQU</sourceid><recordid>eNotjs9Kw0AYxPeg0FL7CEKoVwPf7vftv6MUq0KLB72HbbJLE2y27iaHPpRP4YsZbOcyDPyYmRs25xx1KVDSjC1z7mASGgtGzdnjztWHNh9jcS7cOMTUDi79Z98Xq51Lw-9PX2xan1Jc3bHb4L6yX159wT42z5_r13L7_vK2ftqWnQQqyXvbYA1CEIZ90GAaJSh4HZyVIGsC2JMCiYpASfBc8MYb5RrCRqDGBXu4tJ5S_B59HqoujqmfBitujUYiq2ii7i9Ul6fX1Sm1R5fOFZHRglvEPxp8RcI</recordid><startdate>20180101</startdate><enddate>20180101</enddate><creator>Melussa, Eduardo Llanos</creator><general>Centro de Estudios y Cooperación para América Latina</general><general>Centro de Estudios y Cooperacion para America Latina</general><scope>89V</scope><scope>8BY</scope><scope>ABUWG</scope><scope>AFKRA</scope><scope>AIMQZ</scope><scope>BENPR</scope><scope>BFMQW</scope><scope>CCPQU</scope><scope>CLZPN</scope><scope>LIQON</scope><scope>PQEST</scope><scope>PQQKQ</scope><scope>PQUKI</scope></search><sort><creationdate>20180101</creationdate><title>Machismo y autoritarismo en "Martín Fierro"</title><author>Melussa, Eduardo Llanos</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-j504-4ee9d3c02243fbf708d624fe7fa9505c400b46053640650e121de86ad43d2373</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>spa</language><creationdate>2018</creationdate><topic>Argentine culture</topic><topic>Argentine literature</topic><topic>Authoritarianism</topic><topic>Borges, Jorge Luis (1899-1986)</topic><topic>Characters (Roles)</topic><topic>Cowboys</topic><topic>Epic literature</topic><topic>Hernandez, Jose</topic><topic>Latin American literature</topic><topic>Literary criticism</topic><topic>Poetry</topic><topic>Sociocultural factors</topic><topic>Stoicism</topic><toplevel>online_resources</toplevel><creatorcontrib>Melussa, Eduardo Llanos</creatorcontrib><collection>PRISMA Database</collection><collection>PRISMA Database with HAPI Index</collection><collection>ProQuest Central (Alumni Edition)</collection><collection>ProQuest Central UK/Ireland</collection><collection>ProQuest One Literature</collection><collection>ProQuest Central</collection><collection>Continental Europe Database</collection><collection>ProQuest One Community College</collection><collection>Latin America & Iberia Database</collection><collection>ProQuest One Literature - U.S. Customers Only</collection><collection>ProQuest One Academic Eastern Edition (DO NOT USE)</collection><collection>ProQuest One Academic</collection><collection>ProQuest One Academic UKI Edition</collection><jtitle>Guaraguao (Barcelona, Spain)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Melussa, Eduardo Llanos</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Machismo y autoritarismo en "Martín Fierro"</atitle><jtitle>Guaraguao (Barcelona, Spain)</jtitle><date>2018-01-01</date><risdate>2018</risdate><volume>21</volume><issue>56</issue><spage>65</spage><epage>72</epage><pages>65-72</pages><issn>1137-2354</issn><abstract>It is almost commonplace to say that José Hernández' epic poem Martín Fierro (1872-1879) is a masterpiece not only of gaucho literature, but of the Hispano-American culture. It is obvious that the marginal condition of the gaucho is evident throughout almost all of Fierro's adventures, and that the protagonist's stoicism and integrity demonstrate the counterpart: an unjust and shameful social system. Therefore, I do not intend to disagree with this interpretation, but add some nuances and highlight certain contradictions by scrutinizing the marks that the central character leaves on both the sociocultural system and the historical circumstances within which it operates. Focused in this way, our protagonist turns out to be himself a condensation of the complex context in which he moves. The central character is certainly a victim, but also a victimizer, although he does not always seem conscious of his contradictions.</abstract><cop>Barcelona</cop><pub>Centro de Estudios y Cooperación para América Latina</pub><tpages>8</tpages></addata></record> |
fulltext | fulltext |
identifier | ISSN: 1137-2354 |
ispartof | Guaraguao (Barcelona, Spain), 2018-01, Vol.21 (56), p.65-72 |
issn | 1137-2354 |
language | spa |
recordid | cdi_proquest_journals_1987344964 |
source | JSTOR Archive Collection A-Z Listing |
subjects | Argentine culture Argentine literature Authoritarianism Borges, Jorge Luis (1899-1986) Characters (Roles) Cowboys Epic literature Hernandez, Jose Latin American literature Literary criticism Poetry Sociocultural factors Stoicism |
title | Machismo y autoritarismo en "Martín Fierro" |
url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-24T13%3A57%3A37IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-jstor_proqu&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Machismo%20y%20autoritarismo%20en%20%22Mart%C3%ADn%20Fierro%22&rft.jtitle=Guaraguao%20(Barcelona,%20Spain)&rft.au=Melussa,%20Eduardo%20Llanos&rft.date=2018-01-01&rft.volume=21&rft.issue=56&rft.spage=65&rft.epage=72&rft.pages=65-72&rft.issn=1137-2354&rft_id=info:doi/&rft_dat=%3Cjstor_proqu%3E44872193%3C/jstor_proqu%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1987344964&rft_id=info:pmid/&rft_jstor_id=44872193&rfr_iscdi=true |