“Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law & Order

Running from 1990 to 2010, the procedural drama "Law & Order" depicts the investigation and prosecution of homicides from the perspectives of the police and district attorney's office in Manhattan. Latino/as appear throughout the show's history on both the criminal and prosec...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of popular culture 2017-10, Vol.50 (5), p.983-1002
1. Verfasser: Rudolph, Jennifer D.
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 1002
container_issue 5
container_start_page 983
container_title Journal of popular culture
container_volume 50
creator Rudolph, Jennifer D.
description Running from 1990 to 2010, the procedural drama "Law & Order" depicts the investigation and prosecution of homicides from the perspectives of the police and district attorney's office in Manhattan. Latino/as appear throughout the show's history on both the criminal and prosecutorial sides of the justice system, embodying social tensions of the late 20th and early 21st centuries. "Law & Order's" stories featuring Latino/as mostly depict crimes associated with poverty, urban violence, social deviance, and informal economies, as opposed to those featuring non-Latino white defendants who are associated with familial disputes and white collar crimes such as corporate fraud and misconduct. "Law & Order's" rendering of equal justice is not equal at all, particularly in its treatment of Latino men. Latino males in the justice system on Law and Order reveal the tensions in complicating enduring racialized and gendered media narratives of Latinos in the urban United States. Themes of immigration, the Latino male as bandido (criminal foreign invader), and the American dream permeate the presentation of Latinos on Law & Order.
doi_str_mv 10.1111/jpcu.12609
format Article
fullrecord <record><control><sourceid>proquest_cross</sourceid><recordid>TN_cdi_proquest_journals_1961394578</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>1961394578</sourcerecordid><originalsourceid>FETCH-LOGICAL-c2609-47785c3f0b7eefb2aa3345c020e094253fd5bf47adb5e3cc7540498e00260bab3</originalsourceid><addsrcrecordid>eNp9kEtOwzAQhi0EEqWw4QSWkFggpYxju0nYIBTxVFG7oGJpOY5DU4U42Imq7noEDgCX60lwCWtmMzPSN4__R-iUwIj4uFw2qhuRcAzJHhoQziDgCSX7aAAQhgGNGRyiI-eWAEASCgM0226-XhfGafws64VsW1lfbzffV75tmrJ-w6mpjN1uPrOqrHP81Lm2VBoXxuKJbMvaOGxqX67wOZ7aXNtjdFDIyumTvzxE87vbl_QhmEzvH9ObSaB23wUsimKuaAFZpHWRhVJSyriCEDQkLOS0yHlWsEjmGddUqchrYUmsvY4xZDKjQ3TW722s-ei0a8XSdLb2JwVJxoQmjEexpy56SlnjnNWFaGz5Lu1aEBA7x8TOMfHrmIdJD6_KSq__IcXTLJ33Mz_c5G9H</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype><pqid>1961394578</pqid></control><display><type>article</type><title>“Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law &amp; Order</title><source>Access via Wiley Online Library</source><creator>Rudolph, Jennifer D.</creator><creatorcontrib>Rudolph, Jennifer D.</creatorcontrib><description>Running from 1990 to 2010, the procedural drama "Law &amp; Order" depicts the investigation and prosecution of homicides from the perspectives of the police and district attorney's office in Manhattan. Latino/as appear throughout the show's history on both the criminal and prosecutorial sides of the justice system, embodying social tensions of the late 20th and early 21st centuries. "Law &amp; Order's" stories featuring Latino/as mostly depict crimes associated with poverty, urban violence, social deviance, and informal economies, as opposed to those featuring non-Latino white defendants who are associated with familial disputes and white collar crimes such as corporate fraud and misconduct. "Law &amp; Order's" rendering of equal justice is not equal at all, particularly in its treatment of Latino men. Latino males in the justice system on Law and Order reveal the tensions in complicating enduring racialized and gendered media narratives of Latinos in the urban United States. Themes of immigration, the Latino male as bandido (criminal foreign invader), and the American dream permeate the presentation of Latinos on Law &amp; Order.