Station House Opera, Mare's Nest; and Forkbeard Fantasy, Frankenstein
There has been a resurgence of work, which in a more thorough-going way explores a full-scale merging of film or video with live performance, to create hybrid productions which are not simply multi-media, but more properly might be described as inter-media. Notable examples of this emerging trend in...
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| Veröffentlicht in: | Western European stages 2003-01, Vol.15 (1), p.79 |
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| container_title | Western European stages |
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| creator | Giesekam, Greg |
| description | There has been a resurgence of work, which in a more thorough-going way explores a full-scale merging of film or video with live performance, to create hybrid productions which are not simply multi-media, but more properly might be described as inter-media. Notable examples of this emerging trend include Station House Opera's Mare's Nest and Forkbeard Fantasy's Frankenstein. |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 1050-1991 |
| ispartof | Western European stages, 2003-01, Vol.15 (1), p.79 |
| issn | 1050-1991 |
| language | eng |
| recordid | cdi_proquest_journals_198163359 |
| source | Alma/SFX Local Collection |
| subjects | Multimedia Theater criticism Video production |
| title | Station House Opera, Mare's Nest; and Forkbeard Fantasy, Frankenstein |
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