Clinical Assessment of Shoulder Impingement Factors in Violin and Viola Players

Objective: To describe several clinical tests and predisposing factors for shoulder impingement syndrome in violin and viola players. Subjects: Ten musicians (7 females, 3 males) and 18 controls (8 females, 10 males), all college-aged. Methods: Subjects were interviewed about their music-playing his...

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Veröffentlicht in:Medical problems of performing artists 2008-12, Vol.23 (4), p.155-163
Hauptverfasser: Moore, M, DeHaan, L, Ehrenberg, T, Gross, L, Magembe, C
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container_title Medical problems of performing artists
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creator Moore, M
DeHaan, L
Ehrenberg, T
Gross, L
Magembe, C
description Objective: To describe several clinical tests and predisposing factors for shoulder impingement syndrome in violin and viola players. Subjects: Ten musicians (7 females, 3 males) and 18 controls (8 females, 10 males), all college-aged. Methods: Subjects were interviewed about their music-playing history and shoulder pain. Four clinical assessment tests were performed on both shoulders: Neer impingement text (maximal flexion +/- pain), shoulder internal rotation with over-pressure (end-feel and +/- pain), lower trapezius muscle strength (ft-lbs of torque from manual dynamometer), and forward shoulder posture (height of acromion from plinth with subject supine). Analysis: Descriptive analysis of questionnaire data, plus two-sample t-tests for manual shoulder assessment tests in musicians versus controls. Also comparisons of music-playing history in musicians with and without shoulder impingement. Results: Seventy percent of musicians reported pain somewhere in the upper limb, with 50% in the left shoulder and 30% in the right shoulder. Thirty percent of musicians had a positive Neer impingement test, while 0% of controls did. There was a significant phi (Φ) correlation between being a musician and having a higher incidence of shoulder impingement (p
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Subjects: Ten musicians (7 females, 3 males) and 18 controls (8 females, 10 males), all college-aged. Methods: Subjects were interviewed about their music-playing history and shoulder pain. Four clinical assessment tests were performed on both shoulders: Neer impingement text (maximal flexion +/- pain), shoulder internal rotation with over-pressure (end-feel and +/- pain), lower trapezius muscle strength (ft-lbs of torque from manual dynamometer), and forward shoulder posture (height of acromion from plinth with subject supine). Analysis: Descriptive analysis of questionnaire data, plus two-sample t-tests for manual shoulder assessment tests in musicians versus controls. Also comparisons of music-playing history in musicians with and without shoulder impingement. Results: Seventy percent of musicians reported pain somewhere in the upper limb, with 50% in the left shoulder and 30% in the right shoulder. Thirty percent of musicians had a positive Neer impingement test, while 0% of controls did. There was a significant phi (Φ) correlation between being a musician and having a higher incidence of shoulder impingement (p&lt;0.01 for bowing arm, p&lt;0.05 for left arm). Those musicians with a positive impingement test also had pain with over-pressure in internal rotation, indicating a chronic condition. Musicians' mean playing time was 9.8 hr/wk, with 14 min/hr of rest. Musicians with impingement tended to play more hours per week, but differences in playing time and rest were not significant. t-Tests showed no significant difference in lower trapezius strength or degree of forward shoulder between musicians and controls. Conclusions: Upper string players are at increased risk for shoulder impingement.</description><identifier>ISSN: 0885-1158</identifier><identifier>EISSN: 1938-2766</identifier><identifier>DOI: 10.21091/mppa.2008.4032</identifier><language>eng</language><publisher>Narberth: Science &amp; Medicine, Inc</publisher><subject>Care and treatment ; Cumulative trauma disorders ; Diagnosis ; Medical examination ; Overuse injuries ; Physiological aspects ; Risk factors ; Shoulder pain ; Violists</subject><ispartof>Medical problems of performing artists, 2008-12, Vol.23 (4), p.155-163</ispartof><rights>COPYRIGHT 2008 Science &amp; Medicine</rights><rights>Copyright Science &amp; Medicine Inc. 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Subjects: Ten musicians (7 females, 3 males) and 18 controls (8 females, 10 males), all college-aged. Methods: Subjects were interviewed about their music-playing history and shoulder pain. Four clinical assessment tests were performed on both shoulders: Neer impingement text (maximal flexion +/- pain), shoulder internal rotation with over-pressure (end-feel and +/- pain), lower trapezius muscle strength (ft-lbs of torque from manual dynamometer), and forward shoulder posture (height of acromion from plinth with subject supine). Analysis: Descriptive analysis of questionnaire data, plus two-sample t-tests for manual shoulder assessment tests in musicians versus controls. Also comparisons of music-playing history in musicians with and without shoulder impingement. Results: Seventy percent of musicians reported pain somewhere in the upper limb, with 50% in the left shoulder and 30% in the right shoulder. Thirty percent of musicians had a positive Neer impingement test, while 0% of controls did. There was a significant phi (Φ) correlation between being a musician and having a higher incidence of shoulder impingement (p&lt;0.01 for bowing arm, p&lt;0.05 for left arm). Those musicians with a positive impingement test also had pain with over-pressure in internal rotation, indicating a chronic condition. Musicians' mean playing time was 9.8 hr/wk, with 14 min/hr of rest. Musicians with impingement tended to play more hours per week, but differences in playing time and rest were not significant. t-Tests showed no significant difference in lower trapezius strength or degree of forward shoulder between musicians and controls. 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Subjects: Ten musicians (7 females, 3 males) and 18 controls (8 females, 10 males), all college-aged. Methods: Subjects were interviewed about their music-playing history and shoulder pain. Four clinical assessment tests were performed on both shoulders: Neer impingement text (maximal flexion +/- pain), shoulder internal rotation with over-pressure (end-feel and +/- pain), lower trapezius muscle strength (ft-lbs of torque from manual dynamometer), and forward shoulder posture (height of acromion from plinth with subject supine). Analysis: Descriptive analysis of questionnaire data, plus two-sample t-tests for manual shoulder assessment tests in musicians versus controls. Also comparisons of music-playing history in musicians with and without shoulder impingement. Results: Seventy percent of musicians reported pain somewhere in the upper limb, with 50% in the left shoulder and 30% in the right shoulder. Thirty percent of musicians had a positive Neer impingement test, while 0% of controls did. There was a significant phi (Φ) correlation between being a musician and having a higher incidence of shoulder impingement (p&lt;0.01 for bowing arm, p&lt;0.05 for left arm). Those musicians with a positive impingement test also had pain with over-pressure in internal rotation, indicating a chronic condition. Musicians' mean playing time was 9.8 hr/wk, with 14 min/hr of rest. Musicians with impingement tended to play more hours per week, but differences in playing time and rest were not significant. t-Tests showed no significant difference in lower trapezius strength or degree of forward shoulder between musicians and controls. Conclusions: Upper string players are at increased risk for shoulder impingement.</abstract><cop>Narberth</cop><pub>Science &amp; Medicine, Inc</pub><doi>10.21091/mppa.2008.4032</doi><tpages>9</tpages></addata></record>
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subjects Care and treatment
Cumulative trauma disorders
Diagnosis
Medical examination
Overuse injuries
Physiological aspects
Risk factors
Shoulder pain
Violists
title Clinical Assessment of Shoulder Impingement Factors in Violin and Viola Players
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