</description><identifier>ISSN: 0022-3840</identifier><identifier>EISSN: 1540-5931</identifier><identifier>DOI: 10.1111/jpcu.12609</identifier><language>eng</language><publisher>Oxford: Blackwell Publishing Ltd</publisher><subject>20th century ; 21st century ; Artistic representation (Imitation) ; Criminal justice ; Defendants ; Deviance ; Disputes ; Drama ; Equality ; Fraud ; Gender ; Hispanic Americans ; Immigration ; Informal economy ; Latin American cultural groups ; Law ; Law enforcement ; Literary devices ; Males ; Mapping ; Men ; Misconduct ; Police ; Poverty ; Procedural justice ; Prosecutions ; Race ; Television programs ; White collar crime</subject><ispartof>Journal of popular culture, 2017-10, Vol.50 (5), p.983-1002</ispartof><rights>2017 Wiley Periodicals, Inc.</rights><rights>Copyright © 2017 Wiley Periodicals, Inc.</rights><lds50>peer_reviewed</lds50><woscitedreferencessubscribed>false</woscitedreferencessubscribed><cites>FETCH-LOGICAL-c2609-47785c3f0b7eefb2aa3345c020e094253fd5bf47adb5e3cc7540498e00260bab3</cites></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><linktopdf>$$Uhttps://onlinelibrary.wiley.com/doi/pdf/10.1111%2Fjpcu.12609$$EPDF$$P50$$Gwiley$$H</linktopdf><linktohtml>$$Uhttps://onlinelibrary.wiley.com/doi/full/10.1111%2Fjpcu.12609$$EHTML$$P50$$Gwiley$$H</linktohtml><link.rule.ids>314,780,784,1417,27924,27925,45574,45575</link.rule.ids></links><search><creatorcontrib>Rudolph, Jennifer D.</creatorcontrib><title>“Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law &amp; Order</title><title>Journal of popular culture</title><description>Running from 1990 to 2010, the procedural drama "Law &amp; Order" depicts the investigation and prosecution of homicides from the perspectives of the police and district attorney's office in Manhattan. Latino/as appear throughout the show's history on both the criminal and prosecutorial sides of the justice system, embodying social tensions of the late 20th and early 21st centuries. "Law &amp; Order's" stories featuring Latino/as mostly depict crimes associated with poverty, urban violence, social deviance, and informal economies, as opposed to those featuring non-Latino white defendants who are associated with familial disputes and white collar crimes such as corporate fraud and misconduct. "Law &amp; Order's" rendering of equal justice is not equal at all, particularly in its treatment of Latino men. Latino males in the justice system on Law and Order reveal the tensions in complicating enduring racialized and gendered media narratives of Latinos in the urban United States. Themes of immigration, the Latino male as bandido (criminal foreign invader), and the American dream permeate the presentation of Latinos on Law &amp; Order.</description><subject>20th century</subject><subject>21st century</subject><subject>Artistic representation (Imitation)</subject><subject>Criminal justice</subject><subject>Defendants</subject><subject>Deviance</subject><subject>Disputes</subject><subject>Drama</subject><subject>Equality</subject><subject>Fraud</subject><subject>Gender</subject><subject>Hispanic Americans</subject><subject>Immigration</subject><subject>Informal economy</subject><subject>Latin American cultural groups</subject><subject>Law</subject><subject>Law enforcement</subject><subject>Literary devices</subject><subject>Males</subject><subject>Mapping</subject><subject>Men</subject><subject>Misconduct</subject><subject>Police</subject><subject>Poverty</subject><subject>Procedural justice</subject><subject>Prosecutions</subject><subject>Race</subject><subject>Television programs</subject><subject>White collar crime</subject><issn>0022-3840</issn><issn>1540-5931</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2017</creationdate><recordtype>article</recordtype><recordid>eNp9kEtOwzAQhi0EEqWw4QSWkFggpYxju0nYIBTxVFG7oGJpOY5DU4U42Imq7noEDgCX60lwCWtmMzPSN4__R-iUwIj4uFw2qhuRcAzJHhoQziDgCSX7aAAQhgGNGRyiI-eWAEASCgM0226-XhfGafws64VsW1lfbzffV75tmrJ-w6mpjN1uPrOqrHP81Lm2VBoXxuKJbMvaOGxqX67wOZ7aXNtjdFDIyumTvzxE87vbl_QhmEzvH9ObSaB23wUsimKuaAFZpHWRhVJSyriCEDQkLOS0yHlWsEjmGddUqchrYUmsvY4xZDKjQ3TW722s-ei0a8XSdLb2JwVJxoQmjEexpy56SlnjnNWFaGz5Lu1aEBA7x8TOMfHrmIdJD6_KSq__IcXTLJ33Mz_c5G9H</recordid><startdate>201710</startdate><enddate>201710</enddate><creator>Rudolph, Jennifer D.</creator><general>Blackwell Publishing Ltd</general><scope>AAYXX</scope><scope>CITATION</scope><scope>8BJ</scope><scope>8XN</scope><scope>FQK</scope><scope>JBE</scope></search><sort><creationdate>201710</creationdate><title>“Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law &amp; Order</title><author>Rudolph, Jennifer D.