Performing Early Modern Trauma from Shakespeare to Milton
Whereas most historicist criticism looks at the period's historiographic impulses in order to determine a text's sociopolitical intentions, Anderson's gaze is more distinctly psychoanalytic: he is concerned with how a text registers conflicting desires to recall historical events, as...
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| Veröffentlicht in: | Shakespeare quarterly 2006, Vol.57 (4), p.487-489 |
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| Format: | Review |
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| container_title | Shakespeare quarterly |
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| creator | Hirschfeld, Heather |
| description | Whereas most historicist criticism looks at the period's historiographic impulses in order to determine a text's sociopolitical intentions, Anderson's gaze is more distinctly psychoanalytic: he is concerned with how a text registers conflicting desires to recall historical events, as well as to move beyond them. Titus, Anderson argues, seeks to collapse word and deed according to a sacramental aesthetic that the iconoclastic Foxe is at pains to dismantle; in its violence, the play bears witness to how "the Reformation presses its claim on the narrative of a Roman legacy that informs the structure of power in Elizabethan culture" (39). |
| doi_str_mv | 10.1353/shq.2006.0088 |
| format | Review |
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| fulltext | fulltext |
| identifier | ISSN: 0037-3222 |
| ispartof | Shakespeare quarterly, 2006, Vol.57 (4), p.487-489 |
| issn | 0037-3222 1538-3555 1538-3555 |
| language | eng |
| recordid | cdi_proquest_journals_195896812 |
| source | Jstor Complete Legacy; Oxford University Press Journals All Titles (1996-Current) |
| subjects | Death & dying Drama Early Modern English Eye movements Historical text analysis History Neill, Michael Nonfiction Shakespeare, William (1564-1616) Theory Trauma |
| title | Performing Early Modern Trauma from Shakespeare to Milton |
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