Timbres vocais no canto coral teuto-brasileiro católico: uma abordagem etnomusicológica
The history of the First Brazilian Contest of Classical Musical Composition for Piano or Classic Guitar, cosponsored by the National Institute for Music of National Foundation of Art (Funarte) and the publishers Irmãos Vitale, reveals aspects of the musical production in Brazil in the 1970s. By trac...
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Veröffentlicht in: | Música hodie 2015-01, Vol.15 (1), p.31-39 |
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Format: | Artikel |
Sprache: | por |
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Online-Zugang: | Volltext |
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Zusammenfassung: | The history of the First Brazilian Contest of Classical Musical Composition for Piano or Classic Guitar, cosponsored by the National Institute for Music of National Foundation of Art (Funarte) and the publishers Irmãos Vitale, reveals aspects of the musical production in Brazil in the 1970s. By tracing the bibliography, researching the documents of the Centre of Documentation of Funarte and consulting the periodicals of that time, we describe the competition and state its circumstances. [Publication abstract] |
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ISSN: | 1676-3939 2317-6776 |