Netflix: global hegemon or facilitator of frictionless digital trade?

Trade in cultural products has traditionally been constrained by a combination of law and technology. In Europe, digital sellers based in a given EU country are not always able to distribute across borders. In January 2016, US-based Netflix announced an expansion to 243 countries, accomplishing cros...

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Veröffentlicht in:	Journal of cultural economics 2018-08, Vol.42 (3), p.419-445
Hauptverfasser:	Aguiar, Luis, Waldfogel, Joel
Format:	Artikel
Sprache:	eng
Schlagworte:	Arts Availability Borders Cultural Economics Cultural heritage Distribution channels Economic Policy Economics Economics and Finance Free trade Markets Microeconomics Music ORIGINAL ARTICLE Regional and Cultural Studies Technology Video on demand
Online-Zugang:	Volltext
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