The Man behind the Mask? Looking at Franz Xaver Messerschmidt

The Man behind the Mask? Looking at Franz Xaver Messerschmidt

This essay challenges the notion that the disquieting grimaces and facial aberrations of sculptor Franz Xaver Messerschmidt's Character Heads can be explained through suppositions about his eccentric or lunatic creative persona. In contrast, by foregrounding the objects themselves within a clos...

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Veröffentlicht in:Eighteenth-century studies 2009-04, Vol.42 (3), p.431-451
1. Verfasser: Yonan, Michael
Format: Artikel
Sprache:eng
Schlagworte:
Busts
Emotional expression
Face
Facial expressions
Head
Portraits
Rococo art
Sculptors
Sculpture
Visual fixation
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description This essay challenges the notion that the disquieting grimaces and facial aberrations of sculptor Franz Xaver Messerschmidt's Character Heads can be explained through suppositions about his eccentric or lunatic creative persona. In contrast, by foregrounding the objects themselves within a close visual analysis, Messerschmidt's sculptures are revealed as a kind of communication, but ironically an uncommunicative one, that empowered the artist to explore aspects of his craft that conventional artistic activity forbade. That we are unable to access a straightforward motivation behind his practice is precisely what renders it and these objects so compelling.
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subjects Busts
Emotional expression
Face
Facial expressions
Head
Portraits
Rococo art
Sculptors
Sculpture
Visual fixation
title The Man behind the Mask? Looking at Franz Xaver Messerschmidt
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