EONS IN AN INSTANT: THE PARADOXES OF SUZAN-LORI PARKS'S 365 DAYS/365 PLAYS
Contemporary theater provides numerous examples of the mass consumption of single-serving drama; from the drastically abridged comprehensiveness of the Reduced Shakespeare Company, to the Neo-Futurists' frantic attempts to present thirty plays in an hour, the digitally-encyclopedic Wikipedia Pl...
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Veröffentlicht in: | The Journal of American drama and theatre 2010-01, Vol.22 (1), p.7 |
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Format: | Artikel |
Sprache: | eng |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Contemporary theater provides numerous examples of the mass consumption of single-serving drama; from the drastically abridged comprehensiveness of the Reduced Shakespeare Company, to the Neo-Futurists' frantic attempts to present thirty plays in an hour, the digitally-encyclopedic Wikipedia Plays, or Mark Ravenhill's recent "Epic Cycle of Short Plays," Shoot/Get Treasure/Repeat. 365 Days/365 Plays refers to two distinct microthons: a private compositional journey exploring dramatic form, and a public experiment testing theatrical possibility. Among other things Muse presents Suzan-Lori Parks's marathon of the miniscule: 365 Days/365 Plays. |
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ISSN: | 1044-937X 2376-4236 |