</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-c2609-47785c3f0b7eefb2aa3345c020e094253fd5bf47adb5e3cc7540498e00260bab3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2017</creationdate><topic>20th century</topic><topic>21st century</topic><topic>Artistic representation (Imitation)</topic><topic>Criminal justice</topic><topic>Defendants</topic><topic>Deviance</topic><topic>Disputes</topic><topic>Drama</topic><topic>Equality</topic><topic>Fraud</topic><topic>Gender</topic><topic>Hispanic Americans</topic><topic>Immigration</topic><topic>Informal economy</topic><topic>Latin American cultural groups</topic><topic>Law</topic><topic>Law enforcement</topic><topic>Literary devices</topic><topic>Males</topic><topic>Mapping</topic><topic>Men</topic><topic>Misconduct</topic><topic>Police</topic><topic>Poverty</topic><topic>Procedural justice</topic><topic>Prosecutions</topic><topic>Race</topic><topic>Television programs</topic><topic>White collar crime</topic><toplevel>peer_reviewed</toplevel><toplevel>online_resources</toplevel><creatorcontrib>Rudolph, Jennifer D.</creatorcontrib><collection>CrossRef</collection><collection>International Bibliography of the Social Sciences (IBSS)</collection><collection>International Bibliography of Art (IBA)</collection><collection>International Bibliography of the Social Sciences</collection><collection>International Bibliography of the Social Sciences</collection><jtitle>Journal of popular culture</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Rudolph, Jennifer D.</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>“Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law &amp; Order</atitle><jtitle>Journal of popular culture</jtitle><date>2017-10</date><risdate>2017</risdate><volume>50</volume><issue>5</issue><spage>983</spage><epage>1002</epage><pages>983-1002</pages><issn>0022-3840</issn><eissn>1540-5931</eissn><abstract>Running from 1990 to 2010, the procedural drama "Law &amp; Order" depicts the investigation and prosecution of homicides from the perspectives of the police and district attorney's office in Manhattan. Latino/as appear throughout the show's history on both the criminal and prosecutorial sides of the justice system, embodying social tensions of the late 20th and early 21st centuries. "Law &amp; Order's" stories featuring Latino/as mostly depict crimes associated with poverty, urban violence, social deviance, and informal economies, as opposed to those featuring non-Latino white defendants who are associated with familial disputes and white collar crimes such as corporate fraud and misconduct. "Law &amp; Order's" rendering of equal justice is not equal at all, particularly in its treatment of Latino men. Latino males in the justice system on Law and Order reveal the tensions in complicating enduring racialized and gendered media narratives of Latinos in the urban United States. Themes of immigration, the Latino male as bandido (criminal foreign invader), and the American dream permeate the presentation of Latinos on Law &amp; Order.</abstract><cop>Oxford</cop><pub>Blackwell Publishing Ltd</pub><doi>10.1111/jpcu.12609</doi><tpages>20</tpages></addata></record>
fulltext fulltext
identifier ISSN: 0022-3840
ispartof Journal of popular culture, 2017-10, Vol.50 (5), p.983-1002
issn 0022-3840
1540-5931
language eng
recordid cdi_proquest_journals_1961394578
source Access via Wiley Online Library
subjects 20th century
21st century
Artistic representation (Imitation)
Criminal justice
Defendants
Deviance
Disputes
Drama
Equality
Fraud
Gender
Hispanic Americans
Immigration
Informal economy
Latin American cultural groups
Law
Law enforcement
Literary devices
Males
Mapping
Men
Misconduct
Police
Poverty
Procedural justice
Prosecutions
Race
Television programs
White collar crime
title “Whose Manhattan?”: Mapping Color‐blind Justice for Latinos on Law & Order
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2024-12-28T21%3A01%3A29IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_cross&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=%E2%80%9CWhose%20Manhattan?%E2%80%9D:%20Mapping%20Color%E2%80%90blind%20Justice%20for%20Latinos%20on%20Law%20&%20Order&rft.jtitle=Journal%20of%20popular%20culture&rft.au=Rudolph,%20Jennifer%20D.&rft.date=2017-10&rft.volume=50&rft.issue=5&rft.spage=983&rft.epage=1002&rft.pages=983-1002&rft.issn=0022-3840&rft.eissn=1540-5931&rft_id=info:doi/10.1111/jpcu.12609&rft_dat=%3Cproquest_cross%3E1961394578%3C/proquest_cross%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=1961394578&rft_id=info:pmid/&rfr_iscdi=true