“Haunted by Envisioned Romance”: John Harbison's Gatsby
John Harbison's "The Great Gatsby" is discussed. Harbison forthrightly devises a hybrid opera of manners.
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Veröffentlicht in: | The Musical quarterly 2001, Vol.85 (3), p.413-455 |
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container_issue | 3 |
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container_title | The Musical quarterly |
container_volume | 85 |
creator | Brody, Martin |
description | John Harbison's "The Great Gatsby" is discussed. Harbison forthrightly devises a hybrid opera of manners. |
doi_str_mv | 10.1093/musqtl/85.3.413 |
format | Article |
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identifier | ISSN: 0027-4631 |
ispartof | The Musical quarterly, 2001, Vol.85 (3), p.413-455 |
issn | 0027-4631 1741-8399 |
language | eng |
recordid | cdi_proquest_journals_194389786 |
source | JSTOR Archive Collection A-Z Listing; Oxford University Press Journals All Titles (1996-Current) |
subjects | American Musics Choirs Copyrights Harbison, John Irony Music Musical criticism Musical register Musical rhythm Opera Orchestral music Overtures Vocal music |
title | “Haunted by Envisioned Romance”: John Harbison's Gatsby |
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