"Standing to the Wall": The Pressures of Masculinity in Romeo and Juliet
In Shakespeare's "Romeo and Juliet," the regime of masculinity is constituted as a system from which there is no escape, but there is no experience of masculine satisfaction either.
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| Veröffentlicht in: | Shakespeare quarterly 1997-10, Vol.48 (3), p.251-272 |
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| container_issue | 3 |
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| container_title | Shakespeare quarterly |
| container_volume | 48 |
| creator | Appelbaum, Robert |
| description | In Shakespeare's "Romeo and Juliet," the regime of masculinity is constituted as a system from which there is no escape, but there is no experience of masculine satisfaction either. |
| doi_str_mv | 10.2307/2871016 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0037-3222 |
| ispartof | Shakespeare quarterly, 1997-10, Vol.48 (3), p.251-272 |
| issn | 0037-3222 1538-3555 |
| language | eng |
| recordid | cdi_proquest_journals_195857761 |
| source | Jstor Complete Legacy; Oxford University Press Journals All Titles (1996-Current); Periodicals Index Online |
| subjects | British & Irish literature Desire Drama English literature Fathers Femininity Gender identity Gender performativity Identity Literary criticism Masculinity Men Shakespeare, William (1564-1616) Subjectivity Theater |
| title | "Standing to the Wall": The Pressures of Masculinity in Romeo and Juliet |
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