Arias, Communists, and Conspiracies: The History of Still's Troubled Island
Kernodle chronicles the history of William Grant Still's first opera, "Troubled Island," which premiered on Mar 31, 1949 in New York. It was the first performance by a major opera company of an opera by an African American composer.
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| Veröffentlicht in: | The Musical quarterly 1999-12, Vol.83 (4), p.487-508 |
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| Format: | Artikel |
| Sprache: | eng |
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| container_end_page | 508 |
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| container_issue | 4 |
| container_start_page | 487 |
| container_title | The Musical quarterly |
| container_volume | 83 |
| creator | Kernodle, Tammy L. |
| description | Kernodle chronicles the history of William Grant Still's first opera, "Troubled Island," which premiered on Mar 31, 1949 in New York. It was the first performance by a major opera company of an opera by an African American composer. |
| doi_str_mv | 10.1093/mq/83.4.487 |
| format | Article |
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| fulltext | fulltext |
| identifier | ISSN: 0027-4631 |
| ispartof | The Musical quarterly, 1999-12, Vol.83 (4), p.487-508 |
| issn | 0027-4631 1741-8399 |
| language | eng |
| recordid | cdi_proquest_journals_194398929 |
| source | Periodicals Index Online; JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current) |
| subjects | African Americans American Musics Black people Composers Downtowns History Librettos Music composition Music criticism Musical performance Opera Still, William Grant (1895-1978) Theater United States history |
| title | Arias, Communists, and Conspiracies: The History of Still's Troubled Island |
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